"Kind of Blue" is an album most have heard many times before in a wide variety of formats. Now, you can hear it as if you were right there in the recording studio with the musicians! After many years, Sony finally decided to remaster Kind of Blue hi-res at 192kHz/24bit with the brilliant engineer Mark Wilder and the dedicated and knowledgeable producer Steve Berkowtiz (who has spent more time with and knows this album better than anyone out there). The quality of sound on this recording is unparalleled - listening to this release is like being in the studio with Miles.

ESOTERIC proudly introduces a new series of re-master collection - A great Jazz collection. This newly remastered box set, titled as "Great 5" features the five albums recorded by Miles Davis for Columbia label. Includes the follow titles: 'Round About Midnight (Mono); Milestones (Mono); Porgy And Bess; Sketches Of Spain; Miles Smiles. These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

Recorded over the same four day period in 1961 as Dexter Gordon's Blue Note debut Doin' Allright, this session features a different lineup of musicians with Gordon the only horn player. The band, lavishly praised by critics, features pianist Kenny Drew, bassist Paul Chambers and drummer Philly Joe Jones. Like all his early '60s Blue Note recordings, this is Gordon at his absolute best.

Sonny Rollins made his debut for the Riverside label with this album, recorded and released in 1957, the same year he was named New Star of the tenor saxophone by the critics of DownBeat. Rollins is surrounded by top names, including pianist Sonny Clark, bassists Percy Heath and Paul Chambers and drummer Roy Haynes on a programme of covers and standards, with one original Rollins song.

Recorded over the same four day period in 1961 as Dexter Gordon's Blue Note debut Doin' Allright, this session features a different lineup of musicians with Gordon the only horn player. The band, lavishly praised by critics, features pianist Kenny Drew, bassist Paul Chambers and drummer Philly Joe Jones. Like all his early '60s Blue Note recordings, this is Gordon at his absolute best.

John Coltrane with the Red Garland Trio is the third studio album by jazz musician John Coltrane, issued in 1958 on Prestige Records, catalogue 7123. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey. In 1961 it was reissued as Traneing In, Prestige catalogue 7651, and given a different cover photo, as pictured. Analogue Productions' reissue mastered by Kevin Gray.

This hard bop album from saxophonist Jackie McLean, recorded and released in 1960, features musicians Blue Mitchell on trumpet, Paul Chambers on bass, drummer Art Taylor and pianist Walter Bishop, Jr. who also contributes two of the six songs here. "Capuchin Swing" is one of McLean's earliest albums for Blue Note, where he would remain under contract until 1967.

Lush Life is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7188. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.

Soultrane is one of the essential albums in John Coltrane’s career. Recorded during the first year of his Prestige contract, between his critical service in Thelonious Monk’s quartet and his return to the band of Miles Davis, it finds the tenor saxophonist displaying a new level of both technical and conceptual refinement, dispensing torrents of notes that annotator Ira Gitler famously dubbed "sheets of sound".

Steamin' with the Miles Davis Quintet is an album by Miles Davis, recorded in 1956 but not released until 1961 as PRLP 7200. Two sessions on May 11, 1956 and October 26 in the same year resulted in four albums: this one, Relaxin' with The Miles Davis Quintet, Workin' with The Miles Davis Quintet and Cookin' with the Miles Davis Quintet.

This is one of four highly-acclaimed albums Miles Davis made during two days of marathon sessions in May and October 1956 to fulfill a contractual obligation. Davis recorded 26 tracks over the two days, all live off the floor and all first takes, with his superb first great quintet that includes John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass and Philly Joe Jones on drums.

Coming off of his success as a sideman with Miles Davis' sextet, Riverside Records gave Kelly an opportunity to expand on his solo career. Kelly Blue was his second LP for the label. The songs feature Kelly and bassist Paul Chambers and drummer Jimmy Cobb. Together they had formed the rhythm section for the Miles Davis bands. Guests include Nat Adderley, Bobby Jaspar and Benny Golson. Producer and jazz critic Orrin Keepnews described the album as "a repertoire ideally suited to the blues concept on which the album is based".