Trumpeter Avishai Cohen follows his impressionistic, critically-lauded ECM debut with "Cross My Palm With Silver", five pieces that put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Cohen to soar; his "dream team" of pianist Yonathan Avishai, double bassist Barak Mori and drummer Nasheet Waits share his sense for daring improvisation and his feeling for structure.

Reissue of a rare 1976 album of solo piano by Italian Jazz pianist Enrico Pieranunzi. When it was recorded Italy was going through an explosive period of political change, which also affected the new jazz scene, which was gradually moving closer towards that of other European countries. Italian jazz was about to experience a genuine moment of renaissance, which would lead to an exponential growth in the number of musicians and the variety of trends, Italy entered a phase that was full of new talent and new ideas.

This album showcases recordings by two major violinists of the mid-20th century, Josef Hassid (1923–50) and Ida Haendel (1923/8*–2020). Both were from similar backgrounds, born in Poland of Jewish descent in the 1920s, and both had their first major successes in London in the late 1930s. Their recordings also document an important shared influence, the teaching of Carl Flesch (1873–1944). Flesch was a major virtuoso of the previous generation, but who made relatively few recordings (Ed: 1905-36 Odeon, Edison, Electrola, DGG).

“I was finally able to trust myself fully,” says Indigo De Souza of making her masterful third album All of This Will End. Across 11 its songs, the LP is a raw and radically optimistic work that grapples with mortality, the rejuvenation that community brings, and the importance of centering yourself now.

Turning shadows into sonic emotional rivers, synthesist and composer Jeff Greinke’s A THOUSAND YEAR FLOOD skirts the edges where modern classical, electronic and ambient music converge. Working with cellist/violist Heather Bentley, Greinke’s first record for Projekt in 36 years is a hybrid of ambient chamber music and electroacoustic beauty. Throughout the near-hour-long set, atmosphere is critical to the impact as Greinke locates his paired-back minimalism within a setting of spaciousness and sensitivity.

GRAMMY-winner Dobet Gnahoré is one of Africa's hottest and most beloved talents. With her amazing voice, incredible dance moves, powerful presence, and colorful style sense, Dobet Gnahoré appeals to fans of Angelique Kidjo, Yemi Alade, Fatoumata Diawara and other divas of African music. Dobet’s electrifying new album Couleur was recorded in Africa during the pandemic, and celebrates local talent, women’s rights, creativity and positivity in spite of challenging times.

Symphony No. 8 in E-Flat Major, symphony by Gustav Mahler, known as “Symphony of a Thousand” for the great number of performers required, vastly more than were needed for any other symphony to that time.

Everything Is Dangerous But Nothing's Surprising is the blistering debut studio album from Australia’s Body Type. Recorded and mastered by Jonathan Boulet, the 11 new tracks sound joyfully anarchic, bursting with life and autonomy. It’s an album about yanking back control, embracing abandon and purging despair, told through the grizzly margins of wiry garage-pop and post-punk.

This album belongs to a time when jazz record executives slapped broad boasts and proclamations onto their products.

This album, which brings together melodic and singable tracks from Brazil, Canada and the United States represents the third record release (together with 'Pinocchio e altri Racconti' and 'Incontro', for Abeat Records) by this singular band that sees Zambrini's introspective piano confronting and playing with the double bass and drums of two imaginative and unpredictable Danish jazz musicians, Bodilsen and Andersen.

The Sound of Fury was the first album released by Billy Fury in 1960.

Andreas Ottensamer (born 4 April 1989 in Vienna) is an Austrian clarinettist and is one of the principal clarinettists of the Berlin Philharmonic.

Herbert von Karajan conducts the Wiener Philharmoniker performing Tchaikovsky's Ballet Suites: Swan Lake, The Sleeping Beauty and The Nutcracker. Universal Music Group has gone back to the original master tapes to deliver fully uncompressed, high-resolution versions of many of your favorite albums.

The MPS label scored a coup when they were able to set up a recording date with the Basie orchestra.

TajMo marks a timely convergence of the talents of two unique American artists who've already built iconoclastic individual legacies that have extended and expanded blues traditions into adventurous new territory. The collaboration brings out the best in both artists, with the pair merging their distinctive voices, personalities and guitar styles to create vibrant, immediate music that's firmly rooted in tradition yet ruled by a playful sense of adventure. The album features guest appearances by Sheila E., Joe Walsh, Lizz Wright and Bonnie Raitt, who lends her voice to a distinctive cover of John Mayer's anthemic 'Waiting on the World to Change'.