Ego Death at a Bachelorette Party is the third studio album by the American singer-songwriter Hayley Williams. She first uploaded 17 of the 18 songs to her official website on July 28, 2025, and later released them as standalone tracks onto streaming services on August 1. Williams officially self-released the album on August 28, 2025, under an independent imprint titled Post Atlantic, two years after her departure from Atlantic Records. Williams co-wrote the songs, performed several instruments, and collaborated with the producer Daniel James, who was accompanied by Jim-E Stack and Brian Robert Jones on select tracks.

Originally released in 1974, Pinball marked the debut of actor-turned-singer-songwriter Brian Protheroe. Fusing baroque pop, soft rock, and the wry introspection of early '70s singer-songwriters, the album earned critical acclaim and cult devotion, largely on the strength of its title track – the haunting, theatrical ballad 'Pinball' – a UK Top 30 hit that remains one of the decade's most singular singles.

When Philip Glass was asked to compose incidental music for a Broadway production of King Lear in 2019, he immediately knew he wanted to write for string quartet: “I know how to write for string quartet. I love its range of emotion.” Indeed, this concert version of the play’s score is his ninth work for string quartet, a medium he employs to great effect to depict the tumult, violence, and despair at the heart of Shakespeare’s classic tragedy.

Live On Tour was recorded at the Agora in Cleveland on December 18, 1978 and published as promo LP for radio broadcast in 1979. Recorded on the More Songs About Buildings and Food tour, the promo release was never officially released for the public. This is the first official release of the full show, fully remastered from the original analogue tapes and features one previously unreleased track.

The definitive version of Funkadelic’s groundbreaking 1970 debut, remastered from original master tapes and restored to its full cosmic glory.

Cristóbal de Morales’s five-voice Missa pro defunctis is steeped in a grandeur and solemnity which resonate powerfully with the listener, especially in a large-scale account such as that recorded here by De Profundis. The Requiem is preceded by a selection of motets which address last things in an affecting Office for the Dead.

Wolfgang Amadeus Mozart could already lay claim to a long list of compositions when he wrote his earliest string quartet. At 14 years old, he conceived his G major quartet one evening in Lodi, near Milan. Similarly, other quartets on this recording appear to have been written on the spur of the moment, which does not mean they were written in a hurry, however.

Down The Hatch is basically me being me," says Tom. I love the blues, I love rock 'n roll, I love Willie Dixon, I love Buddy Guy - it's me, doing and feeling me." Down The Hatch, the new album from four-time Grammy Winner, producer/drummer/songwriter Tom Hambridge showcases the joy Tom receives from creating music – especially for his own releases. The12 original track-album offers a mix of songs that represent the blues sounds of the past, present and future.

Giovanni Paolo Cima (1570–1630) was an Italian composer, organist, and violinist active during the transition from the Renaissance to the early Baroque period. He served as the music director at the church of Santa Maria presso San Celso in Milan, where he played a significant role in shaping the musical life of the city. Cima was part of a generation of Northern Italian composers who began experimenting with the emerging stylistic innovations of the early 17th century, particularly in instrumental music.

Brand new reworked versions of key tracks by Ludovico’s son, Leo Einaudi. Leo has skilfully reworked several tracks from The Summer Portraits, infusing them with his summer memories, fresh nuances, and rich textures.

The combination of interpretative flair and meticulous scholarship may be an uncommon one, but it’s very much a hallmark of Mahan Esfahani’s playing. His ongoing, widely praised, Bach series demonstrates a seemingly inexhaustible abundance of both as it reaches one of the landmarks of the keyboard repertoire: Book 1 of the ‘48’.

“The rendering of the 50-minute work, which is through-composed without any break, was another aural feast. The recent discovery of Strauss’s original intention to use alphorns in one passage is reflected in the new Breitkopf & Härtel critical edition used by Woods. The large instruments were placed in the balcony boxes, and their effect was astounding.”

On the steppe in northeast Kazakhstan, the Semipalatinsk Test Site, known as ‘the Polygon’, was once home to nearly a quarter of the world’s nuclear testing.

“Ephemeral Memory” marks the debut album from hip-hop producer, composer and multi-instrumentalist Braths – also known as Thomas Horeczko – on Sony Music. Best known for his work with some of Europe’s most successful hip-hop artists such as Apache 207, reezy, Nimo, Olexesh, Chapo102 and Ezhel, Braths now presents his own instrumental compositions. The album blends solo piano miniatures with layered string textures and melancholic orchestral arrangements to create a distinctive, atmospheric sound world. Many of the instruments were performed by Braths himself, with special guest appearances from violinist Esther Abrami and the ORF Vienna Radio Symphony Orchestra.

This album is a deeply personal journey through sound and memory, inspired by a transformative moment in 2017 when John Cage’s In a Landscape first captivated me. Over the years, I collected pieces that evoked the same hypnotic effect, creating a musical diary spanning from 2017 to 2024. Blending classical works with my own improvisations, this album reflects the fluid and mysterious nature of memory—how it shifts, distorts, and intertwines with imagination. Each piece is a portal to different moments in time, forming a dreamlike tapestry where past, future, and the imaginary merge into one.