going deep into dub and experimental electronics as part of the On-U Sound house band, through the dirty rave haunts of London with Andrew Weatherall, through a huge pop smash with BRM, through his live drum’n’bass extravaganzas as James Hardway,on through the Californian bass and weird-beat scenes as OICHO, to the esoteric ambient soundscapes and percussion soundtracks he releases today.

As Warp’s longest serving signing, Nightmares On Wax has been consistently at the forefront of contemporary music, creating a unique blend of electronica, jazz, hip-hop, dub, funk, soul and techno.

“Through the writing of these songs and the making of this music, I found my way back to the world around me – a way to reach nature and the people I love and care about. This record is a sensory exploration that allowed for a connection to a consciousness that I was searching for. Through the resonance of sound and a beaten up old piano I bought in Camden Market while living in a city I had no intention of staying in, I found acceptance and a way of healing.” - Beth Orton

UNKLE's Rōnin II mixtape, featuring the brand new singles The Way Back Home (Rōnin / Original) and Instability: Closer Than You Will Ever Be (Rōnin / Original), as well as 8 brand new UNKLE remixes.

Foursome follows 2016’s Threesome, and — fittingly — it’s even wilder. All four Buttering members are prolific collaborators outside the Trio, and their music together has always been the product of spontaneous creation and discovery. No agenda, no expectations. Their first full LP with Bresler behind the drums, Foursome emerged from four days in a Tel Aviv studio in 2020. After years of programming grooves, the album is also their first fully live set — every sound was written, arranged and recorded on the spot, blooming spontaneously from jams and then condensed into songs. “It felt like a lemon being squeezed,” says Dun. “All those creative juices in such a dense time.” The album is 12 tracks of sticky-sweet, smoke-filled grooves, as dreamy as they are danceable.

Lemongrassmusic present the 9th longplayer album „Backyard Memories“ by Dutch producer and musician Marc Hartman alias „Weber & Weber“…

Listening to Röyksopp’s music is an immersive experience. It’s atmospheric and can transport listeners to a remote space. In the ballads, the inherent melancholy of the gentle synths and smooth sounds envelope listeners like silk sheets. Yet there are also high-energy moments in which we’re invited to the dance floor…

Lana Del Rey is a femme fatale with a smoky voice, a languorous image, and a modeling contract. Not coincidentally, she didn't lack for attention leading up to the release of her Interscope debut, Born to Die…

Call Honeymoon the third installment in a trilogy if you will but there's no indication Lana Del Rey will put her doomed diva persona to rest after this album. Over the course of three albums, Lana Del Rey hasn't so much expanded her delicately sculpted persona as she has refined it, removing anything extraneous to her exquisite ennui. Honeymoon doesn't drift or float, it marks time, sometimes swelling with a suggestion of impending melodrama but often deflating to just an innervated pulse…

With the creation of her Lana Del Rey persona, singer/songwriter Lizzy Grant stitched together the iconography of a fading American dream with soaring but melancholic pop songwriting, becoming an icon unto herself in the process…

The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.

Toro y Moi’s seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.

Call To Arms and Angels is the title of the twelfth studio album from South London collective Archive. A 17 track double album (triple LP) recorded at RAK studios in London. Deluxe editions of the album also include a bonus soundtrack album of new and exclusive instrumentals, as featured in the band’s Super 8 documentary that will accompany the release of the album. Produced by Archive and long time collaborator Jérome Devoise, Call To Arms and Angels is the band’s first studio set since 2016’s The False Foundation.

The longest serving artist on the Warp Records roster. Originally founded in 1988 by George "DJ E.A.S.E." Evelyn and Kevin "Boywonder" Harper. Harper left before the release of Smokers Delight. When playing live they were also joined by MC Toz 180 and guitarist Chris Dawkins.

The longest serving artist on the Warp Records roster. Originally founded in 1988 by George "DJ E.A.S.E." Evelyn and Kevin "Boywonder" Harper. Harper left before the release of Smokers Delight. When playing live they were also joined by MC Toz 180 and guitarist Chris Dawkins.