40th anniversary reissue of the classic Young Fresh Fellow debut, remixed from the original 8-track tapes by Scott McCaughey. The original LP with 15 tracks is available on limited edition turquoise vinyl, the double CD has been expanded with 14 bonus tracks. on tour in 2024, including a performance at Wilco's Solid Sound Festival

A truly one-of-a-kind artist, Kaitlin Butts has a deep affinity for country music’s more theatrical side: the extravagant storytelling, dazzling showmanship, songs embedded with both unbridled emotion and quick-fire humor. After discovering her passion for performing as a little girl, the Tulsa native later brought her boundless energy and radiant voice to her own unapologetic yet soulful songwriting. When it came time to create her third album, the Nashville-based musician leaned into her lifelong love of musical theater and dreamed up a modern-day reimagining of the soundtrack to her all-time favorite musical, Rodgers and Hammerstein’s Oklahoma!

Meredi is an Armenian/German internationally acclaimed composer, pianist and producer, bringing a modern touch to her origin, the classical music. The classically trained composer and performer stands for a new understanding of composition – she creates beautiful, catchy, longing melodies. While surprising with experimental, contemporary creations.

Keyboardist James Carney's dream group features a four-horn frontline: two saxes, a trumpet and a trombone. The music he’s given his starry band of improvisers to interpret on 2007's Green-Wood is beautifully crafted and intensely grooving in various feels, from second line and funk to 6/4 and complex time signatures. Inspired by the whole tradition, Carney’s aesthetic unites the jazz mainstream and avant-garde, blending musical derring-do with a post-bop-meets-chamber-music-and-rock lyricism. His band delivers with individuality and relish, while the high resolution recording makes the most of earcatching voicings, timbres and textures. It’s obvious both from his words and his music that Carney’s enthusiasm and energy is tempered by great thoughtfulness and reverence for the art form.

Never Too Much is the debut solo studio album by American singer-songwriter Luther Vandross. It peaked at number 19 on the Billboard 200, peaked at number one on the R&B Albums chart, and went double platinum by the RIAA. The album earned Vandross two Grammy Award nominations in 1982 - "Best New Artist" and "Best R&B Vocal Performance / Male".

After meeting through trumpet designer Dave Monet, Charlie became friends with Don Hicks — a trumpet player and proprietor of Blue LLama in Ann Arbor.

ATMA Classique, Ensemble ArtChoral and Mécénat Musica are proud to present Art choral, Vol. 1 : Renaissance with Ensemble ArtChoral under the direction of Matthias Maute. Volume 1 surveys choral repertoire by Renaissance composers such as Cristóbal de Morales and Tomás Luis de Victoria (Spain), Andrea Gabrieli and Cipriano de Rore (Italy), Clément Jannequin and Josquin des Prés (France), and Thomas Tallis and William Byrd (England), in music that reflects the flowering of vocal polyphony in Renaissance Europe.

Celebrando o centenário de nascimento do compositor Gabriel de Paula Machado, a pianista Olga Kopylova lança o álbum ‘Saudade’, no qual homenageia o legado de um dos mais ilustres nomes da música paranaense. Um lançamento da gravadora Azul Music, e estará disponível em todas as plataformas digitais a partir de sexta-feira, 28 de junho 2024.

Ausiàs Parejo is the winner of the 2022 ‘Alhambra’ International Guitar Competition. In this programme he includes three cornerstones of the Spanish and Latin American repertoire. Combining idiomatic colour and rhythmic vivacity, Guastavino’s First Guitar Sonata , Ponce’s great tribute to Segovia, and Brouwer’s ingenious sequence of variations offer formidably ambitious technical and interpretative challenges to the performer. Inspired by his youthful brilliance Juan Erena’s Luz del Alba , full of radiant grandeur, is dedicated to Parejo.

Wilco Announce New Hot Sun Cool Shroud EP. The six-song record comes out June 28—just in time for Solid Sound Festival

“How the fuck are we going to turn this into a song?” That’s the question Lou Barlow and John Davis have asked themselves since co-founding the Folk Implosion in the early 1990s. Beginning with improvised jams featuring Barlow on bass and Davis on drums, the duo develop their beat-driven pop collages from the ground up. It’s the process they used on their debut cassette, Walk Through This World with the Folk Implosion, and one they’ve returned to 30 years later on their spellbinding, self-referencing reunion, Walk Thru Me.

German composer Carl Teike came into contact with military music at an early age, but with his modest temperament he never achieved a high rank during his time in the army. He resigned from his post after his bandmaster told him to burn Alte Kameraden , a piece that would become one of the most popular marches in the world. Teike’s marches are entirely original and significantly enrich the German concert repertoire with their inventiveness, musical charisma and colourful instrumentation. This programme includes his first march, the Prinz-Albrecht-Marsch , which he dedicated to the Prussian monarch who ‘graciously accepted the dedication’. This is the first of three volumes.

Tigran Tatevosyan wurde in einer kleinen Stadt in Armenien geboren und begann im Alter von sechs Jahren eine achtjährige klassische Klavierausbildung.

Drawing on historical texts, Fabrice Bollon’s opera The Folly focuses on Erasmus of Rotterdam, the influential Renaissance reformer, cosmopolitan humanist and intellectual, who, in old age, reflects on the events of his life. Past and present converge as fictional figures from his books or real-life antagonists appear in much the same way as Bollon merges periods through his creative use of several 16th-century compositions. Set in an age of polarised extremism that reflects our own times, Erasmus’s humanism requires vigilance, defence and reinvention.

Armenia has a long and vibrant musical tradition. Armenia’s far-reaching musical tradition was collected and developed in the late 19th century to the early 20th century, primarily by Komitas Vardapet, an important priest and musicologist. We are particularly familiar with symphonic works by composers such as Aram Khachaturian (1903-1978). But Armenian composers such as Arno Babadzhanian (1921-1983) and Komitas have also written important works for piano. The pianist Tsovinar Suflyan has compiled a large cross-section of these on her album ‘Armenian Miniatures’.