In the Flesh – Live is a two-disc live album that captures performances from Roger Waters' three-year In the Flesh tour.

The legendary Toronto-based Hard Rock trio Von Groove – comprised of Michael Shotton (vocals/drums), Mladen (guitar), and Matthew Gerrard (bass) – have officially reunited!

Don Henley has one of the most recognizable voices in all of music, both as a solo artist and in his work with Eagles. 'Inside Job' is Henley's fourth solo record, originally released on May 23rd, 2000. The album features contributions by Glenn Frey, Don Felder, Jimmy Vaughn, Stevie Wonder, Mike Campbell, Steuart Smith and string arrangements by Randy Newman. The album includes 'Taking You Home,' and 'For My Wedding'.

Sessions at West 54th is a solo music video album released in December 2000 by New Zealand singer-songwriter, Neil Finn as part of the United States live musical television series, of the same name.

Chuck Mangione präsentiert auf seiner zweiten Chesky Records-Veröffentlichung Everything for Love seine wildromantische Hommage an das Wesen der Liebe.

When jazz singers interpret popular music, their main source is often the great standards and Broadway music of the 1920's, 1930's and 1940's.

One of the great new wave/early MTV records, She's So Unusual is a giddy mix of self-confidence, effervescent popcraft, unabashed sentimentality, subversiveness, and clever humor. In short, it's a multifaceted portrait of a multifaceted talent, an artist that's far more clever than her thin, deliberately girly voice would indicate. Then again, Lauper's voice suits her musical persona, since its chirpiness adds depth, or reconfigures the songs, whether it's the call to arms of "Girls Just Want to Have Fun" or the tearjerking "Time After Time." Lauper is at her very best on the first side, all of which were singles or received airplay, and this collection of songs – "Money Changes Everything," "Girls," "When You Were Mine," "Time," "She Bop," "All Through the Night" – is astonishing in its consistency, so strong that it makes the remaining tracks – all enjoyable, but rather pedestrian – charming by their association with songs so brilliantly alive.

Giuliano Palma and the Bluebeaters are a rising cover band in Italy and perform a mix of reggae, ska and rocksteady.

1xLP 180g Black vinyl - limited edition numbered pressings of 3,000. Audiophile / SuperFan Pressings. One-Step vinyl is the ultimate vinyl pressing. Hybrid Theory was recorded in the digital domain, it was then mixed through an analog electronic chain onto tape. Those original master tapes were then carefully transferred to 192/24 wav files that ended up being our audio source for the One-Step pressing. We used Neotech VR900-D2 180g vinyl compound which is the same as what is known as Super Vinyl or Clarity Vinyl – the best in the world. Levi Seitz at Blackbelt Mastering (Metallica, Pearl Jam, Beyonce etc) cut the multiple sets of lacquers required – crucially all from the same lot of lacquers. Being a massive Linkin Park fan himself – Levi already knew every little sound on this iconic album! Dorin Sauerbier at Record Technology, Inc (R.T.I.) has been plating records for decades and is considered the best in the world – he also has done more One-Step processing than anybody. This is a vital step in the process to ultimately delivering the absolute best sounding version of Hybrid Theory ever. Record Technology, Inc did the pressing – using the exact pressing machine used for so many Mobile Fidelity One-Step releases. Our slipcases, “Old Style” tip on original art jackets, and inserts were printed by world renowned Stoughton Printing Company.

Secretly Canadian have dug into the late Jason Molina‘s vault and unearthed a never-before-heard Songs: Ohia live album, Live: Vanquishers, which was recorded in the Netherlands in 2000 and is being released on March 4 exclusively to members of Secretly Society and members of the new Jason Molina fan community Static & Distance (pre-order). The only song being released to the public is “VU Anxiety,” a song Jason performed a handful of times between 1998 and 2000 but never released. If you’ve never heard the song, it’s right up there with Songs: Ohia’s best-known classics.

Balls is the 18th studio album by Sparks and was originally released in August 2000. The album has been newly remastered for this LP reissue. The CD reissue contains sought after bonus material!

The Black Crowes were dogged with comparisons to the Rolling Stones and the Faces throughout the first decade of their career, so it came as a mild surprise that they teamed with Led Zeppelin guitarist Jimmy Page in late 1999 for a couple of concerts. Zeppelin had a mystique and majesty about them that the Crowes never attempted to emulate. They were an earthy, bluesy rock band and while they found a number of different ways to rework their influences, they never tried the stately grandeur that was Zeppelin's second nature. So, some observers were curious to see how these two approaches worked. Well, it worked very, very well indeed. It shouldn't have come as a surprise that it was a good, comfortable fit since Page always demonstrated a true love of blues and early rock & roll, even on Led Zep's heaviest moments…

Attention, Sinclaire's sole full-length album was originally released in 2000 - The album saw the band evolve their style from brooding post-hardcore group to a more pop-friendly sound indebted to Rick Springfield and the burgeoning Midwestern emo sound of The Get Up Kids and The Promise Ring.

Imagine the cubist angles of Sun Ra’s alto saxophonist Marshall Allen fluttering in between beats, Marc Ribot on guitar, plus strings, and a percussion ensemble, and you have a glimpse into what the Dropper is about. The album organically weaves avant-garde experimentalism and hypnotic thunder music into a well-developed dropper. Witness the trio’s maturing sound metamorphize once again.

"Beautiful Day" is a song by Irish rock band U2. It is the first track on their tenth studio album, All That You Can't Leave Behind (2000), and was released as the album's lead single on 9 October 2000. The song was a commercial success, helping launch the album to multi-platinum status, and is one of U2's biggest hits to date.