It’s only fitting that Khruangbin’s first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who’ve become family along the way. Khruangbin’s series of live LPs traces just one small slice of the band’s flight plan through the years: it’s a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording’s home turf’s a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. ‘Live at Radio City Music Hall’ features performances by Nubya Garcia and Khruangbin.

The Heliocentrics, the genre-bending UK-based recording and production ensemble led by Malcolm Catto and Jake Ferguson, have been making waves with their eclectic sound that draws from an impressive array of influences. The group seamlessly blends funk, jazz, library music, psychedelic, electronica, and various world musics to create a sound that defies categorization.

It’s only fitting that Khruangbin’s first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who’ve become family along the way. Khruangbin’s series of live LPs traces just one small slice of the band’s flight plan through the years: it’s a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording’s home turf, just a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.

Bay Area singer-songwriter, multi-instrumentalist and producer Lindsay Olsen is the mind behind the warped and magical project Salami Rose Joe Louis. Drawing from her studies in planetary sciences, she creates a unique experience: exploring ideas of multiverses and climate change through the lens of a fictional post-apocalyptic keyboard-toting earthling with a flashlight, a can of cashews and a hopeful optimism. Melding influences from jazz, rock and hip-hop – Shuggie Otis, Captain Beefheart, Stereolab, and R. Stevie Moore – she creates a unique blend of experimental galaxy sounds with jazz influenced vocals and keys.

"Wild Boy…" is a reissue of the well-known 2016 release curated by Brian Chidester, renowned researcher and biographer of Eden ahbez. Especially for this album, Brian wrote an interesting text about ahbez's life, which definitely became the decoration of the release. With the new 2020 re-release, we went a little further and kept what is commonly referred to as studio cuts. It’s a few more minutes in the studio with ahbez himself, full of emotion and life. In addition, to the delight of fans, the edition includes an additional composition Nature Boy (Mantovani Orchestra).

Kawabata Makoto (better known in his adult incarnation as the Father Yod like ringleader of Acid Mother's Temple) was a precocious Japanese kid at the age of 13 when he made these recordings. Like his Dark Revolution Collective album that was recorded about the same time in 1978, the only instrument that Kawabata had access to was a borrowed synthesizer, which he tweedled and modulated to create what qualified way back then as "Psychedelic Noise." In between all of the Morton Subotnik / Conrad Schnitzler-esque electronic squiggliness, Kawabata offers occasionally frightening vocal moans buried under deep reverberations.

Sundown is “low-key R&B legend” Eddie Chacon’s soulful, meditative debut for Stones Throw Records. The album was written with and produced by John Carroll Kirby. Eddie Chacon rose to fame in the duo Charles and Eddie, whose 1992 single “Would I Lie To You” was a #1 hit around the world. Chacon returned in 2020 with the album Pleasure, Joy and Happiness, widely acclaimed by the New York Times, Guardian, and more.

Singular blues journeyman Lonnie Holley returns, flanked by acolytes Moor Mother, Michael Stipe, Bon Iver, Sharon Van Etten, Rokia Koné, and Jeff Parker for a significant new album.

The Legendary Pink Dots are an influential, staggeringly prolific group led by enigmatic frontman Edward Ka-Spel. Emerging from the early-'80s post-punk underground and sometimes categorized as industrial due to associations with bands like Skinny Puppy, the group's music is nearly impossible to pin down, drawing from Krautrock, ambient, folk, synth pop, and numerous other styles.

Wau Wau Collectif’s second album, Mariage, is instilled with a newfound sense of purpose. Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long-distance collaboration from musicians in Senegal, led by Aurora Kane, and Sweden’s Karl Jonas Winqvist is an even more stylistically expansive affair. Joyful children’s songs collide with fuzzy guitar solos and thumping hip-hop beats.

NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.

Rising from the rubble of Planet Battagon’s cosmic collision of shimmering improvisation and bass-weight electronics, producer, multi/instrumentalist and veteran drummer, Nathan “Tugg” Curran (Basement Jaxx, Kano, Bryan Ferry) returns with London-based ensemble, Edrix Puzzle’s latest celestial disturbance, ‘Coming Of The Moon Dogs’, forthcoming on On the Corner, this October 2022.

Limited 30th Anniversary release by the British shoegaze band. This collection contains the first four EPs by the band: Ride, Play, Fall, and Today Forever. The first three EPs were released in 1990 before the group issued their debut album and Today Forever was released in 1991.

Each song on Ghost Funk Orchestra’s 3rd album, A New Kind of Love, due to be released on Colemine Records … 2022, resonates like the soundtrack to a scene from an imaginary movie. The music could score a romantic drama, an action thriller, or a modern twist on a classic film noir. The spare, cascading vocals accentuate the lush instrumental orchestrations composed, performed, arranged and produced by multi-instrumentalist Seth Applebaum, whose latest brainchild was conceived and conceptualized during The Great Pause of 2020, a time of tension, bewilderment and isolation.

Here’s another obscurity from the Avco Embassy label, Smokey John Bull were a communal gospel/blues group from the Hartford Connecticut area. The album was produced by Lewis Merenstein, producer of Van Morrison’s “Astral Weeks” and is a mix of gospel, rock, blues, and funk. The album features two Bob Dylan covers,” He Was A Friend Of Mine” and “The Mighty Quinn” plus Tom Cosgrove’s “Hitchin’ To Memphis”. Also included is the album’s highlight, Jeff Gordon’s “E-Z Rider” (Jack Dominilla)