The The is an English musical and multimedia group with singer/songwriter Matt Johnson being the only constant band member. The group has no permanent group line-up, and Johnson has collaborated with a wide range of musicians, changing personnel from project to project…

Hand Cut is the third studio album by the British pop group Bucks Fizz. It was released on 1 March 1983 and features the UK top 20 hits, "If You Can't Stand the Heat" and "Run for Your Life"….

The sax-heavy pop/rock band known as Quarterflash formed in early 1980, joining together two of Oregon's more popular acts: Seafood Mama, which contributed singer/saxophonist Rindy Ross and her guitarist husband Marv; and Pilot, which added guitarist Jack Charles, keyboardist Rick DiGiallonardo, bassist Rich Gooch, and drummer Brian David Willis…

One of Italy's best-loved artists, Adriano Celentano has been equally successful in film and music. Whether singing Elvis Presley-inspired rock, as he did as a member of the Rock Boys in 1957, or romantic balladry, Celentano found a dedicated market for his music…

It is a unique mix of great vocals with a more rocking, bluesy, and jazzy quasi-mainstream song-themed balladic thrust…

Living on Video (also known as Message on the Radio) is the first studio album by the Canadian synth-pop group Trans-X. Recorded and released in 1983 by Mantra Records, Message on the Radio was a seven-track album. Produced by Daniel Bernier, the record featured all instruments played by Pascal Languirand with Anne Brosseau on supporting vocals…

Often referred to as the "golden voice of Prague" and the "Sinatra of the East," celebrated Czech singer, actor, and painter Karel Gott's career spanned six decades and yielded hundreds of albums and compilations before his death in October of 2019. Emerging in the early '60s, Gott's first solo single, a rendering of Henry Mancini's “Moon River," helped put him on the map, and as the years progressed he dabbled in everything from pop, rock, and country to opera and swing…

Moments of Genesis are as spooky and arty as those on Abacab – in particular, there's the tortured howl of "Mama," uncannily reminiscent of Phil Collins' Face Value, and the two-part "Second Home by the Sea" – but this eponymous 1983 album is indeed a rebirth, as so many self-titled albums delivered in the thick of a band's career often are. Here the art rock functions as coloring to the pop songs, unlike on Abacab and Duke, where the reverse is true…