Two Against Nature — Steely Dan's Grammy winner for Album of the Year! The brilliance of Steely Dan on Hybrid SACD from Analogue Productions! Newly remastered from the original analog tape by Bernie Grundman direct to DSD!

The Brilliance of Steely Dan on Hybrid SACD! Steely Dan's Last Studio Album with Founding Member Walter Becker! Newly Remastered from the Original Analog Tape by Bernie Grundman Direct to DSD!

Singer, guitarist, composer, arranger and music producer, Sid Ferreira in his fourth album "Kinda Brazilian Jazz" mixes Brazilian musical genres such as samba, samba-rock, marcha-rancho, choro and bossa nova, to various genres of Latin American music such as rumba, salsa, ballad, jazz, cumbia, waltz, bolero, fado, flamenco and chachacha, making clear his diverse influences in authorial songs and partnerships in English and Portuguese.

Symmetria Pario Creation explores the “beginnings of things,” the origin of the universe as expressed in music, and various creation stories from different cultures around the world.

Disco Samba, Taj Mahal, Upa Neguna, Desacato, Copacaba, Charlie Brown, Yo vendo unos ojos negros, Palo bonito, Desde que te vi, Brazil, Brigitte Bardot, Lamento borincano, etc.

La Ninfeas musikalische Hausapotheke: Barocke Lieder und Instrumentalmusik.

There are many composers who intertwine eclectic influences into one coherent picture, but few people do it as ambitiously and convincingly as New York City based composer Debra Kaye.

Navona Records is proud to present ROMANCE AL CAMPESINO PORTEÑO, an album threading saxophonist José Antonio Zayas Cabán’s childhood memories with music both old and new.

Faith in the Future is the second studio album by English singer and songwriter Louis Tomlinson.

A blend of myth and memoir, First There Were Feathers is an exciting album in which Wendy McNeill’s folk noir roots and passion for storytelling have grown to include elements of Jazz and World music as well as echoes of Beatles, early Bjork and Radiohead.

This album is an extraordinary example of how music from two continents can merge into a noble work where concepts of cross-continental understanding make sense to everyone on both sides. MILTON IN SWEDISH is a breathtakingly beautiful cross-cultural love child.

Gerald Cleaver’s newest album, 22/23, journeys through genre, exploring the future and recalling history, in his most place-based album yet. Born and raised in Detroit, Cleaver is a product of the Motor City’s rich musical history. Long the manufacturing capital of America, Detroit citizens have never been afraid of imagination: technological innovation, a strong labor movement, techno-utopianism or afrofuturism. This spirit of innovation is felt on Cleaver’s newest album, particularly on songs like ‘31 Julys’ which builds on dynamic house beats, or ‘Cake’ which employs saxophone to compose a careening jazz track.

Yuksek's fifth album expands the universe created with 'Nosso Ritmo' (2019). Carrying on his love affair with Brazil, playing with percussions, putting the finishing touch on a powerful dance mix combining flights of disco, explosions of punk-funk, and feverish italo-disco sounds, this homage to the filtered house label Roulé is full of malicious acid loops and nods to Metro Area or languidly Balearic beats.

A brand new exclusive compilation, a unique collection of songs recorded in 1971 and 1972, not all of which were released at the time. This set includes the hits “It Must Be Love”, “Watch Me” and “Crying Loving Laughing Lying” (covered by Madness, Greta Van Fleet, and Rod Stewart respectively) along with the non-album B-sides.

Say Laura is the follow-up to Slowly Paradise (2018) which landed Chenaux on the cover of The Wire among other accolades. The new record by Eric Chenaux is his most immaculate and pristine. Say Laura perfectly incarnates the counter-intuitive interplay of instrument and voice that Chenaux has been revealing and revelling in throughout the past decade: his gently unhinged juxtaposition of resplendently smooth, seductively assured singing and puckish, frazzled, thoroughly destabilized guitar could come from no other musician.