Camelot, Jennifer Castle’s extraordinary, moving chronicle of the artist in early middle age, charts a realer place than the legendary Camelot of the British Early Middle Ages, but it too is a space more psychic than physical. In Castle’s Camelot, the fantastic interpenetrates the mundane, and the Grail, if there is one, distills everyday experience into art and art into faith, subliming terrestrial concerns into sublime celestial prayers to Mother Nature, and to the unfolding process of perfecting imperfection in one’s own nature: “Back in Camelot / I really learned a lot / circles in the crops and / sky-high geometry …” Camelot, the legendary seat of King Arthur’s court in Early Middle Ages Britain, was probably not a real place. A corruption of the name of a real Romano-Briton city, the word “Camelot” accumulated symbolic, mythic resonances over centuries, until achieving its present usage as a near-synonym of “utopia.” In the mid-20th century alone, Camelot inspired an explosion of representations and appropriations, among them the violent, affectless Arthurian court of Robert Bresson’s 1974 film Lancelot du Lac and the absurdist iteration of Monty Python’s 1975 Holy Grail, both of which feature armored knights erupting into fountains of blood; the mystical Welsh world of novelist John Cowper Powys’s profoundly weird 1951 novel Porius, with its Roman cults, wizards and witches, and wanton giants; and the nationalist nostalgia of President John F. Kennedy’s White House. Unsurprisingly there are fewer Camelots in more recent memory.

Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson," changing the lyrics dramatically so they become a tongue-in-cheek, swinging hipster tribute. For that matter, most of the record is successful in creating a middle ground between the traditional pop Sinatra loves and the contemporary pop/rock that dominated the charts in the late '60s. My Way doesn't have the macho swagger of his prime Rat Pack records, but its reflective, knowing arrangements show that Sinatra could come to terms with rock & roll at some level.

The release of Opeth's Heritage in 2013 marked a fork in the road for the band and many of their fans. All but abandoning death metal in favor of creating a muscular prog rock of their own, the group's musical persona followed that direction on 2016's Sorceress and to its glorious extreme on 2019's In Cauda Venenum. Last Will and Testament, their first studio album in five years, integrates most of their musical aspects into a unified whole. Singer, songwriter, guitarist, and multi-instrumentalist Mikael Åkerfeldt brings back guttural death metal vocals alongside his clean singing.

Torch is the 10th studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records, in August 1981.

Autobiography is the debut studio album by American singer-songwriter Ashlee Simpson. Released in the United States by Geffen Records on July 20, 2004, the album debuted at number one on the US Billboard 200 and was certified triple platinum by the Recording Industry Association of America (RIAA).

Gianmario Liuni began studying piano pianoforte At a young age he had dedicated himself to the study of guitar, music theory and harmony, with M Mario.

Giorgia Tomassi started her piano studies with her mother at the age of 7, whereafter she was taught by Anna Maria Pennella.

She studied jazz piano and singing at the prestigious Royal Conservatory of The Hague, graduating cum laude and with a special mention from the committee and later on she earned her master’s degree from Codarts Conservatory and University of Arts in Rotterdam.

This double album of Dubra's organ music, performed by Ilze and Aigars Reinis on the famous F E Walcker organ of Riga Cathedral, was recorded in the composer's anniversary year, collecting everything he has composed for organ, thus far.

The album contains recordings of two compositions by Ignacy Jan Paderewski, which the pianists gladly played – Concerto in a minor and Fantasia Polska.

The original motion picture soundtrack to the Showtime documentary film "Hitsville: The Making of Motown" releases on 8/16. Highlighting the founding years of Motown, the album celebrates icons such as The Temptations, Marvin Gaye, Smokey Robinson & the Miracles, The Supremes, Martha Reeves & The Vandellas, Stevie Wonder, and more. Revisit the music of Berry Gordy's storied Detroit label and the artists who defined "the sound of young America". Remastered audio on CD, deluxe double CD & Vinyl.

Composer and interpreter, since 2005 Tomy Di presents live a fusion of music with Afro roots incorporating hip hop, soul, R’n’B, and reggae in all its varieties, touring various scenarios throughout Chile.

Reggae is a contemporary music movement that emerged in Jamaica in the late 1960s and became widespread in the early 1970s.

(Achille) Claude Debussy[n 1] (French: [aʃil klod dəbysi]; 22 August 1862 – 25 March 1918) was a French composer.

The two works on this recording both come from a creative period at the beginning of the 1930s.