The chorus standing in (literally) serried ranks, singing from memory; rich, turbo-charged orchestral playing… it all seems more Cecil B de Mille than Brahms.

The Flaming Lips and Stardeath and White Dwarfs with Henry Rollins and Peaches Doing The Dark Side of the Moon is a collaborative studio album by the psychedelic rock group the Flaming Lips.

Thirty years ago, on April 3rd, En Vogue started its reign as one of the most successful female vocal groups of all time.

Rock the Joint", also known as "We're Gonna Rock This Joint Tonight", is a 1949 boogie song recorded by various proto-rock and roll singers, notably Jimmy Preston and early rock and roll singers, most notably Bill Haley in 1952.

Musical soulmates organist Daniel Stickan and saxophonist Uwe Steinmetz follow their German Grammy-nominated album Where Roots Grow with Deeper Standards, in which they continue their 14-year artistic journey by exploring the language and songs of their grandparents, who spoke and sang in Plattdeutsch (Low Saxon), an ancient West Germanic dialect.

Traversing Sonic Territories is a new collaboration and artistic research project that intends to investigate how a radicalized sharing of personal sample libraries can contribute to an expansion of improvisational and imaginal horizons toward new sonic worlds.

Lasse & Mathilde is a Danish folk duo consisting of married couple Lasse Helner and Mathilde Bondo.

"Luke Evans once again proves himself a triple threat on his latest album A Song For You.

K. Michelle has unveiled the release date and artwork for her final R&B album, I’m the Problem. The album will be released Sept. 22 via MNRK Records.

Cyprien Katsaris (Greek: Κυπριανός Κατσαρής; born 5 May 1951) is a French-Cypriot virtuoso pianist, teacher and composer. Amongst his teachers were Monique de la Bruchollerie, a student of Emil von Sauer, who had been a pupil of Franz Liszt.

There's a cruel levity attached to the title of this album. Those wonderful, naive visions we had of the future simply never materialised. In a world that is increasingly hostile to optimism, it's easy to become lost in the murk. 'Trance Anthems For A Sunken Generation' thrives in this negative energy. It's an aggressive inversion of the usual 36 sound. Euphoric synths are torn apart. Melody becomes fractured and beaten into submission. The rush is cold; The breakdown of sound is closer to that of collapse. How are you expected to put your hands in the air when you can't even rise from your knees?

“Sounds aren’t limited by words — what a blessing how they move the heart differently,” says Roei Hermon of his second Raw Tapes album, "Dálum.” The 10-tracks of “Dálum,” assembled from free-flowing studio experiments on trumpet, organ, piano and synthesizers, were shaped by Hermon and Rejoicer, who added touches of percussion. The title? A Polynesian word for the inside of the mind or heart. And indeed, these sounds swirl and dance, inviting you open up to mystery and wonder. No words needed.

This music knows its roots, but it burns brightly in the present. From today's perspective, traditional jazz is set back about 60 years: swing and bebop have been absorbed, the free approach to the material has reached its first high points, the radicalism of free jazz has only just begun. Reflecting this aesthetic, the Maurice Storrer Quartet plays entirely in the here and now.

Flautist Lina Andonovska and pianist Alex Raineri’s PARALLEL PLAY presents works by living composers — Sarah Kirkland Snider, Judith Ring, Marc Mellits, and Paul Dean — alongside Andonovska’s own adaptation (from an existing arrangement by Emmanuel Pahud) of Richard Strauss’s Sonata in E-flat, Op. 18. Made possible in part by Creative Australia, this album of chamber music explores the timbral and lyrical possibilities of the flute-piano duo as a uniquely expressive partnership. From the restive intimacy of Parallel Play to the euphoric turbulence of All You Can Do Is Hang On For Dear Life, Andonovska and Raineri’s performances weave together emotional extremes with clarity, virtuosity, and control.

Poul Schierbeck (1888-1949) stands tall among Denmark's foremost composers of the early 20th century. His legacy, marked by a prolific career, shines particularly bright in his masterful orchestral compositions, the operatic gem "Fête Galante," and his melodic prowess showcased in songs such as the enchanting 'Du kære, blide danske bæk' ('You dear, gentle Danish stream').