Legendary guitarist and singer George Benson is joined by a historic band which includes Herbie Hancock, Ron Carter, Billy Cobham, Airto Moreira and more for this 1971 gem. The ensemble performs the ‘60s classic “White Rabbit”, “California Dreamin'” and “Summer Of '42”. Benson’s guitar is in full blaze on this must-have audiophile download. White Rabbit remains one of Benson’s finest outings.

This live set finds flutist Hubert Laws both looking backwards toward his best CTI recordings and ahead to his generally abysmal output for Columbia. With Bob James doing the arrangements, the music is more overtly commercial than Don Sebesky's earlier work…

Recorded in 1970 at Rudy Van Gelder's studio in New Jersey under the production auspices of Creed Taylor, the arrangement and conducting skills of Deodato, and the engineering expertise of Van Gelder himself, Jobim's "Stone Flower" is quite simply one of his most quietly stunning works – and certainly the high point of his time at Columbia.

Typically, Grant Green's final album as a leader gets a bum rap. While it's true that this isn't one of Green's best records, it's not by any means his worst. The band here is large, and the set concentrates on groove rather than guitar flashiness…

One of Antonio Carlos Jobim's best-known albums, 1970's „Tide“ is a companion piece to 1967's „Wave“, a similarly lush and smooth collection for producer Creed Taylor's CTI Records. In fact, this album's lengthy title track is a theme-and-variations exploration of the main melodic line from WAVE's title track.

Eumir Deodato de Almeida, also known as Eumir Deodato, is a Brazilian pianist, composer, record producer and arranger, primarily based in the jazz realm but who historically has been known for eclectic melding of big band and combo jazz with varied elements of rock/pop, R&B/funk, Brazilian/Latin, and symphonic or orchestral music.

Ramón "Mongo" Santamaría Rodríguez was a rumba quinto master and an Afro-Cuban Latin jazz percussionist. He is most famous for being the composer of the jazz standard "Afro Blue", recorded by John Coltrane among others. He was an integral figure in the fusion of Afro-Cuban rhythms with R&B and soul, paving the way for the boogaloo era of the late 1960s. This album has been released in 1967 via Columbia Records. Heavyweight West Coast latin boogaloo/jazz album from Mongo Santamaria featuring Hubert Laws, Marty Sheller, Bobby Capers and loads more killer latin and jazz musicians.

Herbie Hancock's "The Prisoner" was one of his first records after leaving the Miles Davis quintet in 1968. The album was done in honor of Dr. Martin Luther King, a musical social statement focused around civil rights while exploring the vastness of the new jazz form known as post-bop. The recording features Garnett Brown on trombone, Joe Henderson on tenor saxophone and alto flute, Johnny Coles on flugelhorn, Buster Williams on bass, and Albert Heath on drums. Although post-bop wasn't as conventional as jazz or bop, Hancock's challenging compositions invite listeners into his world of simple melodies and emotionally austere music.

One of three best-selling albums recorded by pianist Joe Sample in the late 1970s and early 1980s, "Carmel" is considered among his finest recordings. A tribute to the artistic community of Carmel, Califonia and the Monterey Peninsula, Sample brings the natural beauty of that area to life with this music.

Hubert Laws is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Considering the artistry of the late Eric Dolphy and the popularity of the late Herbie Mann, Laws is notably in the company of the most recognized and respected jazz flutist in the history of jazz, (also the most imitated). Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. "Crying Song" released on the CTI label featuring performances of popular music (including songs by The Beatles and Pink Floyd) by Laws recorded in Memphis with Elvis Presley's rhythm section and at Rudy Van Gelder's studio.

"First Light" is the nineteenth album by jazz trumpeter Freddie Hubbard. Recorded in 1971, it features string arrangements by Don Sebesky. It was his third album released on Creed Taylor's CTI label and features performances by Hubbard, Herbie Hancock, Eric Gale, George Benson, Ron Carter, Jack DeJohnette, Airto Moreira and Richard Wyands. The album is part of a loose trilogy including his two previous records at the time, Red Clay and Straight Life. First Light won a 1972 Grammy Award for "Best Jazz Performance by a Group".

"Giant Box" is a double album by American arranger/conductor and composer Don Sebesky featuring performances recorded in 1973 and released on the CTI label. The Allmusic review states "This may have been Creed Taylor's most ambitious single project… Thankfully the musicmaking lives up to the billing. Everything that gave CTI its distinctive sound and identity is here – the classical adaptations, elaborate orchestrations and structuring, pop-tune covers, plenty of room for the star soloists to stretch out in a combo format… Giant Box still ranks as a sensational coup and a reminder of how potent CTI was at its peak".

"Black Widow" is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1976 and released on the CTI label. The Allmusic review called it "one of the peak albums in Lalo Schifrin's lengthy catalogue and a necessity for anyone interested in his jazz work".

Kenneth Earl Burrell is an American jazz guitarist mostly known for his work on the Blue Note label. He has cited jazz guitarists Charlie Christian and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters. Furthermore, Jimi Hendrix has cited Burrel as an influence. "God Bless The Child" is his 1971's album for CTI label. This is Burrell at his level best as a player to be sure, but also as a composer and as a bandleader. Magnificent.