While Tidal introduced us to Apple, the awkward and sullen girl, When the Pawn… had her shooting back with a fiery vengeance at a time when Tori Amos and Alanis Morissette were making anger feminine and more mainstream than their punk predecessors. On the record, Apple sings with a gnarly gruffness. She begins most songs with a deceptive sweetness, building to an angsty climax, wielding her voice as a weapon against ex-boyfriends and bullies. This now on vinyl for the first time ever!

As Midnight Sister, multi-disciplinary LA artists Juliana Giraffe and Ari Balouzian make motion pictures. Yes, sometimes with moving images — but most often only with the music they create together. Balouzian’s serpentine, string compositions are movie scenes that allow Giraffe, a brilliant character actor, to cloak herself in a new roles and voices. A bit of Jon Brion’s score work; some old Hollywood strings; a solid dose of glam and outsider disco from 70s independent cinema.

The unhurried artist’s first studio album in eight years is astonishing, intimate and demonstrates a refusal to be silenced. The Apple of 2020 is astonishing; as if she has returned to reinvent sound – the rhythms pleasing, but counter, and unusual. On the title track she half-sings over a makeshift orchestra of kitchen implements, dog bark and cat yowl. The beat on Kick Me Under the Table has a seething back-and-forth pace; the extraordinary For Her beds double Dutch skipping rope rhythms beneath a chorus of female voices.