German symphony orchestra founded in 1946 and based in Bamberg.

Espen Berg’s new, completely improvised, solo piano concert from Trondheim has some of the excitement of a Cecil Taylor concert but with so much more.

Performing for the first-time outside South Dakota, the South Dakota Symphony Orchestra’s (SDSO) Lakota Music Project will appear in concert at the Smithsonian’s National Museum of the American Indian Oct. 19 at 2 p.m.

Passover is a new album documenting ensemble thingNY’s performance of composer-writer Rick Burkhardt’s piece of the same name, in which a sextet of speaking instrumentalists, seated around a dinner table with a double bass lying on it, take turns relating stories of escape.

Steve Perry has released The Season Deluxe Edition, an extended 10-track digital version of The Season, Perry’s much loved, first-ever holiday album from last year.

For fans of Wilco, War on Drugs and Tom Petty!

After being the first french concert pianist to support, perform avant-garde, experimental & minimalism music all around the world, with event such as the Night of Minimal Piano, it was time to create a Label / Série dedicated to all the discoveries I did during those last 2 decades : the Nicolas Horvath Discoveries (Collections 1001 Notes)

"John Norum is set to release his 9th solo album titled 'Gone To Stay' later this year.

The two Swiss brothers Estevan and Alejandro Gutiérrez are embarking on another musical journey with their upcoming album "El Bueno Y El Malo".

Each song on Ghost Funk Orchestra’s 3rd album, A New Kind of Love, due to be released on Colemine Records … 2022, resonates like the soundtrack to a scene from an imaginary movie. The music could score a romantic drama, an action thriller, or a modern twist on a classic film noir. The spare, cascading vocals accentuate the lush instrumental orchestrations composed, performed, arranged and produced by multi-instrumentalist Seth Applebaum, whose latest brainchild was conceived and conceptualized during The Great Pause of 2020, a time of tension, bewilderment and isolation.

Ghost Car, the London-based international punk quartet, have announced their debut album ‘Truly Trash’, comprised of 11 riotous, quick-witted garage-rock bangers. Grungy pop-punk anthem and lead single ‘Sex’ channels the likes of Stiff Little Fingers and The Undertones, mixing with the bands amalgamated influences from 60's girl groups to the explosive rock n’ roll of The Runaways. The LP provides Ghost Car with a platform to rage against political injustices, as their unified battle cries attack patriarchal inequality, homophobia, racism and toxic relationships.

Like a well – wrought character in a Hollywood movie, Standards From Film, guitarist Mike Moreno’s fourth Criss Cross album, exists atop a solid, cogent back story. Recorded in December 2021, when the world and New York City – Houston-born Moreno’s home for more than two decades – were no longer on COVID lockdown, it documents the leader’s exhaustive investigations into the provenance of ten iconic standards that, as he puts it, “are the summer jazz workshop tunes” – they say you have to learn these songs if you want to be a jazz musician. You learn them very young or in the beginning days of your journey into this music.

When in the 60s everyone was talking about James Brown and Otis Redding and Wilson Pickett, another singer slipped out of the soul egg, grabbed various song material and emerged as a serious competitor to the established ones.

Greatest hits revisited by Dani Klein on vocals and William Lecomte on piano. Dani Klein knows what Dani Klein wants, so this recording was only ever going to happen with her friend and exceptional pianist William Lecomte who has been accompanying her live on tour for more than a decade. “I called him, he immediately said ‘yes’ and started to write out arrangements, we rehearsed for a couple of days and then recorded these twelve songs that are very close to my heart.”

On their sophomore album "VIOLENCE, DRUGS AND LOVE" the Gothenburg, Sweden collective, WE ARE WOOD, set their sights on psychedelic elation and sonic rumination. From the moment the feedback squalls and acoustic chords ring out on the opening title track, WE ARE WOOD, are welcoming you to their hallucinatory journey. Through the albums eight head-nodding and mind-expanding grooves densely layered guitars, keyboards, and vocals wash over the record like a warm cocoon.