For the First Time Anywhere is a compilation album by American rock and roll singer Buddy Holly. The album was released in February 1983 (see 1983 in music).

Brenda Mae Tarpley (born December 11, 1944), known professionally as Brenda Lee, is an American singer. Performing rockabilly, pop and country music, she had 47 US chart hits during the 1960s and is ranked fourth in that decade, surpassed only by Elvis Presley, the Beatles and Ray Charles. She is known for her 1960 hit "I'm Sorry", and 1958's "Rockin' Around the Christmas Tree", which has become a Christmas standard…

"Last Train to San Fernando" is a Trinidadian calypso song written by Sylvester DeVere, Randolph Padmore, and Mighty Dictator, the latter being a pseudonym for Kenny St. Bernard.

Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South.

The first longplayer by „Nina & the Hot Spots“ impressively documents which stylistic playground the German quintett feels most comfortable on: From Swing and Rockabilly up to Jump Blues and Jazz, the band confidently pulls out all the stops to explore every aspect of these Rock'n'Roll genres…

Johnny Burnette and the Rock 'n Roll Trio is the 1956 debut album of the influential rockabilly band The Rock and Roll Trio, fronted by Johnny Burnette.

Sal Baglio (vocals and guitar) and his fellow Stompers (Stephen Gilligan on bass, Mark Cuccinello on drums, and Dave Friedman on keyboards) debut on Neil Bogart's Boardwalk Records imprint was a great rock & roll album that got caught up in the new wave scene, though it deserved to be fed to a mass audience hungry for some real music. While every other band in the '80s were trying to be ahead of their time, the Stompers were proud to be of their time, playing a Springsteen-ish brand of good-time rock with it's roots stuck proudly in the '50s and '60s.

Features guest appearances from Jon Spencer and Cristina Martinez (Boss Hog, Pussy Galore) First new studio album in 13 years from Scandinavia's finest, and featuring a slew of grade A guest stars. And so it came to pass that The Tremolo Beer Gut got off their fat asses and recorded an album full of new, sure fire hits that they have been promising/threatening with for a decade. You Can't Handle.. is the band's 5th studio album and features guest appearances by founding member (now alumnus) Sune Rose Wagner (The Raveonettes, Psyched Up Janis), Jon Spencer (The Blues Explosion & Heavy Trash), Cristina Martinez (Boss Hog, Pussy Galore - with Jon Spencer), Evan D. Foster (The Sonics, The Boss Martians), The Courettes, Chris Barfield (The Huntington Cads) and others.

4 star review in Irish Times: ‘May sounds completely at ease with both the musician and the woman she has become.’

Iconic guitarist, songwriter, vocalist and 3-time Grammy-award-winner BRIAN SETZER's ROCKABILLY RIOT! ALL ORIGINAL is a straight-ahead rockabilly album from start to finish. The new album, featuring the high-octane first single “Let’s Shake,” marks SETZER’s first studio album since 2011’s Grammy Award-nominated album, Setzer Goes Instru-Mental! ROCKABILLY RIOT!

Wanda Jackson was only halfway through high school when, in 1954, country singer Hank Thompson heard her on an Oklahoma City radio show and asked her to record with his band, the Brazos Valley Boys. By the end of the decade, Jackson had become one of America's first major female country and rockabilly singers.

When so called "rock historians" wax academically about the birth of the big beat, Bill Haley and the Comets are referred to as sort of a one hit wonder responsible for only one hit.

Charles Williams Higgins (April 17, 1924 – September 14, 1999) was an American saxophonist.

Son rêve américain - Live au Beacon Theatre de New-York 2014 est un album posthume enregistré en public de Johnny Hallyday, paru chez Warner le 23 octobre 2020. Il propose l'enregistrement inédit aux disques du concert de l'artiste au Beacon Theatre le 6 mai 2014.

Dale Hawkins, of course, is best known for "Suzie-Q" a Top 30 Billboard hit for him in 1957 that turned into a garage rock standard in the '60s. During that decade, Hawkins was relatively quiet as a record-maker, but he did behind-the-scenes work as a producer before resurfacing in 1969 with LA, Memphis & Tyler, Texas on Bell Records. Named after the three towns it was recorded in, it's a bit easy to overrate LA, Memphis upon its first listen because it comes as a shock that Hawkins was more than a rockabilly cat. He was an early roots rocker, certainly, playing rockabilly but also touching back on its blues and country roots, plus hitting a bunch of stuff in between and don't forget the L.A. in the title, either, since he did give this album several splashes of snazzy showbiz pizzazz reminiscent of Sonny Bono.