This is a wonderful collection of great R&B music performed by the best singers and musicians in the business. Every song is produced to the exacting standards Quincy has become famous for in his long career.

Al Jarreau’s final recording, Ellington, serves as a remarkable tribute to Duke Ellington’s timeless music and a fitting end to Jarreau’s legendary career, recorded shortly before his passing in 2017. This live recording with the NDR Bigband captures Jarreau’s unique ability to blend jazz, pop, and R&B, giving fresh interpretations to classics like “I’m Beginning to See the Light,” “I Got It Bad (and That Ain’t Good),” and “Come Sunday.” The album also marks a full-circle moment, reconnecting Jarreau with ACT Music founder Siggi Loch, who first discovered him and launched his career in Europe. With his six Grammy awards spanning multiple genres, Jarreau’s vocal mastery and emotional depth are on full display, making Ellington a must-have for any jazz lover. This album is not only a celebration of Jarreau’s unmatched artistry but also a poignant tribute to the legacy of both Jarreau and Ellington.

A smooth crooner with a flair for scat singing, vocal icon Al Jarreau has released jazz, pop, and R&B records across four decades, winning seven Grammy awards in the process. On "All I Got", Al and producer Paul Brown continue their roll with this glistening mix of smooth jazz, adult contemporary pop, and urban funk.

The world of music was forever changed in 2013 with the passing of legendary keyboardist, composer and producer George Duke. This year, Al Jarreau, famed vocalist and long-time friend of Duke, re-interprets some of Duke's renowned catalog of post-bop, jazz-fusion, R&B and Brazilian jazz with My Old Friend: Celebrating George Duke. This work also hosts a stellar blend of guest artists including Gerald Albright, Dianne Reeves, Marcus Miller, Lalah Hathaway, Jeffrey Osborne, Kelly Price, Dr. John, and more, with a special appearance by George Duke on the track "Bring Me Joy" which also features Boney James.

Al Jarreau finally found success in the U.S. after 1975's We Got By. The later albums that followed ,like 1977's live Look to the Rainbow and 1978's All Fly Home found him attaining the all-important cult status and accolades from the jazz community. Those facts made his switch to pop/R&B on This Time even more surprising…

Fueled by the hard-pushing hit from Jarreau's previous album "Boogie Down," aproducer Jay Graydon cranks up the energy level some more and comes up with a snazzy high-tech vehicle for his converted R&B singer. The sound is hotter, stoked by greater reliance upon synthesizers and electronically goosed rhythm tracks, and Jarreau's own vocals are more hectic, though again not much in the way of individuality is required of him…