Few artists would dare to tackle quite such a kaleidoscope of music styles and accompanying socio-political issues in the space of 12 songs and 66 minutes. And yet France-based Senegalese virtuosic bassist, vocalist and composer Alune Wade, who’s worked with Joe Zawinul, Marcus Miller, Oumou Sangare, Bobby McFerrin, Youssou N’Dour and others, achieves this with effortless mastery on Sultan, his fifth solo album in 15 years.

Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban jazz big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.

El Comité, the group of virtuoso Cuban jazz soloists made up of Carlos Sarduy (trumpet), Irving Acao (tenor & soprano saxophone), Harold López-Nussa (piano, keyboards), Gastón Joya (double bass, electric bass), Yaroldy Abreu (percussion) and Rodney Barreto (drums), present their second album 'Carrousel'. Featuring Ibrahim Maalouf and Pedrito Martinez.

After trips to New-Yord and Cuba and inspiring human encounters, Jeanne Michard concretize her desire to form her own solo project et to imagine a repertoire that feature jazz, latino music and afro-caribbean music.

In late 2022, Boubacar Gaye and Bassdi Koné, members of the Melbourne-based Afro-Cuban ensemble Ausecuma Beats, returned to West Africa in the culmination of an idea that had been brewing since the world first went into lockdown in early 2020. The pair wanted to return to their homes in Dakar and Bamako respectively, to be reunited with family, friends, country, and with the vibrant music communities in those cities they had left behind when emigrating to Australia.

Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz. Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of The Village Voice. "Manteca" is the first tune rhythmically based on the clave to become a jazz standard.

Dámaso Pérez Prado (Spanish: [ˈpeɾes ˈpɾaðo]; December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist and composer who popularized the mambo in the late 1940s. He frequently made brief appearances in films, primarily of the rumberas genre. The success of his orchestra and hits such as "Mambo No. 5" earned him the nickname "King of the Mambo". His stage name was simply Pérez Prado, although his brother Pantaleón also used the same name in the 1970s, which led to confusion.Pérez Prado became a naturalized citizen of Mexico in 1980, where he died in 1989. His son, Pérez Jr., continues to direct the Pérez Prado Orchestra in Mexico City to this day.

The small island of Cholao is intriguing. What forgotten writings mention it? Both musicians and senior leaders of the archipelago, the members of the Cholao National Orchestra are the latest ambassadors of the musical folklore of the republic of the sun. The music of Cholao, with heady melodies and carnival rhythms, is imbued with the happy melancholy of great festive days.

Reaching back to the roots of the Jamaican sixties musical explosion, 'Jamaica Jazz From Federal Records' features some of the originators of the genre. This compilation from the golden era of reggae features Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, and others playing in their element.

Entirely produced by Ana, Caribe will be her third album proper and is a continuation of her love letter to Latin American music taking influences from cumbia, son, bossa, samba, tango, rumba and salsa.

My influences for the music on this record were so sprawling, that there had to be some elements (apart from my brilliant band) to hold it all together as one cohesive sound. So fundamentally this is my love letter to the many beautiful Afro Brazilian rhythms that I have studied over the past few years.‘Terra Boa’ is Portuguese for ‘Good earth’. In respect to the vibrant and fertile musical landscape of Brazil. Good earth which nourished the growth of my own unique musical branches from strong and deep roots. The grooves are heavily influenced by Afro Brazilian rhythmic traditions, which along with contemporary jazz harmony and improvisation, form the backbone of the music.

The second in Jazz Room's occasional Pure Latin releases this Masterpiece first emerged in 1980 and is an outstanding example of the Classic Era NuYorican El Barrio Underground Sound! If you dug the Tata Vasquez LP on Jazz Room or Grupo Folklorico Y Experimental Nuevayorquino – Concepts In Unity then this is for you.

Bob Thiele is one of the great producers. For his work with John Coltrane alone, where he gave free reign to the saxophone great's wildest musical visions including 'A Love Supreme', ignoring the usual cost consciousness of a major label, he deserves to be lauded. In addition to this his 8 years at Impulse saw him recording seminal works by scores of musicians including late blooming masterpieces by Ellington and Hodges, and a whole wave of 'new thing' jazzers such as Archie Shepp and Pharoah Sanders. He didn't stop there and when he launched his own label Flying Dutchman in 1969, he continued to innovate and record music that reflected its times, but that also resonates down through the ages.

Internationally Acclaimed Cuban Jazz Pianists and Composers Hilario Duran and David Virelles Present a Collection of Virtuosic Collaborations on Front Street Duets.

The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.