Clark Terry (1920-2015) was one of the most prolific Jazz trumpeters in history, performing with Count Basie, Duke Ellingston, Quincy Jones, Thelonious Monk, Charles Mingus, Oscar Peterson, Billie Holiday, and Ella Fitzgerald. His lasting legacy on the medium of Jazz will continue to be felt for generations to come. We're honored to present you with this collection of his greatest musical achievements as a member of the Chesky family.

Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio. The album was recorded in three sessions in late 1956 with two different quintets.

Sanitize Tom Waits's vocal cords, take some of the rasp out of Dr. John's, put some muscle into Bobby Caldwell's, combine them and you'll have an approximation of the quality of Steve Tyrell's voice. Like his popular 1999 debut, "A New Standard", this is a meticulously recorded album featuring the great American songbook and some of the best jazz soloists alive, including trumpeter Clark Terry, harmonica player Toots Thielemans, and singer Jane Monheit, who plays Lucille Ball and Betty Carter against Tyrell's Red Skelton and Ray Charles on the classic duet "Baby It's Cold Outside".

Trumpeter Donald Byrd released this interesting and unusual album in 1965 featuring vocalists and a full horn section, building on the experimentation he began on this record's predecessor, "A New Perspective". Byrd is supported here by a typically superb band, notably a young Herbie Hancock on piano. Also playing on these original tunes by Byrd are Stanley Turrentine on tenor saxophone, Freddie Roach on organ, Grant Green on guitar, Bob Cranshaw on bass and Grady Tate on drums. Pianist Duke Pearson, while not appearing on the album, did produce half the songs (Byrd produced the other half) and served as arranger.

This themed album from Quincy Jones and his orchestra contains songs from around the world, as the title suggests. "Around the World" was aimed at fans who like their quality big band music easy on the ear, for though there is some nice soloing by Clark Terry, Phil Woods, Sahib Shihab and Benny Bailey, these are primarily lushly voiced atmospheric arrangements delivered by a brilliant, airy and swinging band. Released in 1961, the LP includes several original numbers and a handful of standards. Whether catering for listeners or dancers, Quincy Jones would have it no other way.

"Indigos" is a 1958 jazz album by Duke Ellington and His Orchestra. This album stands as an outstanding example of the Ellington Orchestra playing Jazz, features standards such as "Mood Indigo", "Autumn Leaves", "Prelude To a Kiss" and more.

Roy Eldridge, Dizzy Gillespie, Miles Davis, Clifford Brown, Harry Sweets Edison, Harry James, Fats Navarro, and Clyde MyCoy. This session is a tribute to legendary trumpeters by a man whose own trumpet has delighted audiences world wide for almost fifty years. As with any great jazz musician, Clark Terry has a sound that is instantly recognizable and perfectly crafted.

Genius + Soul = Jazz is a 1961 album by Ray Charles featuring big band arrangements by Quincy Jones and Ralph Burns. Charles is accompanied by two groups drawn from members of The Count Basie Band and from the ranks of top New York session players. The album was inducted into the Grammy Hall of Fame in 2011.

Trumpeter-Flugelhornist Clark Terry is one of the most recorded jazz artists. Recording live at the Jazzhouse in Hamburg, Germany, Terry is spurred on by a world-class rhythm section that includes bassist Larry Gales of Thelonious Monk fame. Terry’s warm, personable tone, technical mastery and inventiveness sizzles throughout as he takes on an up-tempo Ellington “Perdido” and exhibits his famous “mumbles” scat singing style on “Jazzhouse Blues”. Wham! With quotes and asides galore, it’s a merry musical go ‘round.

Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. Bossa nova means ‘new wave' or ‘new trend', and this album rode that wave, making No. 13 on the Billboard album chart in 1963 in the wake of the success of Jazz Samba (1962) and prior to the release of Getz/Gilberto (1964). Sandwiched as it is between the two classic albums of the era, it sometimes gets unfairly overlooked…

On his landmark album, "One on One", legendary trumpeter/flugelhorn player Clark Terry performs intimate duets with 14 of the world's greatest living pianists. Conceived as a "tribute" album of sorts, this 96/24 recording spotlights the artistry of not only Terry but also the masters of 20th-century jazz piano and composition: each pianist performs an homage to his or her own jazz hero. A once-in-a-lifetime recording for jazz fans and audiophiles alike.

Sanitize Tom Waits's vocal cords, take some of the rasp out of Dr. John's, put some muscle into Bobby Caldwell's, combine them and you'll have an approximation of the quality of Steve Tyrell's voice. Like his popular 1999 debut, "A New Standard", this is a meticulously recorded album featuring the great American songbook and some of the best jazz soloists alive, including trumpeter Clark Terry, harmonica player Toots Thielemans, and singer Jane Monheit, who plays Lucille Ball and Betty Carter against Tyrell's Red Skelton and Ray Charles on the classic duet "Baby It's Cold Outside".

In 1962, Duke Ellington, Charlie Mingus and Max Roach created one of the pivotal jazz recordings of the 1960s. "Money Jungle" provided commentary on the perennial tug-of-war between art and commerce. GRAMMY Award-winning drummer, composer and bandleader Terri Lyne Carrington, Gerald Clayton and Christian McBride pay homage to Duke, his trio and his creative vision with a cover of this historic recording. Carrington also enlists guest artists to help with the rearrangements and reinterpretations. These musicians include: Clark Terry, Robin Eubanks, Tia Fuller, Antonio Hart, Nir Felder, Arturo Stabile, Shea Rose and Lizz Wright. Also included are two Carrington originals, “Grass Roots” and “No Boxes (Nor Words)”, along with “Cut Off”, a delicate piece written by Clayton. Money Jungle: Provocative In Blue brings fresh light and energy to this jazz classic.

"Gerry Mulligan and the Concert Jazz Band at the Village Vanguard" is a live album recorded by American jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded at the Village Vanguard in late 1960 which were originally released on the Verve label in 1961.

"Big Band Bossa Nova" is a 1962 bossa nova album by American impresario, jazz composer, trumpeter, arranger and record producer Quincy Jones and his band. It features the popular number "Soul Bossa Nova." The title Big Band Bossa Nova was also used for three other 1962 albums, by Stan Getz, Oscar Castro-Neves and Enoch Light.