Road to Utopia is the thirty-first album by space rock band Hawkwind, released in 2018. It features new acoustic versions of the band's 1970s repertoire with two new compositions. The group's line-up had stabilised for some time with guitarist/singer Dave Brock, drummer Richard Chadwick, singer Mr Dibs and bassist Niall Hone being joined by bassist Haz Wheaton and guitarist Magnus Martin .

Originally released in 1967. Reissue with the original tracklisting. 180 gram audiophile vinyl. Younger Than Yesterday is the fourth studio album by the American rock band the Byrds, released on February 6, 1967, by Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.

It's an eyebrow-raising experience to encounter the cover of "River Deep, Mountain High" that opens the Animals 1968 album, Love Is.

Amazon exclusive edition. Aoxomoxoa is the third studio album by American rock band the Grateful Dead, released on June 20, 1969, by Warner Bros.-Seven Arts. It was one of the first rock albums to be recorded using 16-track technology. The title is a meaningless palindrome, usually pronounced /ɒksə.məksˈoʊə/. Rolling Stone, upon reviewing the album, mentioned that "no other music sustains a lifestyle so delicate and loving and lifelike". The album was certified gold by the RIAA on May 13, 1997. In 1991 Rolling Stone selected Aoxomoxoa as having the eighth best album cover of all time. It was voted number 674 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).

Record Store Day 2025. Nick Mason’s Saucerful of Secrets share an incredible live cut of their interpretation of the classic Pink Floyd song “Echoes”. Propelled by Nick Mason’s bombastic drumming, this recording captures the band with Gary Kemp, Guy Pratt, Dom Beken and Lee Harris at the peak of their powers. The performance was recorded on August 1st, 2024 at the Centennial Hall in Frankfurt, Germany. “Echoes (Live)” was mixed by Steven Wilson. It was half-speed mastered at Abbey Road and plays inside-out for ultimate sound quality. The B-side includes an exclusive etched design.

They’re coming! The Hippies! The Acid Heads! BLONDE ON A BUM TRIP is a frank, revealing look at the LSD generation! Instead of using the usual jazzy instrumental library music or generic elevator pop, The Vagrants, The Bit’ A Sweet, and to a much greater extent The E-Types were recruited to propel the film's lysergic journey. This serves as the first ever soundtrack to this film as well as a doctorate level exploration into The E-Types’ “Put The Clock Back On The Wall.” 1967 ushered in the Summer of Love and dozens of feature length psychedelic-themed films flooded theaters and drive-ins, opening minds across America. A number of black & white LSD films were made in the mid-1960s, yet Blonde on a Bum Trip (1968) stands out as something unique and different. Shot in NYC entirely in electric shades of gray, this motion picture comes across more like an underground student film and freaky fringe time capsule.

Perth’s finest, Psychedelic Porn Crumpets, continue their onslaught on 2025 with the release of their 7th record. Carpe Diem, Moonman is another weird and wonderful journey through the mind of Jack McEwan, the talisman of the Perth 5-piece. Lead single ‘Weird World Awoke’ is another ferocious blast of inimitable rock and roll, with a lyrical rollercoaster to keep pace with the relentless tempo and guitar slaloms.

Pink Floyd at Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, has been digitally remastered and remixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert. This audio companion contains the live performances from the film as well as two additional tracks, including a previously unreleased extended version of “A Saucerful Of Secrets”.

One hype sticker says "Made in the USA - QualityRecordPressings.com". Another hype sticker bears the Atlantic75 logo and states: The 75th anniversary of Atlantic Records. 75 historic titles hand-picked and supervised by Analogue Productions CEO Chad Kassem. Mastered from the original analog tapes of best available source by the mastering engineers. Cut at 45 RPM and pressed on 180-gram heavyweight vinyl.

An eclectic compilation album celebrating twenty ‘tips of the tongue’ from David Keenan, released to coincide with a book of his collected music writing. As well as being the title of a book. Volcanic Tongue was a record shop that existed in Glasgow from 2005 to 2015, run by David Keenan and Heather Leigh, it championed contemporary DIY music from around the world, often released in tiny runs on homemade CD-Rs, and also sought to shine a light on forgotten artists from the past, who had often released their music as a ‘private press’ LP. The shop was also known for it’s weekly mailing list, with Keenan enthusiastically rapping about new arrivals, especially the record of the week, given the sobriquet ‘tip of the tongue’. This collection has been put together from releases that were a ‘tip of the tongue’, containing music that runs the gamut from outsider synth to psych-folk to damaged rock’n’roll, with tracks recorded between 1968 and 2013, a celebration of a vibrant and eclectic underground avant-garde.

Every One of Us is an album by Eric Burdon & The Animals. It was released in 1968 on MGM Records.

You settle into the worn seat of a subway car barely holding together, graffiti scrawled across its walls beneath flickering ads for bionic enhancements and synthetic upgrades. A mechanical voice crackles through the loudspeaker: “The next stop is… your tiny, stupid little worthless life.” This is Metro—a dark, gritty ride through rebellion, duality, and self-discovery… and The Blue Stones’ boldest album yet.

The band Unknown Mortal Orchestra sometimes enjoys making purely instrumental music. In addition to the vocal-based records they’re more well-known for, they’ve also begun to make an instrumental series called the IC where they spend time in a chosen city and improvise and collaborate on non-vocal music. Recently the band spent time in Colombia to make music and initiate their new keyboard player Christian Li. The resulting sessions have become IC-02 Bogota, a musical document of the time they spent in that exciting city and the possible background music for some strange parties and night drives in your future.

AAA Cut From The Original Stereo Master Tapes By Kevin Gray. Pressed On 180-Gram Heavyweight Vinyl At Optimal. Heavyweight GlossyGatefold Jacket. Features Rare Photos And Detailed Liner Notes By Doors Archivist David Dutkowski. ABOUT THE RHINO HIGH FIDELITY SERIES Rhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging. To ensure consistent sonic xcellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and “tip-on” jackets, an old-school aesthetic that evokes the golden age of vinyl.

AAA Cut From The Original Stereo Master Tapes By Kevin Gray. Pressed On 180-Gram Heavyweight Vinyl At Optimal. Heavyweight GlossyGatefold Jacket. Features Rare Photos And Detailed Liner Notes By Doors Archivist David Dutkowski. ABOUT THE RHINO HIGH FIDELITY SERIES Rhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging. To ensure consistent sonic xcellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and “tip-on” jackets, an old-school aesthetic that evokes the golden age of vinyl.