Live-Evil is an album of both live and studio recordings by American jazz musician Miles Davis. Parts of the album featured music from Davis' concert at the Cellar Door in 1970, which producer Teo Macero subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams in the jazz-rock style, while the studio recordings were renditions of Hermeto Pascoal compositions. The album was originally released on November 17, 1971.

Originally released only in Japan, Flood is a classic jazz/funk album. Herbie Hancock's eighteenth album features songs from previous albums Thrust, Head Hunters, and Man-Child.

Nefertiti is a studio album by American jazz musician Miles Davis, released in March 1968. Recorded on June 7, June 22–23 and July 19, 1967, at Columbia's 30th Street Studio, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions, which were mostly written by Herbie Hancock and Wayne Shorter.

"Future Shock" is pianist Herbie Hancock's thirty-fifth album and a million-selling Platinum-certified disc. It was Hancock's first release from his electro-funk era and an early example of instrumental hip hop. Much of the album was initially composed by the team of avant-garde bassist and record producer Bill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982.

"Perfect Machine" is the thirty-seventh album by jazz pianist Herbie Hancock, and the last with the Rockit Band. Perfect Machine was also Hancock's final album for Columbia Records and is considered the least popular of the three Rockit band albums.

This 1977 trio session reunites jazz bassist Ron Carter with pianist Herbie Hancock and drummer Tony Williams, the rhythm section from Miles Davis's second great quintet. The Penguin Guide to Jazz has called this Carter's best album; a collection of hard driving, improvised acoustic jazz by three of the best players in the business.

My Funny Valentine: Miles Davis in Concert is a 1965 live album by Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, NY, on February 12, 1964. Miles also recorded a studio version of the title song, muted, with piano trio backing in 1956. Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers.

Future Shock is pianist Herbie Hancock's thirty-fifth album and a million-selling Platinum-certified disc. It was Hancock's first release from his electro-funk era and an early example of instrumental hip hop. Much of the album was initially composed by the team of avant-garde bassist and record producer Bill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982.

ESOTERIC proudly introduces a new series of re-master collection - A great Jazz collection. This newly remastered box set, titled as "Great 5" features the five albums recorded by Miles Davis for Columbia label. Includes the follow titles: 'Round About Midnight (Mono); Milestones (Mono); Porgy And Bess; Sketches Of Spain; Miles Smiles. These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

Native Dancer is the fifteenth album by Wayne Shorter. It is a collaboration with Brazilian musician Milton Nascimento, featuring some of his most acclaimed compositions, including "Ponta de Areia" and "Miracle of The Fishes". It is notable for including jazz rock and funk elements in addition to regional rhythms and Brazilian influence, in an attempt to create a "world" music accessible from many perspectives.

Filles de Kilimanjaro (French for "Girls of Kilimanjaro") is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his second "great" quintet to his "electric" period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz.

Released in 1994, "Dis Is da Drum" is Herbie Hancock's 39th studio album and his first solo album after leaving Columbia Records. Tracks like "Bo Ba Be Da" and "Dis Is da Drum" reflect Hancock's move towards acid jazz, while "Butterfly" makes a fourth appearance on a Hancock album following the original album (Thrust), a live album (Flood), and another studio album (Direct Step).

"Sextant" is Herbie Hancock’s 1973 masterpiece. The recording is his final album with his Mwandishi Band. The musicians perform a brilliant set that includes the standouts, “Rain Dance,” “Hidden Shadows” and “Hornets”. The compositions are complex and rhythmically challenging. This electric, fusion-based work reached #3 on Billboard’s Top Jazz albums.

"An Evening With Herbie Hancock & Chick Corea: In Concert" is a live album featuring Herbie Hancock and Chick Corea playing only acoustic piano. Recorded over several live performances in February 1978, the album is an interesting departure from the jazz fusion which both keyboardists specialize in playing.

Head Hunters is the twelfth studio album by American jazz musician Herbie Hancock, originally released on Columbia Records in the United States. Recording sessions for the album took place during September 1973 at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. Head Hunters is a key release in Hancock’s career and a defining moment in the genre of jazz funk. In 2003, the album was ranked number 498 in the book version of Rolling Stone magazine’s list of the 500 greatest albums of all time. In 2007, the Library of Congress added it to the National Recording Registry, which collects “culturally, historically or aesthetically important” sound recordings from the 20th century.