Different Rooms is a collection of songs and musical motifs we composed, edited, and collaged in the weeks between late 2024 and early 2025. Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023. In our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, however, marks an evolution in our approach to studio production.

Echoes of birds, water and wind: the young musician Sophia Schambeck presents flute works from 900 years on her refreshingly unconventional debut album at GENUIN.

Shostakovich's Preludes and Fugues stands as one of the most profound and technically demanding collections of piano music from the 20th century.

The Austrian guitarist Rosa Franziska Maier, winner of numerous international competitions, is releasing an album with an imaginative, musical collage of works from three centuries at GENUIN: compositions by Mario Castelnuovo-Tedesco and Johann Sebastian Bach, by Giulio Regondi, Heitor Villa-Lobos and Isaac Albéniz are grouped around William Walton's "Five Bagatelles".

Roberto Fabbriciani has been an important reference point for flautists and composers for decades. The list of renowned masters with whom he has collaborated is impressive: Berio, Boulez, Bussotti, Cage, Carter, Castiglioni, Clementi, Dallapiccola, De Pablo, Donatoni, Ferneyhough, Gaslini, Huber, Krenek, Kurtag, Maderna, Messiaen, Morricone, Petrassi, Pousseur, Rihm, Rota, Sciarrino, Stockhausen, Takemitsu, Yun and many others – just to name the historical personalities!

This world premiere recording marked the rediscovery of the composer Arturo Clementoni, who had been active as Kapellmeister and organist in Ascoli Piceno since the first two decades of the 20th century.

The renowned chamber choir Ensemble Horizons is releasing its debut album at GENUIN: An extraordinary, in the truest sense of the word unheard of production!

In honor of Dmitri Shostakovich on the 50th anniversary of his death, the Asasello Quartet is completing its complete recording of the most important and greatest string quartet cycle of the 20th century at GENUIN: the great Russian composer left fifteen quartets behind - the uncomfortable, desperate, tender, detached, enigmatic musician whose works fascinate and move us with the timeless power of music even half a century after he left us.

Fresh Maggots are a folk duo from Nuneaton, Warwickshire in England, consisting of Mick Burgoyne and Leigh Dolphin, who played a variety of instruments including guitars, glockenspiel, tin whistles and strings.

Baritone Florian Boesch and pianist Malcolm Martineau continue their successful collaboration on Linn with a recital pairing two geniuses who hated each other. Exploring the rivalry between Johannes Brahms and Hugo Wolf, the album showcases some of their most compelling songs which express deep emotion and philosophical themes.

We are flying through times and worlds with the new GENUIN album by Atsuko Koga (flute), Georgiy Lomakov (cello) and Marianne Le Mentec (harp): at the center of the recordings are works by Claude Debussy for flute, cello and harp, which give the nymphs, naiads and nature gods of Greek antiquity a tonal garment of the 20th century.

Following her critically acclaimed recording of Heinrich Ignaz Franz von Biber's Rosary Sonatas, violinist and musical director Rachel Podger conducts Brecon Baroque on Just Biber, an album of sonatas from Biber's 1681 collection Sonatæ Violino Solo and his theatrical Sonata Representtivo.

Format: Vinyl Record LP, Tico Records. USA release from 1968. Latin music vinyl record LP release from Ismael Rivera y Sus Cachimbos. Classic Latin Guaracha, Guaguanco, Cha-Cha, Salsa.

Antonin Dvorak's 'American' chamber music works are the fruits of a happy, carefree time. And this is reflected in the music: colourful, vibrant, imbued with the musical and scenic impressions he gathered in the bustling metropolis of New York and during his summer holidays in rural Iowa.

“We have wanted to record Bach’s violin concertos with Sophie Gent ever since she joined Ensemble Masques in 2003”, says Olivier Fortin, harpsichordist and founder of the ensemble that explores Baroque music with such passion.