The blu-ray was previously only available as part of the excellent, but expensive, super deluxe edition of Who's Next, which was released just over a year ago. It features Steven Wilson remixes of Who's Next and 14 bonus tracks. Those bonus tracks are of the highest quality and include unedited versions of singles such as 'The Seeker', 'Let's See Action' and 'Join Together' Wilson has created Dolby Atmos Mixes, dedicated 5.1 mixes and new stereo mixes of all 23 tracks on the blu-ray with the exception of 'Bargain' for which the multi-tracks unfortunately could not be found (a Penteo 'upmix' was created for that track for the spatial/surround mixes). The SDE blu-ray exclusively features Steven Wilson instrumental mixes of the album and all the bonus tracks (except 'Bargain' for the reasons stated above). These instrumentals do not features on the blu-ray in the box set.

If you're a died-in-the-tie-dye fan, you've probably already heard a tape of this show and will be pleased to know that here it sounds amazing; the entire three hour performance is included, mixed and mastered off of original 16-track live master recordings. If you're not already a Deadhead, Live at the Cow Palace: New Years Eve 1976 is an excellent encapsulation of mid '70s Dead. Recorded in-between 1975's invigorating Blues for Allah and 1977's dreadfully myopic Terrapin Station, it's eminently preferable to the live album Steal Yr Face, and goes a long way towards showing that the critically-maligned Godchaux era had a lot going for it. A few of the songs lumber a bit, but there's a real funkiness and versatility to this segment of the band's career that they never really had at any other time. Several stages of the band's career converge, such that the elastically funky version of the late '70s Dead, the almost jazz-fusion Dead of the early '70s, and the soft cowboy folk sound of 1970 of are all here. It's lovely. –Mike McGonigal

Record Store Day Black Friday 2024 release. Recorded live in Los Angeles, CA, August 14 2000 outside the Democratic National Convention.

In honor of the 15-year anniversary of the Vault, the longest continuously running vinyl subscription club in the world, Third Man Records in conjunction with Columbia Records / Legacy Recordings is proud to announce its 61st Vault package, Bob Dylan’s The 1974 Live Recordings: The Missing Songs From Before The Flood. The box set chronicles Dylan’s legendary 1974 tour with The Band, a pivotal moment that saw them performing for their largest crowds to date. With a variety of full show performances available to cull from in the compiling of Before The Flood it was natural that some songs, no matter how compelling and powerful, would not fit on the original 2xLP release in 1974. Pressed at Third Man Pressing in Detroit on three charming green LPs, this configuration is the only vinyl release of any of the archived 1974 live recordings. As an added bonus, Third Man has designed a classic 1970’s-styled souvenir tour book. Comprising photos taken during this momentous tour and of-the-era graphics and archival material, this 8.5 x 11 inch, 20 page book is the perfect visual accompaniment to the moving, powerful audio it is paired with. To top it all off, included here is a 7-inch single featuring the inimitable “Blowin' In The Wind” as originally included on Before The Flood backed with an incendiary take of “Most Likely You Go Your Way (And I’ll Go Mine)” recorded at Madison Square Garden on January 30th, 1974.

The inaugural release in the Columbia/Legacy 2011 Billy Joel reissue series, The Hits is the first-ever U.S. single-disc overview of the piano man’s full career. Even his first compilation, 1986’s Greatest Hits, Vols. 1-2, was a double-LP set and so was 2001's The Essential, so just having a 19-track summation of Joel’s career is useful, but fortunately, The Hits accomplishes its job well.

It was pretty clear that Billy Joel had run out of steam by 1993's River of Dreams. He had shown signs of wearing on its predecessor, Storm Front, but his trademark melodic gift disappeared on River of Dreams and his words, even performances, were bone-tired – he even called the last song "The Last Song (No More Words)." So, it was no great surprise that he did not rush to record a follow-up, and when he started murmuring toward the end of the decade that perhaps he wasn't interested in pop music anymore, nobody who paid attention could have been surprised.

A formidable couple! Guido Di Leone and Francesca Leone represent one of the most successful and significant artistic partnerships not only in Italy in the field of Brazilian music, bossa nova. With the previous album (CORAÇÃO VAGABUNDO), also by Abeat, they had great success with the public and critics. This new release has all the ingredients to repeat this excellent result.

Introducing the young prodigy, Gabriele Micheli, recipient of the esteemed Second Prize in the renowned Ciccolini Piano Competition. At just 22 years old, Gabriele’s musical journey has been nothing short of remarkable. Gabriele secured his place at the acclaimed Conservatoria Santa Cecilia in Rome aged 9, and his passion for the piano continued to flourish. Graduating with flying colours in 2017, he further honed his skills, obtaining his Master’s degree from the same prestigious institution in 2020.

Over the past seven years, Public Memory’s distinctive use of analog synthesizers, electronic beats mixed with organic percussion, lo-fi sound design, and gritty ambience has created a singularly eerie and shadowy world.

Sebastian Zawadzki (born 14 October 1991) is a Polish-born jazz pianist, composer and film composer living in Copenhagen who has been releasing albums since 2014 as well as composing and arranging music for a wide array of media including TV and films. In his works he incorporates elements of classical, electronic and jazz music. Viridian is a collection of melodious improvised solo piano pieces, recorded in Tall Pine Records in Kolbudy, Poland.

'Miss du Pré allows herself to muse as Elgar's music itself muses, but she never for a moment overdoes indulgence and each movement has its own strength and coherence. This is on no account to be missed.

Rud's career as a jazz musician began in the 1960s in Oslo. He played in Ditlef Eckhoff's Quintet in 1965 and worked with Svein Finnerud from 1967 to 1974, with whom he recorded three LPs.

Red Clay is a soul/funk-influenced hard bop album recorded in 1970 by jazz trumpeter Freddie Hubbard.

Terrace Jamahl Martin (born December 28, 1978) is an American musician, rapper, singer, and record producer.

Telemann may have written his twelve fantasias for the amateur market, but he would surely have rejoiced to hear such superlative performances as these. Alina Ibragimova again demonstrates just what can be accomplished on the four strings of a solo violin.