The Man with the Horn is an album released by Miles Davis in 1981, featuring drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, and others. It was Davis's first new release since 1975, following a six-year reclusive retirement. Rock-oriented in nature, the music fuses 1980s pop with improvisational funk and fusion styles. The album marked Davis's return to his more traditional trumpet playing, although the title song "The Man with the Horn" features wah-wah improvisation along with vocals.

"Kind of Blue" is an album most have heard many times before in a wide variety of formats. Now, you can hear it as if you were right there in the recording studio with the musicians! After many years, Sony finally decided to remaster Kind of Blue hi-res at 192kHz/24bit with the brilliant engineer Mark Wilder and the dedicated and knowledgeable producer Steve Berkowtiz (who has spent more time with and knows this album better than anyone out there). The quality of sound on this recording is unparalleled - listening to this release is like being in the studio with Miles.

ESOTERIC proudly introduces a new series of re-master collection - A great Jazz collection. This newly remastered box set, titled as "Great 5" features the five albums recorded by Miles Davis for Columbia label. Includes the follow titles: 'Round About Midnight (Mono); Milestones (Mono); Porgy And Bess; Sketches Of Spain; Miles Smiles. These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

Jack Johnson, later reissued as A Tribute to Jack Johnson, is a 1971 studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. In 1970, Davis was asked by boxing promoter Bill Cayton to record music for a documentary he was producing, on the life of boxer Jack Johnson. Johnson's saga resonated personally with the musician, who wrote in the album's liner notes of Johnson's mastery as a boxer, his affinity for fast cars, jazz, clothes, and beautiful women, his unreconstructed blackness, and his threatening image to white men. This was the second film score Davis had composed, after Ascenseur pour l'échafaud in 1957.

You're Under Arrest is a 1985 album recorded by Miles Davis that saw Miles mix pop tunes with political statements about racism, pollution and war. Among other tracks, the album features Davis' interpretations of two contemporary pop songs: Cyndi Lauper's "Time After Time" and Michael Jackson's "Human Nature".

Porgy and Bess is a studio album by jazz musician Miles Davis, originally released on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's 1935 opera of the same name. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. Jazz critics have regarded the album as historic.

My Funny Valentine: Miles Davis in Concert is a 1965 live album by Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, NY, on February 12, 1964. Miles also recorded a studio version of the title song, muted, with piano trio backing in 1956. Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers.

Miles Smiles is an album by jazz musician Miles Davis, released in January 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.

"Amandla" was Miles' perfect departure from "Tutu", and a comeback for himself and his right-hand man, the composer Marcus Miller. The album features investigations into the possibilities of contemporary synthesizers and drum machines. But unlike Tutu, Miles and Miller supply a satisfactory amount of real orchestral instrumentation, real drums, percussion and guitars.

"Doo-Bop" is the last studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously on June 30, 1992. The album was received unfavorably by most critics, although it won a Grammy Award for Best R&B Instrumental Performance the following year.

Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording…

In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called "Perfect Way" after a tune by Scritti Politti, later renamed "Tutu" by producer Tommy LiPuma. When "Tutu" (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, fully remastered, from the Warner Bros studio albums "Tutu", "Amandla" and "Doo-Bop", the "Dingo" and "Siesta" soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.

Steamin' with the Miles Davis Quintet is an album by Miles Davis, recorded in 1956 but not released until 1961 as PRLP 7200. Two sessions on May 11, 1956 and October 26 in the same year resulted in four albums: this one, Relaxin' with The Miles Davis Quintet, Workin' with The Miles Davis Quintet and Cookin' with the Miles Davis Quintet.

This is one of four highly-acclaimed albums Miles Davis made during two days of marathon sessions in May and October 1956 to fulfill a contractual obligation. Davis recorded 26 tracks over the two days, all live off the floor and all first takes, with his superb first great quintet that includes John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass and Philly Joe Jones on drums.

Sorcerer is an album recorded in May 1967 by the Miles Davis quintet. It is the third of six albums that this quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend (and many years later his wife).