Limited edition 9-LP boxset, featuring newly remastered audio pressed on 180g vinyl, plus a bonus disc of rare material.

Guest appearances from Brian Wilson, Mike Love, America, Robert Lamm (Chicago), Christopher Cross, Los Straightjackets, and more on this first-ever anthology of Jeffrey Foskett.

Mastered by Bernie Grundman from original analogue tapes. Personally overseen by Donald Fagen.

200-gram gatefold double LP cut at 45 RPM. Mastered by Bernie Grundman from the original analog tapes. Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan, released on 15 July 1997. It was produced by McLachlan's frequent collaborator, Pierre Marchand, and its release coincided with the start of McLachlan's Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.

Hybrid SACD reissue from Analogue Productions. Mastered by Bernie Grundman. Features "Fallen", "Stupid" and "World on Fire" The Analogue Productions/QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.

From Jock Bartley, co-founder of Firefall: The 'concept' of this album is unique and exciting - Many of the original FIREFALL band members - Rick Roberts, Jock Bartley, Mark Andes, Michael Clarke, Larry Burnett & David Muse - had played and would play in other famous bands (The Byrds, Flying Burrito Bros, Spirit, Dan Fogelberg, Heart, Gram Parsons). In 1976-77 FIREFALL played on tour & got to be friends with many top bands of the day; Doobie Bros., Loggins & Messina, The Band (!!), Fleetwood Mac, Lynyrd Skynyrd, Marshal Tucker and others. "FRIENDS & FAMILY" album is FIREFALL in 2023 respectfully and lovingly re-creating those other band's songs, honoring those bands and that amazing time in American music: the late 1960s and 1970s!! FIREFALL is honored and thankful to have played a small role in that fantastic musical era.

Relive The Best of The '70s With Firefall's 'Friends & Family 2' The New Follow-Up Their Popular 2023 Album Release 'Friends & Family 1'. INCLUDES THE SINGLE “LOVE THE ONE YOU’RE WITH” FEATURING WYNONNA JUDD & A Tribute To The Byrds “SO YOU WANT TO BE A ROCK & ROLL STAR”. In 1976-1979 FIREFALL played on tour & got to be friends with many top bands of the day (Fleetwood Mac, The Beach Boys, Dan Fogelberg, America and more). FRIENDS & FAMILY 2 is Firefall in 2025, respectfully and lovingly adapting these classic tracks, paying tribute to their famous friends..

This box set features remastered versions of all of Sade's studio albums to date, on pure 180-gram black vinyl the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums: Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000), and Solder Of Love (2010) are packaged into the beautifully finished, white case-bound box. Revisiting the audio, the band and Miles Showell worked from high resolution digital transfers of the stereo master mixes, from the original analogue studio tapes, remastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering process has produced exceptionally clean and detailed audio whilst remaining faithful to the band s intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time. The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release.

Get our NEW music project “HITS ANNIVERSARY EDITION” will be released on MAY 2! On it, we went back in the studio and RE-recorded all of our number one hits for you. You can pre-save the album at the link below, from all of the major streaming platforms.

One hype sticker says "Made in the USA - QualityRecordPressings.com". Another hype sticker bears the Atlantic75 logo and states: The 75th anniversary of Atlantic Records. 75 historic titles hand-picked and supervised by Analogue Productions CEO Chad Kassem. Mastered from the original analog tapes of best available source by the mastering engineers. Cut at 45 RPM and pressed on 180-gram heavyweight vinyl.

Three CD set. Released in October 1983, "North Of A Miracle" was Nick Heyward's first solo album after leaving Haircut 100. Produced by Geoff Emerick (The Beatles, Elvis Costello, Badfinger, America, Supertramp and many more), the album features the hit singles "Take That Situation", "Whistle Down The Wind", "Blue Hat For A Blue Day" and "On A Sunday". The album went on to sell over 100, 000 copies in the UK, earning a Gold Disc Award. Expanded to a Deluxe 3CD Edition, Disc One features the original album mastered from the original stereo tapes, Disc Two features the various 12" mixes, instrumental versions and non-album B-sides, while Disc Three, entitled "Recordings 1984", features Nick's1984 single releases "Love All Day" and "Warning Sign", along with the tracks from their accompanying 12" singles. Also featured are three previously unreleased tracks: "Teach Till You Reach" (an unreleased single), "Give Love More Time" (an alternate instrumental version of "Love All Day"), and "Kiss Those Tears Goodbye" (an unfinished recording featuring the backing vocals only).

Without identifying who it was, Isaak made his mood clear with Forever Blue by including a farewell letter in the liner notes to the lover who had dumped him. Kicking things off with the snaky, almost guttural "Baby Did a Bad Bad Thing," later made a theme song for Stanley Kubrick's Eyes Wide Shut, Isaak lives up to the confused, fractured message in that letter, turning Forever Blue into his own exorcism…

Album has been out of print for over 30 years. Recorded live in front of a small private audience in a residential studio in Miami in 1978. This unique album includes brand new songs along with some classics such as: ‘Nickel Song’, ‘Ruby Tuesday‘, ‘Brand New Key‘. The latter was performed in the style that Melanie had originally envisioned it to be. The pinnacle of this album is arguably the stunning version of the single “Cyclone” which segues into the classic “Candles in the Rain “. Of this album Melanie defiantly said, “I wasn’t making this album for the music industry, I was making it for me - this is who I am, this is what I do, and if you don’t like, too bad.” And the album sounds all the better for it, being as organic as you can get - a singer songwriter and an elite band of musicians doing what they do best…this album is one of the overlooked classics in the Melanie catalogue.

The inaugural release in the Columbia/Legacy 2011 Billy Joel reissue series, The Hits is the first-ever U.S. single-disc overview of the piano man’s full career. Even his first compilation, 1986’s Greatest Hits, Vols. 1-2, was a double-LP set and so was 2001's The Essential, so just having a 19-track summation of Joel’s career is useful, but fortunately, The Hits accomplishes its job well.

It was pretty clear that Billy Joel had run out of steam by 1993's River of Dreams. He had shown signs of wearing on its predecessor, Storm Front, but his trademark melodic gift disappeared on River of Dreams and his words, even performances, were bone-tired – he even called the last song "The Last Song (No More Words)." So, it was no great surprise that he did not rush to record a follow-up, and when he started murmuring toward the end of the decade that perhaps he wasn't interested in pop music anymore, nobody who paid attention could have been surprised.