The complete uncollected Noise New York studio recordings of Galaxie 500. A twenty-four track chronological journey through rarities and outtakes including never-before-heard songs, from the start of their incendiary career to their final studio session. Uncollected Noise New York ’88-’90 marks Galaxie 500’s first release of new archival material in nearly thirty years and their most comprehensive collection of unreleased and rare material ever. Produced and engineered by Kramer at Noise New York 1988-1990. Featuring B-sides, outtakes, and non-album material, the compilation also boasts eight never-before-heard cuts.

Everything Matters, Everything’s Fire, whose title, taken from the concluding track “You Shouldn’t Be,” is a thesis statement. While Lunar Vacation’s last album, 2021’s Inside Every Fig is a Dead Wasp, happily bathed in the waters of indie pop, their latest effort is exploratory, a product of many hours shared experimenting in a living room together. Inspired by prolific shapeshifters like Yo La Tengo and Björk, Everything Matters, Everything’s Fire adopts an ethos that every idea has the potential to be a good one.

All of us carry a piece of where we're from with us, but these parcels of fallow land often - in a uniquely mysterious way - become the prey that nourishes our aspirations. Agnes Gayraud - a refined thinker by day that transforms into la Feline at night - left Tarbes many years ago in search of greener pastures.

For the past decade, Spirit of the beehive have honed an aesthetic like no other. They’ve chopped up samples, chewed them up, spit them back out again, baby birded it. Across four albums and a smattering of EPs, Zack Schwartz, Corey Wichlin, and Rivka Ravede have fully solidified their stance as some of rock’s weirdest and best deconstructionists. 2018’s Hypnic Jerks was a study in noise punk sampledelia. It was a breakthrough for the band. Frank Ocean became a fan, spinning “fell asleep with a vision,” on Blonded Radio. 2021’s Entertainment Death, was nasty dream pop by way of K-Mart realism and hitting the channel search setting on an old TV set.

Tears Run Rings is comprised of Matthew Bice (vocals, guitar), Laura Watling (vocals, bass), Ed Mazzucco (guitar), and Dwayne Palasek (drums). Over the past 15 years, the band has released three albums. Now they are back with album 4, "Everything In The End."

Three Quarter Skies – the new band formed by Simon Scott from Slowdive – release their debut album Fade In. It was recorded by Simon and mixed with the help of elusive Flying Saucer Attack mainman Dave Pearce. The eight-track album includes the singles ‘Crows’ and ‘Leave A Light On’, a Nick Drake cover and brand new versions of ‘Holy Water’ and ‘Pieces Of Roslin’, which was originally released on last year’s introductory EP, Universal Flames.

When desire loses its direction - with no person or object to pin itself to - it has a strange tendency to turn us toward the past. We find ourselves surveying past infatuations and failed romances. Armed with the knowledge of hindsight, previous entanglements reconfigure and reveal themselves. Sometimes, we become privy to the true nature of our attraction, or learn the patterns that have played out across our romantic lives to which we have been blind. Nothing can be quite as bracing or mortifying.

On 23rd August, almost forty years after it was initially released, The Moon and the Melodies by Cocteau Twins and Harold Budd is being reissued on vinyl for the first time – remastered, from the original tapes, by Robin Guthrie himself.

English indie rock group Black Box Recorder formed in London in 1997 and featured Sarah Nixey, Luke Haines (of The Auteurs), and John Moore (of The Jesus and Mary Chain). Their debut album, England Made Me, was released on Chrysalis Records in 1998. The album was named after the eponymous Graham Greene novel and fuses indie rock and easy-listening pop stylings with lyrics that explore life and the experience of growing up in England.

Yumi Zouma’s Josh Burgess likens the band’s songwriting process to gardening, “Someone brings in a seed and through collaboration, it grows into a song that is vastly different from its original form.” Like any garden, this one requires dedicated tending, a practice that seems rather inconvenient if not straight-up difficult, considering the fact that the four members live in disparate parts of the world – calling New York, London, and New Zealand home – but long-distance has always been a feature of their songwriting process, not a bug.

With their debut LP The Future Is Our Way Out the Chicago-based 5 piece share a body of work that spans genres and eras, merging the lavish romanticism of mid-century pop with the frenetic energy and spiky intensity of early-millennium indie, all centered on singer Wes Leavins’ hypnotically crooning vocal work. One listen and you'll fall in love with their charming, swooning and shimmering sound that gives nods to The Smiths, Roy Orbison and The Smoking Popes.

Adored alt-pop duo Cults release their fifth studio album To The Ghosts via Imperial. The NY-based duo compromised of multi-instrumentalists Madeline Follin and Brian Oblivion, confidently and clearly perfect their vision with the cinematic new album. To the Ghosts was meticulously crafted; the earliest ideas dated back to the pandemic when they wrote music on weekdays from 10am-5pm with no deadlines or distractions. The album was written and recorded in Brian’s apartment; in 2022 they traveled to Los Angeles to collaborate with longtime producer and trusted creative confidant Shane Stoneback, because “nobody can read our minds like he can,” jests Madeline. To the Ghosts was co-produced by Cults and Shane Stoneback, mixed by John Congleton, and mastered by Heba Kadry NYC.

2024 LP from the Denver Dreamgazers, feat. Mark Gardener of RIDE on 3 emense tracks. A voyage through sonic landscapes and bass filled electronics.

With X’s, Cigarettes After Sex finally takes center stage as not just one of today’s preeminent indie bands, but as one of the most globally accomplished acts across any genre, whose often unconventional path to superstardom has helped reshape the very definition of success for artists in the modern era. Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn pop songs, bandleader Greg Gonzalez captures every emotion a romantic arc inspires. But where previous albums have drawn from an amalgam of relationships, for the most part, X’s centralizes on just one relationship that spanned four years. “The record feels brutal,” admits Gonzalez. “I could sit and talk about this loss to someone, but that wouldn’t scratch the surface. I have to really write about it, sing about it, have the music, and then I can start to analyze and learn from it. Or just relive it—in a good way. I don’t have that Eternal Sunshine-thing of wanting to forget.”

New Moon /Silver Moon responds to the many layered histories of two places: Narrm / Melbourne, and Broken Hill on Wilyakali Country, and surrounding Barkindji Country. These songs explore waterways, ecosystems and industrial history, infused with personal reflections from the present. The Orbweavers are Marita Dyson & Stuart Flanagan, with Paddy Mann (bass), Jen Sholakis (drums), Biddy Connor (viola), Laura Hertaeg (trumpet).