A1 for electronic sounds and voices, 1969. A2 music for multi-piano, orchestra and electronic sounds, 1968. B1 for electronic sounds and Japanese traditional instruments, 1968. B2 for electronic sounds, 1968.

Tubular Bells is the debut studio album by the British musician Mike Oldfield, released on 25 May 1973 as the first album on Virgin Records. It comprises two mostly instrumental tracks. Oldfield, who was 19 years old when it was recorded, played almost all the instruments.

A requiem mass for drums, electronics and choir, 'The Undreamt-of Centre' is Laurence Pike's most ambitious solo album to date, pulling from Ligeti, Jon Hassell and Midori Takada in equal measure.

The Stooges, originally billed as The Psychedelic Stooges and later known as Iggy and the Stooges, were formed in 1967 out of a chance meeting between James Osterberg (Iggy Pop) and brothers Ron and Scott Asheton at Discount Records in Ann Arbor, Michigan. USA. With the addition of Dave Alexander, a friend of the Asheton brothers, on bass, the band quickly became known locally for their raw live performances and Iggy‘s provocative stage antics.In 1968, Elektra Records sent DJ and publicist Danny Fields to scout the MC5, which led to contracts for both the MC5 and The Stooges. The following year The Stooges released their self-titled debut album; sales were low and it was not well received by critics at the time. For their second album and final record for the label, founder and head of Elektra; Jac Holzman recruited former Kingsmen keyboardist Don Gallucci to produce.

Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk and microtonalities, electricity liberated back into infinite night.

This record is a result of a collaboration that toured in Norway in 2012. Recorded in Rainbow Studio in Oslo. The constellation performed music in the mix of traditional folk, jazz and contemporary music. The first record with this band, The Nature of Connections, was released on Rune Grammofon in 2014 and presented only the acoustic orchestration. The music on this release contains sounds and ornaments from traditional Norwegian folk music, contemporary music, improvisation and field recorded sounds. This time the focus has been the combination of electronic sounds and the acoustic palette and how to merge this into a unique orchestration.

Moor Mother is an American musician, poet, and interdisciplinary artist known for her avant-garde and experimental work. The Great Bailout is an expansive meditation that acts as a non-linear word map about colonialism, slavery, and commerce in Great Britain. Featuring guest contributions from Lonnie Holley, Angel Bat Dawid and Sistas of the Nitty Gritty, Vijay Iyer, Mary Lattimore, and more, it's Moor Mother's most uncompromising vision to date.

QUOTE UNQUOTE: 1991-1999. The 6LP boxset of Mr. Bungle's three legendary albums on Warner Records: Mr. Bungle, Disco Volante & California out July 19. Each album comes as a 2LP Gatefold, all packaged together in a metallic foil box. Mastered by Scott Hull exclusively for vinyl from the original mixes (some for the first time ever). Features two alternate takes of inter-program material from the Bungle archives.

The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.

Imagine the cubist angles of Sun Ra’s alto saxophonist Marshall Allen fluttering in between beats, Marc Ribot on guitar, plus strings, and a percussion ensemble, and you have a glimpse into what the Dropper is about. The album organically weaves avant-garde experimentalism and hypnotic thunder music into a well-developed dropper. Witness the trio’s maturing sound metamorphize once again.

Latest release from Belgian artist Kaboom Karavan on Miasmah Recordings​.

In full aural/metaphysical alignment, Shackleton’s bass heavy cosmic dread and Six Organs’ ritual folksong revel and delight in their massed collage as they become Jinxed By Being. Unfolding small details into a massive space, and then into further lines of dimensional space, they transit at will through our hemispheres with enervating motility, reearranging the definitions of our psychedelic/ritual/transcendental music libraries.

Following their collaboration on 2021’s Oscar winning Drive My Car, Eiko Ishibashi and filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko’s score initiated the project that has become his celebrated new film (Best Picture – BFI London Film Fest, Asian Film Awards, Silver Lion – Venice Film Fest, Best Score – Asia Film Awards). Every nuance mixed and mastered by Jim O’Rourke.

Merriweather Post Pavilion, Animal Collective's ninth studio album, sees the American art-rock collective in heartwarmingly baffling form, combining upbeat indietronica with mind-warping samples.

For this new album, Gaf & The Love Supreme Arkestra turn their creative gaze to the lowland areas of northern Tenerife aka Isla Baja (the low island). Here, they envision a retro-futuristic soundtrack for a misty coastal drive, filled with humid atmospherics and expansive jams featuring their trademark blend of avant-jazz, psychedelia, and freestyle rock.