In the early 1960s, Eric Andersen was part of the Greenwich Village folk scene in New York. His best-known songs from that time are "Violets of Dawn", "Come to My Bedside", and "Thirsty Boots" (the latter recorded by Judy Collins and Bob Dylan, among others). The folk singer/songwriter's 1975 album for RCA features 10 tracks including the tender title track and the epic "Time Run Like A Freight Train".

A modern jazz quartet that masterfully balances strong groove, expressive sophistication, and incredibly rich dynamics. Reminiscent of quality ECM sounding records this music is emotionally charged with delicate musical space and touch.

Howard McGhee made a comeback in the early 1960s and "Dusty Blue" from 1961 is one of the strongest sessions from that period. Ghee performs in both quartet and septet configurations accompanied by musicians like Pepper Adams on baritone sax, Tommy Flanagan on piano and bassist Ron Carter.

"Perfect Machine" is the thirty-seventh album by jazz pianist Herbie Hancock, and the last with the Rockit Band. Perfect Machine was also Hancock's final album for Columbia Records and is considered the least popular of the three Rockit band albums.

Morton Gould's Brass & Percussion is an artifact from the halcyon days of high fidelity, a lost era when "Radio Row" in New York City was bursting at the seams with shops selling every kind of cutting-edge audio gear to hi-fi enthusiasts eager to blow away their wives, neighbors, and everyone else with big audio systems. Forthwith, Brass & Percussion has a BIG sound – recorded in Manhattan Center with classic Neumann U-47 microphones and a huge symphonic band made up of crack East Coast professionals.

A beautiful and thrilling Italian jazz ballad session by alto saxophone player Claudio Chiara and tenor saxophone player Emanuele Sisi. A quartet and quintet performance with the two frontmen Claudio Chiara and Emanuele Sissi, plus the piano trio of Massimo Faraò/Nicola Barbon/Bobo Facchinetti. Recorded in February 2020 in Turin, Italy.

Opus 3 Records is happy to announce the release of their first real Rock/Blues album 'Blues Barn' with B.B. Leon & Triple Treat. Bo Nordin (a.k.a. B.B. Leon), Mathias Lundqvist, Lasse Falck and Thomas Lingman perform on this recording which is more or less a live studio recording and where the mixing is 100% analog! Contains 12 Great Songs including the remakes of a couple of classical Blues Tunes; 'If You Love Me' by Little Johnny Taylor and 'Rock Me Baby' by B.B. King.

For many people, the Christmas season is the "best time of the year" – and for Wincent Weiss, it can't start soon enough.

For baritone Alexandre Beuchat and pianist Marija Bokor, life with music is an exciting and never-ending journey; a journey through a wide variety of works and eras, a journey to faraway places and a journey to themselves.

"We Are The Catalyst are built on a creative independence that forbids anyone the ability to rightfully compare their sound to another band.

Highly respected drummer and prolific composer Bobby Previte continues his Terminals trilogy with "Rhapsody", a song cycle on the subject of transit and migration. Subtitled In Transit: Terminals II, Previte's newest work was scored for acoustic sextet and features fellow composerimprovisers in guitarist Nels Cline, harpist Zeena Parkins, pianist John Medeski, vocalist, alto saxophonist Fabian Rucker and vocalist-erhu player Jen Shyu.

"Non-Stop" is a Julio Iglesias' studio album released in 1988. The songs from this album is mosly on Engish language, one of them, "My Love", a duet with Stevie Wonder, was a minor hit in the United States, reaching #80 on the Billboard Hot 100 and #14 on the Adult Contemporary chart. The album has been sold more than 500000 copies.

Now one of the most popular jazz players of the past decade, Avishai Cohen takes his artistic approach to its zenith, with "Seven Seas". Featuring nursery rhymes, lullabies and suites in which heroic inspiration and symphonics abound. "Seven Seas" plunges us into a fabulous sound voyage, in which understatement and magnitude play a never-ending game of ping-pong, a trip that easily transposes to the silver screen.

Life of a Song is Geri Allen's first recording under her own name in six long years. She teams with the rhythm section of bassist Dave Holland and drummer Jack DeJohnette, whom she worked with on the late Betty Carter's stellar live date Feed the Fire in 1993. Allen composed eight of the album's 11 cuts, and the covers include Bud Powell's "Dance of the Infidels," Billy Strayhorn's "Lush Life," and Mal Waldron's "Soul Eyes." This last selection is augmented by the participation of Marcus Belgrave on flugelhorn, saxophonist Dwight Andrews, and trombonist Clifton Anderson.

Donald Runnicles, Atlanta SO - Britannia: Elgar, Davies, Turnage, Britten, MacMilan (2007)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:11 minutes | Scans included | 4,25 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,7 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 1,44 GB
DSD Recording | Features Stereo and Multichannel Surround Sound | Label: Telarc # SACD-60677
The Atlanta Symphony Orchestra play brilliantly for Donald Runnicles, and aside from coolly matter-of-fact performances of two of Elgar's Pomp and Circumstance marches, the conductor proves a persuasive interpreter of some challenging scores.