Frankie Jones, also known as Jah Frankie Jones, is a Jamaican reggae singer best known for his recordings of the late 1970s and 1980s. Jones was born in the Greenwich Farm area of Kingston.[1] He had his first hit in the late 1970s with "Sweeten My Coffee", recorded at Channel One Studios,[1] and also recorded for Bunny Lee, Lee producing his debut album Satta An Praise Jah, released in 1977. He also recorded for Bertram Brown's Freedom Sounds label in the late 1970s. In 1984 he had several hits including "Settle for Me", "Modelling Girl", and the same another album was released, a split Showdown with Michael Palmer. Another split album, with Patrick Andy, was released in 1985, along with the album Settlement. In 1986 Trojan Records released a collection of earlier Keith Wignall-produced recordings as The Best of Frankie Jones volume one. Jones also recorded for Prince Jammy, and George Phang. the latter producing his 1986 album Old Fire Stick. Another split album was released in 1986, the Hell in the Dance set split with Pad Anthony, on which the singers were backed by the Roots Radics.

For nearly the entirety of the “Wicked: One Wonderful Night” TV special, which aired on NBC Thursday night, the performances were focused on Stephen Schwartz’s songs from the two “Wicked” movies. But for the two-hour show’s climax, stars Ariana Grande and Cynthia Erivo veered deliciously off-topic to cover a medley of songs first made famous 62 years ago by Barbra Streisand and Judy Garland.

Acclaimed electronic musicians, producers and sound architects Max Cooper and Rob Clouth team up for a new collaborative EP; a dark, playful four-track dive into ambient, breakbeat and techno’s subconscious flow, featuring a standout vocal performance from South London rapper FLOHIO. Recorded over a series of spontaneous London sessions, “8 Billion Realities” channels years of creative exchange between two of the genre’s most quietly innovative artists and is a result of a decision between the longtime friends to refrain from conceptual overthinking in favour of instinct and joy. As long-time admirers of each other’s audio/visual work, Cooper and Clouth collaborated in London together after both emerging from intense, idea-heavy album cycles. What followed was a series of exploratory sessions, half-improvised, half-built around half-formed thoughts. The result is a club-ready EP that feels alive and human: imperfect and hypnotically rich.

Violinist HuanLing Qian, originally from China but with ties to Poland, presents an album of contemporary classical violin music by composers from the Middle Kingdom. The album features 20th-century compositions by composers such as Sicong Ma and Guoquan Li, as well as works written more than a decade ago by Xunfang Huang and Chen Shuying. The violinist is accompanied by pianists Grzegorz Gorczyca and Grzegorz Skrobiński.

GENUIN and SCHOLA HEIDELBERG present world premiere recordings on a new album featuring works by the internationally awarded composer Dániel Péter Biró, who teaches in Norway. The elite Heidelberg choir and the ensemble aisthesis, specializing in contemporary music, acquaint us with Biró’s imaginative and multi-layered music, which reflects the thought-world of the eminent Dutch-Jewish philosopher Baruch Spinoza in sound and pours it into new contexts. A listening experience spanning cultures and epochs!

When Markus stayed with us for a week, after one of his tours got cancelled, we improvised together for hours each day. We recorded our experiments, and we puzzled over the hovering nocturnal mood of our explorations. Of course we were channeling the situation of our lives and of the world, perhaps a dissonance between the realms of comfort and distress, distance from family or a larger distance from our hopes for the human herd. As artists, we take a shamanic path, and we trend toward the outlying regions of cognition. Our musical mood during these sessions reminded me of the books by Peter Kingsley, about pre-Socratic mystics Parmenides and Empedocles, who’s meditative approach of “incubation” planted a more earthy and subterranean core to ancient European philosophy. Consider this musical excursion as subterranean, seeking balance inside of dark silence. Markus and I share a deep friendship based on searching, questioning, practice, and a sort of alchemical process of creating things that never existed before, from within our life journeys.

On November 7, 2025, the Belgian label Sdban Records will release a reissue of the mythical Open Sky Unit (1974) by the eponymous jazz fusion group featuring Micheline and Jacques Pelzer, Steve Houben, Ron Wilson, Janot Buchem and Michel Graillier. The album returns on vinyl, highlighting a pivotal moment in Belgian jazz history, where soul, funk, and free improvisation came together in a vibrant and family-driven project.

On ‘All That’s Solid Melts Into Air’, Devon Church (ex-Exitmusic) veers sonically and politically leftward. Taking its title from a famous Karl Marx quote - ‘All that is solid melts into air, all that is sacred is profaned’ - Church’s third album contemplates the corrosive effects of 21st century capitalism - impending climate doom, skyrocketing wealth inequality, the predations of the so-called ‘attention economy’, genocide and the specter of world war - and their hallucinatory effects on our collective and individual psyches.

Mario Pilati was born in Naples on 16 October 1903. His life was very short, intense and troubled. Together with his siblings, he was introduced as a child into the study of music, as was the custom in Neapolitan upper-middle-class families.

Hardenack Otto Conrad Zinck (1746–1832), a student of C. P. E. Bach, blended empfindsamer Stil with Italianate elegance and Danish folk elements. This album presents his 'Six Keyboard Sonatas and an Ode' (1783), performed by the Danish clavichordist Mads Damlund, revealing Zinck’s expressive imagination through sparkling keyboard textures and lyrical melodies, offering a delightful rediscovery for modern audiences.

British recorder player Heidi Fardell makes her debut on Willowhayne Records with the world premiere recording of Robert Valentine’s Opus XI. A versatile performer and engaging educator, Heidi brings virtuosity, warmth, and historically informed insight to every note, opening up the world of the recorder for modern audiences.

Sandra Chamoux received the highest distinctions in Christian Bernard’s class at the Conservatoire à Rayonnement Régional (CRR) of Grenoble before being admitted with honors to the Haute École de Musique in Geneva, where she studied with Harry Datyner and was awarded the Premier Prix de virtuosité in 1992. A laureate of the Gian-Battista Viotti and Ferruccio Busoni international competitions in Italy, she also studied under Catherine Collard, Vlado Perlemuter, and Yevgeni Malinin.

HDtracks is committed to providing unparalleled audio experiences and seamless music discovery for audiophiles.
This collection features exceptional musicians captured in 24-bit studio master-quality Hi-Res audio. Each track is a technical achievement, offering unmatched clarity, depth, and sonic precision. Immerse yourself in the pinnacle of audiophile sound. Experience music with the highest fidelity possible, as envisioned by the legendary writers, performers, and producers behind these recordings. Hear every note, instrument, and sonic nuance with stunning accuracy, thanks to full 24-bit mastering. These rich and dynamic recordings exemplify the best in audiophile music. We are excited for you to explore and enjoy the extraordinary world of Hi-Res sound. Get 25% off storewide on your first purchase. Use code HDsampler2025 at check out.

Luciferian Towers is the perfect name for a Godspeed You! Black Emperor album, matched only, perhaps, by the title of its 2000 classic Lift Your Skinny Fists Like Antennas To Heaven. In a way, this new one - the band’s third since reuniting in 2011 - feels like a bookend to Lift, in that it’s similarly powerful, but far more sinister. (If we want to extend that idea even further, “heaven” is in the title of one, “Lucifer” the other.)

Music for Woodwind Choirs features two major works, one for an oboe ensemble (consisting of two oboes and two English horns), the other a thirty-minute “symphony” for flute choir.