The Kinks are recognised as one of the most important and influential British groups of all time, with millions of record sales and countless awards and accolades to their name. From their explosive beginnings as part of the British Beat movement to forays into concept albums, stadium rock and acoustic balladeering, The Kinks have left an unimpeachable legacy of classic songs, many of which form the building blocks of popular music as we know it today.

The Kinks were one of the most influential bands of the British Invasion. Early singles "You Really Got Me" and "All Day and All of the Night" were brutal, three-chord ravers that paved the way for punk and metal while inspiring peers like the Who. In the mid-'60s, frontman Ray Davies came into his own as a songwriter, developing a wry wit and an eye for social commentary that culminated in a pair of conceptual LPs, The Village Green Preservation Society and Arthur (Or the Decline and Fall of the British Empire), that proved enormously influential over the years.

Everybody's in Show-Biz is the eleventh studio album released by the English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand. Everybody's in Show-Biz is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it.

Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to current events of the time. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.

As suggested by the title "Americana", the former Kinks frontman is a cultural and musical paradox. The most emphatically English of all the British Invasion bandleaders, Britpop’s beloved father argues throughout his new album (and 2013 autobiography by the same name) that he spent much of his band’s 32-year career chasing the American Dream. The Kinks legend uses Americana to blaze a path through both America's rock’n’roll history and his own. Its back-to-basics energy and prosaic storytelling make it his best solo album in years.

Limited edition remastered 50th anniversary picture disc release of the 1971 British comedy film soundtrack album. Performed by THE KINKS with additional orchestral arrangements by Stanley Myers. Their ninth official studio album and last on the PYE label. Previously unreleased in the USA, and the first vinyl re-press in twenty years.