The Mars Volta's ninth studio album represents a significant milestone for the band, which has been continually reinventing itself for more than 20 years. With “Lucro sucio; Los ojos del vacio," they deliver an album that celebrates their roots, allowing them to reconnect with their origins. Fans are invited to embark on a musical journey.

A few months after their self-titled seventh album announced the return of Omar Rodríguez-López and Cedric Bixler-Zavala as The Mars Volta, the group present a potent reimagining of that reunion opus. Much more than a simple “unplugged” reading of The Mars Volta’s 14 songs, this acoustic rendition furthers the mission of the source music, which drew into sharper focus the traditional Latin influences that have always inspired their music. This is, says Rodríguez-López, The Mars Volta’s version of a “folk record”, tracing the melodies and rhythms of the parent album back to their traditional Caribbean roots and challenging listeners to hear the group in an entirely new light.

Breaking a decade of omertà, The Mars Volta reawaken from their lengthy hiatus with an eponymous album that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into.

"La Realidad De Los Sueños" is literally "the reality of dreams" for the numerous The Mars Volta fans all around the world. It not only contains the band's whole studio discography but also some true treasures like "Landscape Tantrums", unreleased material from the De-Loused In The Comatorium sessions.

“Honour our roots, honour our dead”. This mindset found perfect expression in the group’s 2003 debut full-length, DE-LOUSED IN THE COMATORIUM, a song cycle inspired by the life and death of the duo’s old friend, artist and provocateur Julio Venegas. Driven by furious, muscular, syncopated drums and frenetic guitar parts, bending obtuse grooves to its will and twisting off in passionate, cathartic descarga and merging with the iconic work of producer Rick Rubin DE-LOUSED IN THE COMATORIUM became a global phenomenon.