A special full moon edition of moon music is now available as a digital download. Featuring the full moon music album plus 10 ‘blue moons’ bonus tracks, including three stunning new tracks: the karate kid, man in the moon, and a wave.

Opening with the swirling, cinematic strings of "The Chad Who Loved Me," Mansun's debut album, Attack of the Grey Lantern, is anything but a conventional Brit-pop record.

Celebrating the 50th anniversary of El Gran Sonero’s album Traigo de Todo on Tico Records. Starring his band Ismael Rivera y Sus Cachimbos performing colossal salsa hits such as “El Nazareno,” “Qué Te Pasa A Ti” and “Traigo de Todo.”

The Sicilian was just thirty years old and at the absolute pinnacle of his musical life, commanding huge fees and producing operas at a rate of knots.

In celebration of his 80th birthday, this four-disc set spans more than five decades of Michael Tilson Thomas’ compositional career.

Toronto Mendelssohn Choir/Jean Sébastien Valléee -"Remember: 130 Years of Canadian Choral Music" / 2024 marks the 130th anniversary of the Toronto Mendelssohn Choir, one of Canada's oldest, largest and most recognized choral ensembles.

Boost! vermengt de liefde voor rock, blues, 70’s filmscore en psychedelic muziek met een vleugje jazz en veel “attitude” tot een opwindend en spectaculair geheel.

This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor.

The last of his studio albums released in his lifetime, Sam Cooke's Ain't That Good News offers a lot of superb material, pointing in several directions that, alas, were to go largely unexplored. The central number is, of course, the earth-shattering "A Change Is Gonna Come", with its soaring gospel sound and the most elaborate production of any song in Cooke's output.

The Electric Mud are excited to announce their return, encouraged by friends, family, and the brass at Small Stone Records

Suede’s second album Dog Man Star will be reissued for its 30 anniversary later this year.

Multi-talented, critically acclaimed British jazz/blues singer/songwriter Polly Gibbons who earned a prestigious BBC Jazz Award Nomination in 2006, has been a staple of the UK Jazz Scene since the mid-2000s. Following sold-out tours in the U.K. opening for George Benson and Gladys Knight, including two acclaimed performances at the prestigious Royal Albert Hall, singer/songwriter Polly Gibbons offers us a new, 12-track collection which fully embraces the inspiring, expansive array of American jazz, soul and blues.

This first full-length album from the young German indie pop songstress follows the 2015 eponymous debut EP that launched her into the public eye. With elements of retro pop, soul, and classic rock, this is an assured collection of tracks that see Lilly's rich, powerful voice nestled within smooth arrangements combining traditional pop/rock instrumentation with sympathetic electronic flourishes. The singles "Blood & History," "Your Hands Are like Home," and "The Only One" are included.

The Pulsar Trio has once again created a very fine, highly playful and consistently entertaining ethno-jazz album, "Zoo of Songs". Musically grown even closer together and precise as a clockwork, the new pieces present themselves with organic-stringent texture and some new timbres in the familiar Pulsar Trio robe. A few of the pieces are inspired by the work on the dance play "Flugmodus" with the dancers of the Laura Heinecke Company.

GRAMMY Award-winning mezzo-soprano Joyce DiDonato joins conductor Alan Curtis and Il Complesso Barocco for this electrifying program of royal arias from the 17th and 18th century. It features compositions by luminary figures including Handel and Vivaldi, as well as, lesser-known composers including Orlandini and Porta. Her previous album for Virgin Classics, Diva, Divo, won a GRAMMY® Award in February 2012. DiDonato calls this themed recital her “most exciting recording project to date…high drama, profound emotion, fearless vocal writing, time-stopping passages, historical significance and real discovery”.