Sony Music Presents The Ultimate Dinner Party Album album original hits and the original artists genre Jazz, Blues.

Sony Music Presents Country 100 album 100 original hits and the original artists genre Country.

Fantastic Voyage Presents For This I Thank You: Motown R&B, Popcorn and Rock 'N' Roll album original hits and the original artists genre Soul, Funk, RnB, Pop.

Parlophone UK Presents British Beat Before The Beatles 1955-1962 album original hits and the original artists genre Rock, Blues.

Enjoy this Compilation with the most successful Folk Yeah! Acoustic Traditional & Vocal Favorites singers like Liz Madden, Judy Collins, Celtic Strings and many more!

“One day during my studies, as I came in for my piano lesson, my teacher, Andrew Ball, asked if I knew the piece the previous student was working on. The student, still there, played the first few pages and I was instantly mesmerized. Some gestures seemed familiar, but the sonority and discourse were both alien and fascinating. It turned out to be Busoni’s Sonatina Seconda. I had heard about Busoni, mostly as an editor and arranger and had some vague knowledge of a work or two, but now a strong connection was suddenly established. Shortly after the lesson I took the score out of the library and set about to learn it. I find many musicians and audience members have a similar experience with Busoni’s music. They might at best give it some polite respect once they know a bit about his extraordinary personality, but rarely have an emotional connection to it. At the same time, I personally know several people who, either through exposure (mostly from myself), or through their own study, have slowly turned relative indifference into ardent admiration”.

Richard Pike is a score composer, producer & singer. Known for his work in PVT (aka Pivot) and his electronic pseudonym Deep Learning. In recent years he has scored the TV series Romper Stomper, Australian Gangster & Les Norton.Australian Gangster is an upcoming Australian television miniseries, produced by the Seven Network, set to air on 13 September 2021. The miniseries is directed by Gregor Jordan and Fadia Abboud and produced by Dan Edwards, John Edwards and Gregor Jordan for Roadshow Rough Diamond.

British composer Michael Head (1900–1976) initially studied piano with Jean Adair, a student of famous Clara Schumann, and vocal performance with Fritz Marston. It was only in 1919 that he began studying composition in the class of Prof. Frederick Corder after he had been admitted to the Royal Academy of Music in London as a Sir Michael Costa scholarship holder. After completing his education, Head lectured at that university for many years.

Swantje Asche-Tauscher belongs to that generation of young German violinists who win people over with their “expressive, sonorous playing”. At the age of 14, this talented artist appeared as a soloist in the Stuttgart Liederhalle. She had played at the Mozarteum Foundation in Salzburg, performs at festivals such as the Palermo Classica Festival, and is a lecturer at Strings in Motion. For the 2019/2020 season, Swantje Asche-Tauscher held the position of principal second violinist in the Tyrol Symphony Orchestra in Innsbruck.

n collaboration avec WY Production, Music Box Records présente en CD la bande originale du nouveau film de Yann Gozlan (Un Homme idéal) Boîte noire (2021) composée, orchestrée et dirigée par Philippe Rombi et interprétée par L'Orchestre National d'Île-de-France.

The first half of the XVIII century witnessed the triumph of the harpsichord. The 1685 generation gave a solid contribution to the development of the proceeding: this was the year when Bach, Händel and Scarlatti were born. A remarkable generation, along with the composers of the French court such as Couperin and, in the following years, Rameau. But, in addition, other minor authors must be mentioned. While most of the anthologies quoted Fisher, Fiocco, Daquin and Balbastre, some of the minor composers have been forgotten for many decades. Nowadays such an incomplete review would not go unnoticed.

History Of Soul Presents Birth of the Beat - Where that Northern Soul beat came from album original hits and the original artists genre Soul, RnB, Pop.

Jasmine Records Presents The Changing Times of the Folk Scene 1950 - 1962 album original hits and the original artists genre Pop, Rock, Folk.

This album includes a carefully curated selection of Renaissance and early Baroque gems. Lightly skirting the fluid boundaries between high art music and folk music in early modern Europe, much of the vocal music presented here demonstrates the grace and charm with which even the most erudite and famed composers applied their craft to popular song and dance. The instrumental music further reiterates the centrality of dance music in the 16th and 17th centuries, whether explicitly or as a rhythmic and formal underpinning. Above all, while skillfully composed by master musicians, the music is infused by musical cultures existing beyond the Church and court. At first glance unrelated, but a more discerning gaze will uncover the fine thread of cultural exchange between high art music and popular musical traditions running throughout the album.

Mario Castelnuovo-Tedesco’s autobiography (Una vita di musica [Florence: Cadmo, 2005]) is an essential source of information regarding the composer’s daily life, as well as the genesis and fate of his works. It ends with the account of July 1961. This interruption leaves us without first-hand information about an important section of his oeuvre, i.e. the works he wrote, between 1961 and 1962, for the guitar duo constituted by the genius guitarist Ida Presti and by her husband, Alexandre Lagoya. Both musicians enriched their repertoire with elegant and colourful transcriptions realized by Lagoya himself. Moreover, they never lost an opportunity for widening that same repertoire, soliciting the composers with whom they got in contact to write new works for them. So they did with Castelnuovo-Tedesco, who immediately responded to their request, dedicating, in 1961, his shining Sonatina Canonica op. 196 to the couple. This piece is reminiscent, not only in its title, of the eponymous piano work written in 1942-3 by Luigi Dallapiccola, with whom Castelnuovo-Tedesco had an enduring friendship.