'Music For A New Century' is a portrait of composition in postmodern times.

Marek Janowski presents his first purely-orchestral Schubert recording, together with the Dresdner Philharmonie, performing the composer’s two final, groundbreaking and most famous symphonies.

Discover the enchanting sounds of Paul Kleber's album "Little Home," released by Xjazz! Music. This captivating collection of tracks showcases Kleber's unique blend of jazz, electronic, and ambient music, creating a mesmerizing listening experience for music enthusiasts.

EELS presents EELS TIME! due for release on 7th June via E Works/Play It Again Sam.

Xavi de la Fuente, pianist and young musician from Barcelona. I seek to understand life with music by covering the great themes of classical music for you, I hope you enjoy them!

Located halfway between Detroit and Chicago, Project Freedom was written in Kalamazoo, Michigan where cellist Jordan Hamilton began his journey as a songwriter, producer, and artist.

Rotary Perception is the debut album from London based electronic jazz caboodle Loose Cables.

Luka Kuplovsky's voice is a paradox - sometimes it sounds too soft to be captured, as if it were dissolving into smoke, and the next moment it is as big as the sky.

Unessential Oils is a search for something authentic. Bits and pieces of Warren Spicer’s life’s traumas and weaknesses, successes and breakthroughs, moments of clarity and enlightenment mixed with the mundane and menial.

There are singers and there are jazz singers. There are jazz singers and there are a few artists who bring more to the microphone – their life, love, heartaches and joy.

"Dear Ophelia" is a journey to the inner voices that we humans carry within us. With Shakespeare's Ophelia (Hamlet), one of the most interesting and powerful female figures in European cultural history, soprano Meredith Wohlgemuth and pianist Jinhee Park explore the emotional landscapes that connect us across time and cultures in their debut album. "Ophelia's story, filled with vulnerability and silence, helped us both to unlock something very personal and essential within us, and in her we found echoes of ourselves.

Denis Pascal and his sons Alexandre and Aurélien are united by a unique bond that can only come from family ties in music, and invite us on a fascinating exploration of Czech music between the 19th and 20th centuries. The national composers gradually emancipated themselves from German influence and infused their aesthetics with the melodies, colors and rhythms of their homeland. Bedrich Smetana was the first to follow this seminal path, and in his Trio op. 15, in which he mourns the death of his beloved daughter in 1855, the darkness is sometimes illuminated by purely Czech colors. In his trio "Dumky" (1891), Dvorák accentuates this tendency brilliantly, with a gripping expressive palette and an admirable perfection of composition. The Elegy by Josef Suk is a tribute to his older brother and also adds echoes of antiquity, not unlike French Impressionism.

‘as night falls’ is the latest release from Brooklyn-based multi-instrumentalist and producer Jerk (Joshua Kinney) - a moody, shape-shifting EP that traces the arc of a single night. Made in close collaboration with drummer and longtime friend Martine Wade, the project moves through moments of tension, introspection, and groove-driven release.

L’Equipe Lab is a “small big band” made up of top musicians from the jazz scene, with roots in the Netherlands, Belgium, and Germany. These sought-after musicians have shared the stage with big names like Dizzy Gillespie, Pat Metheny, Toots Thielemans, Gregory Porter, Patti Austin, Belle Perez, Benjamin Herman, Rowwen Hèze, and Eric Vloeimans. Their track records are underscored by honors such as a Grammy Award, the Dutch Jazz Competition, and the Alfa Award for Best Songwriter. Under the name Jo Didderen & L’Equipe de Rêve, this ensemble has released four albums over the past decade, filled with “Happy Jazz” for heart, head, and feet. Danceable, yet also suited for quiet listening.

Sergei Prokofiev’s Symphony No. 4 is the only work on the disc and the performance was recorded live in Mandel Concert Hall in May of this year. Prokofiev first based this symphony on his 1928 ballet The Prodigal Son, then revisited it nearly two decades later to create a work of greater scope and vitality. The 1947 revision expands the symphony’s scale, moving from calm, reflective passages to bursts of energy, tender lyricism, and a finale charged with rhythmic drive.