Stax Christmas brings together 12 holiday classics from the legendary Stax Records, with favorites by Otis Redding (Merry Christmas Baby), Isaac Hayes (The Mistletoe and Me), The Staple Singers (Who Took the Merry Out of Christmas), Albert King (Santa Claus Wants Some Lovin') and more. Also included is a newly unearthed version of the classic "Blue Christmas" sung by Stax recording artist Carla Thomas.

10 year anniversary edition of Jason Isbell's landmark album, Southeastern. The deluxe 3 CD and 4 LP sets feature updated artwork, a booklet with unreleased photos/lyrics, the original album (remastered) plus demos and live versions of each album track.

Charley Crockett's latest album 'The Man From Waco' saw the TX-based singer/songwriter reach new heights in both his artistic expression as well as his public recognition. "Trinity River (Live from the Ryman)" was recorded on Nov 14th, 2022 at Charley's debut (and sold out) performance at the historic Nashville venue. It captures the live energy and raw talent of one of modern music's best live performers. Crockett won "Emerging Act of the Year" at the 2021 Americana Honors & Awards and made his Austin City Limits TV debut a month later. He received billboards in Times Square from Spotify and CMT, performed at several top tier festivals including Austin City Limits and Merlefest, and is featured in an exhibit at the Country Music Hall of Fame and Museum. Charley recently performed on Jimmy Kimmel Live! and taped an NPR Tiny Desk Concert in Jan 2023. First week sales and charting on 'The Man From Waco' were the highest in Charley's career. In the US alone, his catalog has amassed 267m streams and over 123k album sales.

The new compilation "Silver: 25 Years 25 Hits" features artists such as Tasha Cobbs, Tye Tribbett, Smokie Norful, Brian Courtney Wilson, Kierra Sheard, The Clark Sisters, The Tri-City Singers, HLE, and many more! Motown Gospel represents over twenty years of iconic and genre-defining sounds released by one of the most recognizable labels in Gospel music history. Through the birth of EMI Gospel as a seedling artist development label to its rise and transition into Motown Gospel, it has become of the most successful labels in Gospel today.

This album presents the songs from The Threepenny Opera in a new French translation by Alexandre Pateau. The recording was made at the 2023 Festival d'Aix-en-Provence during the run of the new production of the legendary work by Bertolt Brecht and Kurt Weill in collaboration with Elisabeth Hauptmann, which features the troupe of the Comedie-Francaise and the musicians of Le Balcon, conducted by Maxime Pascal with Thomas Ostermeier as stage director. In this parody of an opera, the songs are the driving force behind the action and the characters ape the bourgeois lifestyle of the audience, the better to denounce the period of moral confusion they are going through. With Maxime Pascal at the helm of a dozen multi-instrumentalists from Le Balcon, we hear a version based on that of the first performance - hard-hitting and as close as possible to the tremendous creative energy deployed by the two creators of the work in the summer of 1928 - acted and sung by the troupe of the Comedie-Francaise, who rise to all its challenges with brio. Other special features of this album are a previously unrecorded song on a text by Yvette Guilbert and the linking texts between the songs read in French by Ostermeier himself. As Diapason wrote of this production, 'Almost a century after its premiere, The Threepenny Opera has lost none of its subversive power.'

For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.

Soul Jazz Records’ Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caeser, Dorothy Norwood, Andrae Crouch and others crossed over into secular soul music during this period.

Virtuosic pianist/ composer Hiromi electrifies audiences with a creative energy that encompasses the boundaries of jazz, classical and pop. With her new band, Hiromi's Sonicwonder, she introduces their debut album, Sonicwonderland, via Telarc. A musical nod to her 2007 band Sonicbloom, the quartet showcases 9 original tracks featuring Hiromi on piano/ keyboards, Hadrien Feraud on bass, Gene Coye on drums and Adam O’Farrill on trumpet.

Michel Legrand, who has been loved around the world since his death in 2019, celebrates the 90th anniversary of his birth on February 25, 2022. Musician of many classic films such as "The Umbrellas of Cherbourg," "The Girls of Rochefort," and "The Skin of the Donkey," Legrand was a music legend who broke down the boundaries between jazz, symphonic music, musical comedy, and popular music, and a three-time Academy Award winner who, over the decades He has left behind many works with themes that remain in people's memories.

Paul Hillery's third compilation in this series of rare and hard to find grooves is as much a geographical journey as it is a musical one. With acts, artists and tracks linked to London, Florida, Atlanta, the Netherlands, Switzerland, California, India and Germany and more this compilation is very much proof of the global language that is music. With many of the recordings only previously existing on sold out and obscure private pressings and small runs on indie labels this collection of tracks really is a must have. Complementing the previous two albums curated by Paul Hillery we really do get to see and hear the history of studio recordings from a plethora of touring and travelling troubadours, jobbing composers and song-writers, session musicians, producers and engineers.

"More than any other art form, music touches people directly," is ACT founder Siggi Loch's credo. For nearly 30 years, the core of what the label does has been to find and to promote the artists who can inspire the mind, reach the heart and touch the soul, and who do so in ways that have a lasting impact. Perhaps this has never been more important than now in the time of the pandemic, when culture has been silenced, when people have felt emotionally isolated and – far too often – the only “reality” has been virtual.

Celebrating two decades of IF Music's scrupulous curation through its record shop, a thriving website, album reissues and compilations in collaboration with BBE Music, parties and radio shows, “IF Music Presents You Need This: 20 years” is a 9 track, double vinyl LP beautifully put together by Jean-Claude.

Over 70 minutes of the best jazz infotainment: Magic Moments is one of the most successful compilation series of European jazz and shows a cross-section of the current ACT program, compiled by Siggi Loch.

‘Rachmaninov fans won’t want to miss this’ was Gramophone’s verdict on Steven Osborne’s recording of the Études-tableaux, and this thrilling new release is an equally essential acquisition. Osborne proves a predictably fine exponent of the Faustian Piano Sonata No 1 and is no less compelling in the selection of shorter works which completes the album.

‘Layton has directed this annual St John Passion for several seasons now. His readings, which are becoming ever more dramatic and daring, have a raw intensity. It was easy to see why these concerts have become one of the highlights in London’s musical calendar’ (The Guardian)