A 22-year-old stands on stage with his guitar, surrounded by more than 100,000 people demanding equal rights for whites and blacks in Washington on August 28, 1963.

This 1964 recording of Liszt: Four Hungarian Rhapsodies, performed by the London Symphony Orchestra under the baton of Antal Doráti, is a thrilling celebration of Liszt's vibrant and folk-inspired compositions.

This 1964 recording of Bartók's Concerto for Orchestra, performed by the London Symphony Orchestra under the masterful direction of Antal Doráti, is a landmark interpretation of one of the 20th century's most celebrated orchestral works.

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere.

Many live albums from the golden age of jazz have titles that explicitly evoke the storied environs in which they were recorded—Village Vanguard, the Lighthouse, Ronnie Scott's, the Keystone—where the history of the venue imparts its own sort of co-sign on the music that was performed there. Those naming conventions also help the listener imagine themselves in the room at the same time, and, typically, in the name of consistency, these recordings occurred during a single stretch of shows. Getz Au Go Go breaks several of these rules. Its title comes from the storied Greenwich Village club, the Cafe Au Go Go (where Lenny Bruce was arrested and Grateful Dead played their first N.Y.C. show), and indeed, most of these tracks were recorded in that smoky, intimate setting on an evening in May 1964.

Celebrating 60 years since the original recording of the acclaimed masterpiece A Love Supreme!

Baby Gate is a studio album by Italian singer Mina, released in October 1974 by PDU and distributed by EMI Italiana. It was originally released as a double album along with Mina®.

The Believer is a jazz album credited to John Coltrane released in 1964 on Prestige Records, catalogue 7292.

The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers.

Litho in Canada. Parr's. High Fidelity recording. Recorded in Great Britain. Printed in Canada.B6 duration printed 2:32 and B7 printed 2:23 on back cover, and correctly on the label. Early copies were sold with a black and white promotional picture with "exclusive Capitol Records recording stars" written on the bottom. These copies also had a hype sticker affixed to shrink.

Original Sun Sound of Johnny Cash is a compilation album by American singer-songwriter Johnny Cash.

Jazz Impressions of A Boy Named Charlie Brown (stylized with quotation marks as Jazz Impressions of "A Boy Named Charlie Brown") is the sixth studio album by American jazz pianist Vince Guaraldi (credited to the Vince Guaraldi Trio), released in the U.S. by Fantasy Records in December 1964.

Like Eric Dolphy before him, Jackie McLean sought to create a kind of vanguard "chamber jazz" that still had the blues feel and – occasionally – the groove of hard bop, though with rounded, moodier edges. Destination Out! was the album on which he found it. Still working with Grachan Moncur III and Bobby Hutcherson – his direct spiritual connection to Dolphy – McLean changed his rhythm section by employing drummer Roy Haynes and bassist Larry Ridley. This combination proved a perfect balance of the four elements. The program is four tunes, three of which were written by Moncur. If there was a perfect Blue Note session after John Coltrane's Blue Train, this was it.

This Columbia LP features Miles Davis' Sextet (with John Coltrane and Cannonball Adderley) and the Thelonious Monk Quartet (with Pee Wee Russell) at the 1958 Newport Jazz Festival; their rapid version of "Ah Leu Cha" is thunderous and "Straight No Chaser" swings like mad.

Louis Armstrong's commercial resurgence with the song "Hello, Dolly!" – a number one hit that unseated the Beatles' "Can't Buy Me Love" from the top spot – came as such a surprise that Kapp Records hastened to produce an album to go along with it.