In the late ‘70’s ‘disco’ became a phenomenon. Fueled by the success of the movie ‘Saturday Night Fever’ and the impact of the dance clubs, the music not only ruled the dance-floors but also the charts across the world. ‘The Best Disco Album’…. brings together the essential tracks from the era. Appropriately we kick off with the track ‘I Feel Love’ by Donna Summer, that not only came to represent the finest in disco but also pointed the way forward to the electronic and sequenced future of dance music. As well as ‘I Feel Love’, huge crowd pleasers from Earth Wind & Fire with The Emotions, The Jacksons, Lipps Inc. and Yvonne Elliman (from the afore-mentioned ‘Saturday Night Fever’ soundtrack) feature alongside truly timeless anthems from Gloria Gaynor, Village People, Dan Hartman and Thelma Houston as well as huge hits from Rose Royce, Odyssey and A Taste Of Honey. Established artists enjoyed some of their biggest success with disco tracks namely Diana Ross, Cher, Gladys Knight & The Pips, The Three Degrees, Marvin Gaye, Edwin Starr and even the then new-wave stars Blondie – all of whom are featured. And it wasn’t just the U.S. acts! Some of the biggest disco songs were created in Europe (including Donna Summer’s ‘I Feel Love’) and massive hits from Heatwave, Patrick Juvet, Baccara, Meco, Ottawan, Eruption and Boney M are included here. On top of that, the biggest European act of the decade are celebrated twice on this collection with ‘Voulez Vous’ and the phenomenal ‘Dancing Queen’… ABBA!

The film highlights the two sides of Frida Kahlo’s spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship.
With Asia Argento as narrator, the two faces of the artist will be revealed, by pursuing a common thread consisting of Frida’s own words: letters, diaries and private confessions. The film alternates interviews, with original documents, captivating reconstructions and Frida Kahlo’s own paintings, kept in some of the most amazing museums in Mexico.

He started playing flute at age 10 studying with Jean-Pierre Rampal at the Conservatoire de Paris, and he won music competitions in Stresa and Alessandria in Italy. He was also awarded with the prestigious Prix de Paris twice in 1983 and 1984. He also played with Andrea Bocelli and Luciano Pavarotti.

Ecco dunque due dei suoi Quartetti (uno giovanile, uno appartenente all’estrema maturità) affiancati ad autori del primo Novecento: Webern, protagonista della stagione atonale e seriale, Zemlinsky e Bartók esploratori di vie alternative alla dodecafonia; e a un autore dei giorni nostri, il britannico Adès, che condivide con Mendelssohn una grande naturalezza di scrittura.

Portuguese composer Vasco Mendonça regards this portrait album as a letter to himself written over time and with different chapters that throw light on his long-standing obsessions with drama, ritual and precision mechanism. Group Together, Avoid Speech highlights the string and woodwind principals of the wonderful Gulbenkian Orchestra to create a Baroque concerto grosso on steroids, while Unanswerable Light is a memorial to a friend and a meditation on fury and loss. The piano concerto Step Right Up is a ritual celebration between the most incredible music box the orchestra and the most beautiful sound machine the piano.

A Russian orchestral showcase from Vasily Petrenko and the award willing Royal Liverpool Philharmonic Orchestra present a programme of Russian orchestral classics - with some surprises.Ravel’s brilliant orchestration of Mussorgsky’s Pictures at an Exhibition and Khachaturian’s sumptuously romantic suite from his ballet ‘Spartacus’ with its famous ‘Adagio’ keep company with Kabalevsky’s fizzing overture to his opera ‘Colas Breugnon’ and Schehedrin’s ‘Naughty Limericks plus a wistful Rachmaninov song in beautiful orchestral arrangement.

2019 This Compilation Rhino UK a division of Warner Music UK. Its You is a song by Lebanese-Iraqi Canadian rapper Ali Gatie, released as a single through Li$n and Warner Records. My Type is a song by rapper Saweetie, released by Icy, Artistry Records and Warner Records. The song was written by Saweetie and produced by London on da Track. Sanguine Paradise is a song by rapper Lil Uzi Vert, recorded for his upcoming studio album Eternal Atake. It was released as the first of two singles on the same day through Atlantic Records, Warner Music and WEA. Dance Monkey has topped the charts in Australia, Austria, Belgium, the Czech Republic, Switzerland and the United Kingdom, and peaked within the top ten in many other European and Asian countries.

Once again, Soul Jazz Records do the digging so you don’t have to. Space Funk: Afro-Futurist Electro Funk In Space 1976-84 chronicles what happened when funk entered the computer age. Collecting fifteen tracks - many of which are rare grooves that originally came out on small indie imprints - this compilation chronicles a key moment in Afrofuturist music in the United States. Jamie Jupitor and Robotron 4 are but two of the artists included.

17-year-old Andréas Perez Ursulet – a singer who is both baritone and countertenor – emerged as victor of the 2018 edition of Les Prodiges, the French TV talent show for young people with a classical training in music or dance. He first became fascinated by opera when he was just four years old. “People still see classical music as something you have to be chosen to do,” he says. “I want to show that it can be accessible to anyone.”

Vienna was a magnet for musicians across Europe in the 18th century, and among the most successful and influential were composers from Bohemia. Credited with developing idiomatic piano performance in the city, Leopold Koeluch also wrote choral music of considerable individuality. Joseph der Menschheit Segen (Joseph, Mankinds Blessing) is a powerful Masonic cantata that unusually includes Melodrama, where spoken text is followed by instrumental passages. The two sacred arias are masterful compositions and the Missa in C, though small in scale, is unusually lavish in its scoring. Klage auf den Todt Marien Theresien (On the Death of Maria Theresa) possesses a grave and subtle beauty.

“The most dramatic piece that Berlioz ever wrote,” is how conductor John Nelson describes La Damnation de Faust. The composer designated this thrilling hybrid of oratorio and opera a ‘légende dramatique’. Following in the triumphant footsteps of Les Troyens, also recorded at the Auditorium Erasme in Strasbourg, this performance reunites Nelson and the Orchestre Philharmonique de Strasbourg with singers Michael Spyres, Joyce DiDonato and Nicolas Courjal.

Robert Groslot’s significant contribution to the concerto genre is explored here in works that emphasise enjoyment in performance, and precision in sonorities and structure. The Cello Concerto includes a musical joke, whereby the soloist ‘quarrels’ with the concert master, only for the argument to be quelled by one of the percussionists.

All it started by a friend from school when he was nine years . His parents gave him a small Casio and the first day I took him to school, Peter was perplexed by such a wonder. As he was very keen to leave it and I was dying for putting a hand on fascinating miracle of technology, he offered him a deal; "I give you a treat like" bimbo "or" fosquito "and you leave me the keyboard , " his companion as it was quite "rogue" negotiated the deal and said that according to the grandiosity of the candy and have more or less time treasure above, the maximum time half an hour if it was "great treat".

”Arctic visions – Arctic Scenes” -album was released Seitakuoron 50-year year anniversary in autumn 2011. The disc can be found the world's first levytyksinä mm. Kullervo Karjalainen Arctic visions series as well as Seitakuoron celebration of the year of the order piece fell through the atmosphere Jan Hellbergiltä. The disc was recorded for the first time, also Georgette Fabric Songs from Lapland series, which has already become familiar Seitakuoron concerts. The record was made in cooperation with Alba Records Oy.

"I borrow quotes from the museum of the past and mix them with my own music." Hardly any other musician of the 20th century exploited the relationship between tradition and modernity as creatively as Luciano Berio, who died in Rome in 2003. The Italian composer and conductor began his search for traces with Monteverdi and Bach. From Schubert, Brahms and Mahler to Puccini and the Beatles, his way of transforming quotations and collage techniques found its way to his very own forms of the "open work of art". On this album the Sinfonieorchester Basel under Ivor Bolton presents together with the soprano Sophia Burgos, the baritone Benjamin Appl and the clarinettist Daniel Ottensamer a selection of Berio's transcriptions for orchestra