All-star collective featuring Renee Rosnes, Anat Cohen, Melissa Aldana, Ingrid Jensen, Noriko Ueda, Allison Miller & Cécile McLorin Salvant release their debut album 'Artemis', a superb nine-song set that features material composed and/or arranged by each of the band's six instrumentalists.

Toto XX: 1977-1997 is a compilation album by Toto to celebrate their 20th anniversary. The album features rare original demos, outtakes, previously unreleased recordings and live tracks from the band's 20-year career.

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916.

An album reflecting on solitude. The new Solo Piano presents music of Alban Berg, Rudolf Hindemith, Sufjan Stevens, Tori Amos, Timbe Timbre and compositions by the artist himself. Wollny's masterstroke has been to create a highly individual world, a truly personal dialogue with these extremely contradictory elements.

Kun-woo Paik (born March 10, 1946 in Seoul) is a South Korean pianist. He has performed with multiple orchestras, including the London Symphony Orchestra, the BBC Symphony Orchestra, and the Saint Petersburg Philharmonic.

Plight o’ Sheep is the second full release from The Langan Band, almost exactly 10 years after the critically acclaimed release of their first full album Bones Of Contention

Not Now, I'll Tell You When is an album by pianist and bandleader Count Basie featuring tracks recorded in 1960 and originally released on the Roulette label.

'The Stradgrass Sessions' is the long-awaited album from American violinist Tessa Lark. A recording in which Lark invited multi-Grammy award winners to join her on a recording of violin exploration through classical, folk and jazz. The album also includes the premiere recording of John Corigliano's STOMP.

For her latest release on the Steinway & Sons label, Zhenni Li-Cohen presents a survey of Ukrainian composer Sergei Bortkiewicz’s solo piano works. Li-Cohen says that through Bortkiewicz’s music she has found yearning, nostalgia, and the ineffable, expressing the whole spectrum of emotion that makes us human; tears, joy, sweeping love, passion, and humor.

Bruckner's Fifth is eminently suited to an arrangement for performance on the organ above all because of it's musical texture. In no other Bruckner symphony, for example, does counterpoint play such an important part. I am thinking in particular of the great fugue in the final movement.

On her 8th GENUIN CD, the Japanese flutist Atsuko Koga once again proves her incredible musicality and versatility. This time, she presents works for flute, violin, and cello with the internationally award-winning violinist Riyo Uemura and the world-renowned cellist Georgiy Lomakov. The high-caliber trio performs music from the past four centuries, ranging from examples of Classical works by Joseph Haydn and Ludwig van Beethoven to Claude Debussy's delicate flourishes, Heitor Villa-Lobos' and Eugène Bozza's moderate modernism, and Yassen Vodenitcharov's miniatures inspired by Classical Antiquity in a world premiere recording.

Microcosm and macrocosm, might and focus: On her new GENUIN CD, pianist Marie Rosa Gunter combines Ludwig van Beethoven's late "Hammerklavier Sonata" and his "Bagatelles" op. 126 with Anton Webern's aphoristic Variations op. 27, as well as the world premiere recording of Variations on "Jerusalem" by Braunschweig composer Ulrich. The CD is an insight into magnificent later works in a highly demanding pairing born out of the silence of the pandemic.

James Oswald was born in 1710 in the village of Crail in Fife to John Oswald, a town drummer frequently jailed for drunkenness and public swearing, the younger Oswald quickly developed a talent for music. By 1734 he was active as a cellist, dancing master, and composer in Dumferline and Edinburgh. His early works, including a sonata based on Scots tunes, were published under two Italian pseudonyms, “Dothel/Dottel Figlio” and “David Rizzio.” A move to London followed shortly thereafter, where Oswald opened a music shop and became a music publisher in addition to his more creative endeavours.

For forty years, saxophonist Arno Bornkamp has consistently dazzled the music world with his energetic and passionate interpretations. On his new GENUIN CD "Folies de Baryton", the world-renowned artist gives his audience a glowing declaration of love for the baritone saxophone, which is rarely played as a soloist. Bornkamp shows here the immense possibilities of this instrument with its deep, raw, and powerful tone.

Reference Recordings proudly presents this iconic work in a new and definitive interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra, in superb Stereo Audiophile sound. This "Soundmirror" recording was made and post-produced in DSD 256 on a Pyramix workstation to give you, the listener, the highest sound quality possible.