Interesting, well played album which draws stylistically from the Dave Edmunds Rockabilly revival school and the British 70's pub rockers a la Brinsley Swartz and co as much as it does from classic American Blues…

Excellent Swedish jazz. It's definitely highly influenced by free jazz and the avant-garde but it's still quite accessible.

Although Caverna Magica was his second album, this 1983 release is what put Andreas Vollenweider on the space music map. The music is lightly jazzy, performed on modified harp, "rhythmanatomic acousticolors and UFO," and drums, with vocal colorings which come and go…

Originally released by the fledgling Enigma Records in 1982 and picked up by Geffen in early 1983 when the lascivious novelty single "Sex (I'm A…)" started picking up radio attention, Pleasure Victim is a frankly exploitative little slab of synth pop cynicism, so baldly crass in its positioning of lead singer Terri Nunn as a sex kitten (posing her in the nude on the inner sleeve, listing her contributions as "vocals, bj's" in the liner notes) and lyrically obsessed with the seedy side of the Los Angeles demimonde that criticism becomes nearly beside the point…

Franklin played a Fender Rhodes piano on four cuts, including "Eleanor Rigby", "Spirit in the Dark", "Don't Play That Song" and "Dr. Feelgood". Backing Franklin was King Curtis' band, the Kingpins, featuring Cornell Dupree on guitar, Bernard Purdie on drums, and Jerry Jemmott on bass, Billy Preston on organ, Curtis on saxophone, together with the Memphis Horns. The album reached number one on the Billboard R&B album chart on June 19, 1971…