Red Clay is a soul/funk-influenced hard bop album recorded in 1970 by jazz trumpeter Freddie Hubbard.

180-gram vinyl. Mastered by Doug Sax at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings. Housed in Stoughton Printing tip-on jacket.

Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana.

"Keep Your Soul Together" is an album recorded in 1973 by jazz trumpeter Freddie Hubbard.

In Concert Volume Two is a live album recorded in 1973 by jazz trumpeter Freddie Hubbard pianist, Herbie Hancock and tenor saxophonist Stanley Turrentine. It was recorded in Chicago and Detroit for Creed Taylor's CTI label and features performances by Hubbard, Turrentine, Hancock, Eric Gale, Ron Carter and Jack DeJohnette.

On Fire: Live from the Blue Morocco is a never-before-released recording of jazz trumpet icon Freddie Hubbard captured live at the Blue Morocco jazz club in The Bronx, NY in 1967 featuring Bennie Maupin, Kenny Barron, Herbie Lewis and Freddie Waits.

The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements.

One of the only sessions tenor sax player Tina Brooks ever led during his short career, this 1960 recording features a superb studio lineup including trumpeter Freddie Hubbard, Duke Jordan on piano, Sam Jones on bass and Art Taylor on drums. An accomplished songwriter, Brooks wrote every tune here except for one.

Miles Davis had publicly called him a madman. Leonard Bernstein found him, for his part, completely awesome. Few were those that didn’t have a definitive opinion on Ornette Coleman. Some kind of outlaw who preferred playing his own compositions rather than jazz classics, the American saxophonist also developed harmolodics, a theory uniting harmonics and melody. This box of ten discs compiles one of the most important era in the career of his author. Between 1959 and 1961, he released six studio albums for the Atlantic label. Six albums that are present here and spiced up with alternative takes and various bonuses, all of this of course impeccably remastered by John Webber. Albums included: The Shape Of Jazz To Come (1959), Change Of The Century (1959), This Is Our Music (1960), Free Jazz: A Collective Improvisation (1960), Ornette! (1961) and Ornette On Tenor (1961), and the compilations The Art Of Improvisers (1970), Twins (1971), To Whom Who Keeps A Record (1975) and The Ornette Coleman Legacy (1993).

Recorded at Van Gelder Studios. Recorded January 27, 28, 29, 1970. Double LP Mastered At 45 RPM From Original Analog Tapes. Pressed At Pallas In Germany On 180 Gram Audiophile-Grade Vinyl. Limited to 1,000 copies.

"Sweet Return" is a definitive outing from the energetic trumpeter Freddie Hubbard. Joined by an all-star lineup of bassist Eddie Gomez, pianist Joanne Brackeen, drummer Roy Haynes and tenor Lew Tabackin, the ensemble tenderly interprets standards with an overwhelming amount of originality. Standout moments included the classics, “Misty,” “Whistling Away The Dark,” and “The Night Has A Thousand Eyes.” Hubbard’s timing is beautifully spaced and his tone has never sounded more vibrant. Experience this masterwork as a super hi-res download!

"Open Sesame" is the debut album by trumpeter Freddie Hubbard released on the Blue Note label in 1960 as BST 84040. It features performances by Hubbard, Tina Brooks, McCoy Tyner, Sam Jones and Clifford Jarvis. The Penguin Guide to Jazz has included Open Sesame as part of a selected "Core Collection", and has summarized the album as "a great Blue Note set".

Recorded and released in 1964, "Breaking Point" from Freddie Hubbard is considered one of the essential jazz albums of the era. Joined on the front line by James Spaulding on alto saxophone and flute, Hubbard's rhythm section is equally impressive: Ronnie Mathews on piano, bassist Eddie Khan and drummer Joe Chambers, who also contributes one song to this set of Hubbard originals.

Freddie Hubbard leads two ensembles of stellar musicians, an octet and septet, on this 1965 session of all-original material. Included in the lineup are unconventional jazz instruments such as congas and euphonium, even flute, resulting in a varied hard bop set that displays soul-jazz and Latin influences.

Considered by many fans and critics alike to be Wayne Shorter finest album, "The All Seeing Eye" is a fabulous spiritual study which could be building blocks for his future projects such as Weather Report. Originally released in 1965 and continues to be revered and praised "The All Seeing Eye" featured an incredible line up of young talent that would turn into legends of the jazz scene. The title track and "Genesis" being standouts from the session; but also the album features Wayne Shorter's brother Alan on flugelhorn on the phenomenal final track "Mephistopheles". The piece was also written by Alan. "The All Seeing Eye" was another of a large selection of albums Shorter would record in a short and highly prolific time period.