A superb group featuring pianist Dwike Mitchell and bassist/French horn player Willie Ruff, the Mitchell-Ruff Duo has been recorded erratically and rarely reissued on CDs. This 1959 Town Hall concert is a recreation of an earlier performance in Moscow that could not be recorded due to problems with the Soviet regime…

An afternoon jam session at an L.A. club called The Foxy Lady. April 20, 1975: Art Pepper a.s., Warne Marsh t.s., Buddy Collette clari, flute, Mike Lang keyboard, Tommy Vig ds, John Morrell guitar, Carol Kaye bass.

Looking for great lost legends of the jazz world? Look no further. Anthony Ortega may be the best unknown jazzman out there. Possessed of a startling, almost entirely self-taught alto jazz sax style that is virtuoso yet accessible, simple yet sophisticated, earthy yet spiritual, subtle yet declamatory, Ortega easily falls into the category of the criminally neglected…

Despite the co-billing, Sete only appears on the second half of the album, leaving the Guaraldi trio to knock out a crisp series of standard pop tunes of the time ("I'm a Loser," "People," "More") and two memorable Guaraldi originals ("Nobody Else," "El Matador") in its patented mainstream and Latin modes in the first half. When Sete turns up, the set goes all-Brazilian as the two display their blended, intertwined teamwork for the third and last time on records in "Favela" and a brace of tunes from Black Orpheus. Though it is only a partial collaboration, this album has a bit more fire than their previous ones, possibly due to the live factor.

Proof positive that any well-executed idea translates to the jazz idiom – snobs and purists be damned – The Swing's to TV pairs altoist Bud Shank and tenorist Bob Cooper for a moody, nuanced collection of late-'50s television theme songs…