2-disc CD expanded to 31 songs including non-album hits, alternate versions & rare takes.- Digitally remastered from Immediate Records tapes by Nick Robbins- Housed in a deluxe 6-panel gatefold digi-sleeve recreating the original LP sleeve plus rare photos - CDs inserted in full-colour inner wallets featuring band photos- Lavishly illustrated 16-page booklet with full track credits, rare memorabilia & photos- Sleeve notes by Ken Sharp- Interviews with PP Arnold, George Chkiantz, Gered Mankowitz & Eric Carmen- All sealed in a 90-micron polypropylene protective sleeve wallet"This is The Small Faces as they should be heard."KENNEY JONES

TWICE AS MUCH were a UK vocal duo – Dave Skinner and Andrew Rose – often compared to their more successful US counterparts Simon & Garfunkel. Their signature lush harmonies and accomplished songwriting skills attracted the attention of maverick indie record executive Andrew Loog Oldham who signed them to his fledgling Immediate Records. Their debut single in May 1966 was a cover of the Rolling Stones’ “Sitting On A Fence” which features here as the opening track to That’s All. The album stands apart from its contemporaries at Immediate due, in no small part, to its heavily orchestrated “wall-of-sound” production and the dazzling harmonies. It’s a fine example of baroque inspired sunshine pop from the feel-good summer of ’66 when Great Britain captured the imagination of the world. A polished and significant album earning its place as an official Immediate 60th Anniversary reissue.

The blu-ray was previously only available as part of the excellent, but expensive, super deluxe edition of Who's Next, which was released just over a year ago. It features Steven Wilson remixes of Who's Next and 14 bonus tracks. Those bonus tracks are of the highest quality and include unedited versions of singles such as 'The Seeker', 'Let's See Action' and 'Join Together' Wilson has created Dolby Atmos Mixes, dedicated 5.1 mixes and new stereo mixes of all 23 tracks on the blu-ray with the exception of 'Bargain' for which the multi-tracks unfortunately could not be found (a Penteo 'upmix' was created for that track for the spatial/surround mixes). The SDE blu-ray exclusively features Steven Wilson instrumental mixes of the album and all the bonus tracks (except 'Bargain' for the reasons stated above). These instrumentals do not features on the blu-ray in the box set.

A surprisingly strong collection of mid-'60s sides from British Decca, which was never perceived as that strong a label. Prepared by two experts from New Musical Express, this features the expected sides from Small Faces, Bowie, and the Zombies, but also all the blues (Alexis Korner, Cyril Davies), punk (Rocking Vickers), and psychedelic acts (Honeybus) that never made it here.

Stunning compilation of Small Faces cuts released worldwide on the Immediate Records label. A-sides, rare B-sides, classic hit singles such as Itchycoo Park, Lazy Sunday, Here Come the Nice, Tin Soldier, The Universal, Afterglow Of Your Love and more. For the first time ever, all the correct single versions are included, newly remastered from recently discovered original mono master tapes by Matt Colton.

A Quick One was released in 1966, containing experimental music Suite (a nod to Rock Operas that were to follow). The album contains “Boris the Spider,” “Don’t Look Away” and has been mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.

Bristol Archive Records have been telling the story of the incredibly diverse Bristol Music scene for many years now. The label has focused recently on the sub-culture of Mod, Modernism and Power Pop and recently gained considerable success with their release ‘The Bristol Mod Explosion 1979-1987’. They have also released albums from the same scene by The Reaction ‘Shapes of Things To Come’ and The Rimshots ‘A Way With Words 1980-1983’. Now we turn our attention to another undiscovered Bristol band, Thin Air who featured on the Mod Explosion and the song writing genius of a would be Paul Weller, John Lennon, Elvis Costello – Paul Sandrone.

This album covers the period 1979 to 1987 and features 14 tracks. When punk rock started to fizzle out and Squat Punks started to appear on the streets, many of the UK's disaffected youths had already moved sideways into Modernism and fell in love with bands like The Jam, Secret Affair, The Purple Hearts, The Lambrettas and The Chords but lets also remember our love for The Beat, Madness and The Specials. Mod was another gang culture, to some a way of life, to some it became life. The smart, striking fashion sense, the scooters, the music; (some from the 60's, soul and Motown), some from the 70's and 80's, guitar driven power pop. Wow! Mod was the real deal.

The Artwoods were pioneers of British R&B, and thanks to Dick Jordan and his tape recorder you can travel back to the swinging sixties, and the cool vibe of the Klooks Kleek club in west London where jazz, R&B, and the roots of the mod sound were rubbing up against each other. Hear the sound of this band when they were young, hungry and serving up some wonderful R&B!

The 1960's was the decade when young people finally threw off the restrictions of previous generations and made a new 'pop' culture, just for themselves. From the black and white world of the Fifties, suddenly the Sixties exploded into glorious Technicolor. When USA's Time magazine dedicated it's 15 April 1966 issue to London: The Swinging City, it was recognizing that in the midst of a worldwide cultural revolution it was Britain, and London especially, that laid claim to being the centre of all things modern. British artists, writers, photographers, film makers and, most significantly, it's musicians, were bursting with creativity.