The jazz album "Search For the New Land features" five original compositions by trumpeter Lee Morgan. With an all star musical lineup, the album acquired number 16 on Billboard's Black Albums chart. Although it was recorded in 1964, the album was shelved for two years. "Search For the New Land" is recognized as one of Morgan's best recordings.

"Mwandishi" is one of the first albums on which Herbie Hancock departs from the traditional jazz idioms and pursues a new original style that would generate a wider audience appeal, most notably manifested in his 1973 album "Head Hunters".

ESOTERIC proudly introduces a series of re-master collection – A great Jazz collection from Blue Note label. This newly remastered box set includes the follow titles: Sonny Rollins Vol. 2; John Coltrane - Blue Train; Sonny Clark - Cool Struttin'; Cannonball Adderley - Somethin' Else; Art Blakey and The Jazz Messengers - Moanin'; Herbie Hancock - Maiden Voyage. These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

Kenny Dorham's second-to-last album as a leader, Una Mas was recorded during a period of great creativity and inspiration for the trumpeter, resulting in this highly-praised session. Features a stellar band including Herbie Hancock on piano, Joe Henderson on tenor saxophone making his recording debut, Butch Warren on double bass and drummer Tony Williams, who was only 17 years old at the time.

"On the Corner" is a studio album by jazz musician Miles Davis, recorded in June and July 1972 and released in 1974 on Columbia Records. Drawing on funk and rock music, the work of experimental composer Karlheinz Stockhausen, and electronic recording techniques, it was in part an attempt by Davis to reach a younger African American audience. Instead, it became one of his worst-selling recordings and was scorned by establishment jazz critics at the time of its release. It was also his last studio album of the 1970s; for the remainder of the decade he recorded haphazardly and focused instead on live performance before temporarily retiring from music in 1975.

"Lite Me Up" is Herbie Hancock's 33rd album and was originally released in 1982. A fusion of jazz and pop, the album is full of wonderful tunes. It would be the last of his disco/pop albums.

Produced by Bill Laswell, "Sound System" follows where Herbie Hancock’s "Future Shock" left off. This experimental masterpiece bursts with even louder techno-pop brilliance. Hancock is joined by acclaimed musicians including Foday Musa Suso, Nicky Skopelitis, Wayne Shorter, Webster Lewis and more. It reached the Top Ten on Billboard’s Top Jazz Albums and includes the thrilling hit “Hardrock”. The album also won the Grammy for Best R&B Instrumental Performance.

Keyboardist Herbie Hancock dives into the disco fad that became ever popular by the end of the 1970s. This album differentiates itself from the rest of Hancock's more jazz based albums, incorporating disco beats and his famous Sennheiser vocoder.

Live recorded performance of the quintet group V.S.O.P. led by Herbie Hancock. Herbie stayed close to his love of acoustic jazz in the ’70s, recording and performing with V.S.O.P. (reuniting him with his Miles Davis colleagues).

The first V.S.O.P. tour triggered a flood of recording activity in July 1977, but only a fraction of it was released in the U.S. This session, recorded in San Francisco just days before the Quintet concerts in Berkeley and San Diego, finds Herbie Hancock, Ron Carter, and Tony Williams mixing it up sans the horns – and the results are more reflective and cerebral than the full Quintet concerts.

My Funny Valentine: Miles Davis in Concert is a 1965 live album by Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, NY, on February 12, 1964. Miles also recorded a studio version of the title song, muted, with piano trio backing in 1956. Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers.

On the Corner is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and originally released on October 11 of the same year by Columbia Records. The album continued Davis's exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, ideas by composer Paul Buckmaster, and the free jazz of Ornette Coleman.

Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, originally released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”. Additionally, electric guitarist George Benson features on “Paraphernalia”.

On the Corner is a studio album by jazz musician Miles Davis, recorded in June and July 1972 and released in 1974 on Columbia Records. Drawing on funk and rock music, the work of experimental composer Karlheinz Stockhausen, and electronic recording techniques, it was in part an attempt by Davis to reach a younger African American audience. Instead, it became one of his worst-selling recordings and was scorned by establishment jazz critics at the time of its release. It was also his last studio album of the 1970s; for the remainder of the decade he recorded haphazardly and focused instead on live performance before temporarily retiring from music in 1975.

Released in 1994, "Dis Is da Drum" is Herbie Hancock's 39th studio album and his first solo album after leaving Columbia Records. Tracks like "Bo Ba Be Da" and "Dis Is da Drum" reflect Hancock's move towards acid jazz, while "Butterfly" makes a fourth appearance on a Hancock album following the original album (Thrust), a live album (Flood), and another studio album (Direct Step).