From Bob Dylan to Norah Jones, the greatest music ever made is being reborn on Super Audio CD. You can enjoy this RS500 promotional sampler in multichannel surround sound or play in stereo mode.

The 50th anniversary edition Blu-ray features the Dolby Atmos mix, 5.1 surround sound mix, as well as remastered stereo mixes.

The Wall – Live in Berlin was a live concert performance by Roger Waters and numerous guest artists, of the Pink Floyd studio album The Wall, itself largely written by Waters during his time with the band. The show was held in Berlin on 21 July 1990, to commemorate the fall of the Berlin Wall eight months earlier.

It's nothing short of remarkable that Roger Waters has built a successful career on obsessive ruminations on alienation, megalomania, and guilty fame, largely on the backs of one of history's most long-lived arena acts. The musical legacy Waters has shared with "another band" (as he sharply refers to his former Pink Floyd mates in this collection's self-penned liner notes) has served two distinctly different functions: part and parcel of the latter's nostalgia act; autobiographical foundation for the former's ongoing, if decidedly egocentric, Rage at the World. That's essentially the rationale this live collection uses to lean heavily on Waters's Pink prime, from Dark Side of the Moon through The Final Cut. And if that frame sometimes overshadows the images of Waters's solo work–well, no one said he wasn't a pragmatic entertainer.

In early 1993, David Gilmour, Nick Mason and Richard Wright set up their equipment in their own Britannia Row Studios in Islington and created more than hundred pieces of music by jamming together, interacting with each other's performances and recording the results. In 2014 David Gilmour and Nick Mason re-entered the studio and, starting with unreleased keyboard performances by Richard Wright, who sadly died in 2008, added further instrumentation to the tracks, as well as creating new material. The result is "The Endless River", including 60% of recordings other than the 1993 sessions, but based upon them.

Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor. Musically, it's arguably even more impressive, showcasing the group's interplay and David Gilmour's solos in particular. And while it's short on actual songs, the long, winding soundscapes are constantly enthralling.

The Dark Side Of The Moon was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised their earlier work. A concept album, its themes explore conflict, greed, time, death, and mental illness, the latter partly inspired by the deteriorating health of founding member Syd Barrett, who departed the group in 1968. The group used recording techniques such as multitrack recording, tape loops, and analogue synthesisers.

On the 30th June 1990 in the grounds of Knebworth House a concert was staged to raise funds for Nordoff-Robbins Music Therapy and the Brit School For Performing Arts. It has since been heralded as the "best British rock concert of all time". The breathtaking performing line-up was drawn entirely from acts who had been recipients of the prestigious Sliver Clef Award presented annually by Nordoff-Robbins Music Therapy for outstanding services to the British Music Industry.

Ça Ira (French for "It'll be fine", subtitled "There is Hope") is an opera in three acts by Roger Waters based on the French libretto co-written by Étienne and Nadine Roda-Gil on the historical subject of the early French Revolution. Ça Ira was released 26 September 2005, as a double album featuring baritone Bryn Terfel, soprano Ying Huang, and tenor Paul Groves.

"Rattle That Lock" is the fourth solo studio album by David Gilmour, the voice and guitar of Pink Floyd. This is David's first since 2006's # 1 album "On An Island". The primary lyricist for "Rattle That Lock" is Gilmour's long-term writing partner, Polly Samson, and the album is co-produced by David Gilmour and Roxy Music's Phil Manzanera.

One of the most iconic and influential albums of all time, "The Dark Side Of The Moon" by Pink Floyd, celebrates its 50th anniversary in 2023. An early version of "The Dark Side of The Moon" was premiered at the Rainbow Theatre in London a few months before the band went into the studio. It was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. It is Pink Floyd's eighth studio album and was originally released in March 1973. The iconic album packaging, depicting a prismatic spectrum, was designed by Storm Thorgerson of Hipgnosis.

Roger Waters' album "Amused to Death" returns in a remastered release from Columbia Records / Legacy Recordings. "Amused to Death" sounded the alarm about a society increasingly – and unthinkingly – in thrall to its television screens. Twenty-three years later, "Amused to Death" speaks to our present moment in ways that could scarcely have been anticipated two decades ago.

The Early Years 1965–1972 is a compilation box set by Pink Floyd released in November 2016. It contains early non-album singles plus unreleased studio and live recordings…

Dave Kerzner's, former member of the Progressive Rock band Sound of Contact, debut solo concept album "New World". It features Kerzner on vocals and keyboards with special guests Steve Hackett of Genesis, Durga McBroom of Pink Floyd, Keith Emerson of ELP, Billy Sherwood of Yes, Jason Scheff of Chicago, and many more…

Roger Waters The Wall captures Roger Waters' sold-out 2010-2013 "The Wall Live" tour, the first complete staging of the classic Pink Floyd concept album since 1990. A tour-de-force of rock & roll stagecraft anchored in a powerful message of peace and compassion, "The Wall Live" became a must-see concert event for music fans everywhere. It played to over 4.5 million people at more than 200 shows across four continents, making it the most successful worldwide tour by a solo artist in history.