"Originally released in 1962, Moon Beams is the first Bill Evans Trio album with Chuck Israel on bass, following the death of Scott LaFaro.

Interplay is a 1963 album from legendary jazz pianist Bill Evans, originally released on the Riverside label. Joining Evans are Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass), and Philly Joe Jones (drums).

Truly entering the world of Bill Evans doesn't just mean great technique; it means, first and foremost, possessing a unique sensitivity, capable of sustaining a harmonic language of rare emotional intensity with chords that don't simply sound good, with pauses that transform silence into a living part of the musical discourse, and melodic lines that seem to spring from Chopin and Bebop at the same time. Few musicians can approach this world without being overwhelmed by it or, worse still, without retreating into sterile imitation.

Sax-Star Bill Evans, who recorded with Miles Davis and Mick Jagger, features Max Mutzke, Till Brönner, Nils Landgren, Bela Fleck, Victor Wooten and Jerry Douglas on “Who I Am”.

Comes in digibook with booklet in Japanese and English attached. Comes with obi and a fold-out poster of the front cover image. Some copies came with a small (5cm x 4.4cm) magnet replicating the front cover of this release. Recorded April 24 (tracks 2, 7, 8) and May 14 (all others), 1962. Tracks 1 to 6 originally released August 1962. Tracks 7 to 10 first released in 1988, and are indicated as bonus tracks on the obi for this release. All tracks remastered in August 2025.

William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio.

“Know What I Mean?” was originally released in 1960 as a collaboration between jazz saxophonist Cannonball Adderley and legendary pianist Bill Evans, along with the rhythm section of the Modern Jazz Quartet, Percy Heath (bass) and Connie Kay (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.

Smile With Your Heart: The Best of Bill Evans on Resonance brings together standout tracks from the company’s four sets of hitherto unheard material by the lyrical keyboard master: Live at Art D’Lugoff’s Top of the Gate (2012); Some Other Time: The Lost Session from the Black Forest (2016); Another Time: The Hilversum Concert (2017); and Evans in England (2019). Evans in England was issued for the first time as limited edition two-LP set on Record Store Day 2019, and 3 tracks from the album appear on Smile With Your Heart.

Cut From The Original Analog Master Tapes By Kevin Gray. All Analog Process (AAA). High Quality Vinyl Release. Original Gatefold Design. All runouts are etched. In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro.

This is the DSD file produced by RKS during the same session he recently remastered the the album for the Acoustic Sounds Verve Reissue Series.

ESOTERIC Company proudly introduces a new series of Re-mastered Jazz Masterpiece Collection. The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using SACD technology to improve sound quality. This Box Set of "Great Jazz Selection" features iconic releases of Wynton Kelly, Bill Evans, Wes Montgomery, Bud Powell, Lee Morgan & Oscar Peterson. Not only for new followers, but also for well experienced followers of these recorded materials.

Classically trained pianist Monika Lang honours jazz piano great Bill Evans on this album, joined by her trio members Wolfgang Reisinger on drums and acoustic bassist Uli Langthaler. Lang draws on her background in chamber music to lock in step with her fellow musicians and develop her own musical dialogue while remaining faithful to the spirit of Evans. The pieces selected by Lang for this tribute reflect different stages of Evans's life.

"Miles & Monk at Newport" was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, from the LP era. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.

The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements.

"Kind of Blue" is an album most have heard many times before in a wide variety of formats. Now, you can hear it as if you were right there in the recording studio with the musicians! After many years, Sony finally decided to remaster Kind of Blue hi-res at 192kHz/24bit with the brilliant engineer Mark Wilder and the dedicated and knowledgeable producer Steve Berkowtiz (who has spent more time with and knows this album better than anyone out there). The quality of sound on this recording is unparalleled - listening to this release is like being in the studio with Miles.