"Good King Bad" is a studio album by American guitarist George Benson featuring performances recorded in 1975 and released by CTI Records in 1976. The Allmusic review states "The R&B elements get stronger, the sound and mix are more attuned to the dancefloor, yet this brings out the best in George Benson's funky side. Thanks in part to the more rigid beat, Benson pares down his style to its rhythmic essentials, refusing to spray notes all over the place at random, and as a result, the record cooks and dances".

Drummer Elvin Jones may have been breaking down new rhythmic boundaries at the time with John Coltrane's Quartet but his own sessions as a leader were not all that innovative. This quartet set with altoist Charlie Mariano, bassist Richard Davis and either Roland Hanna or Hank Jones on piano is an example of how the avant-garde of the era was starting to influence the more mainstream players. The music is in general safe but enjoyable with the virtuosic bassist Richard Davis often taking solo honors on what was in reality a modern bop date.

Concierto is an album by the Jim Hall sextet, featuring Paul Desmond, Chet Baker, Ron Carter, Steve Gadd and Roland Hanna. It was produced by Creed Taylor for his CTI Records label and recorded at Van Gelder Studio. Concierto is named after the featured 19-minute jazz version of the classical piece for guitar, Concierto de Aranjuez by Joaquín Rodrigo.

"The Rape of El Morro" is an album by American arranger/conductor and composer Don Sebesky featuring performances recorded in 1975 and released on the CTI label.

Milano, Paris, New York: Finding John Lewis is a superb piano trio album by Sir Roland Hanna Trio, dedicated to the classic pianist John Lewis. On this release, Hanna is joined by George Mraz on bass and Lewis Nash on drums. The music here is stylish and alluring.

Sir Roland Hanna has released both jazz and classical albums, but this may be his most successful attempt to form a seamless blend of the two forms of music. On this album, Roland Hanna, Ron Carter and Grady Tate play nine tracks — eight written by classical composers, one Hanna original, and suprisingly enough for a piano trio session, not one blues. Schubert's "Serenade" swings like mad, Dvorak's "Going Home" sounds like a pop tune with a funk beat, Hanna's own "Like Grains Of Sand" and Rubinstein's "Melody In F" make for great bossa nova! Other highlights include Chopin's "Prelude Op. 28, No. 20", which is a superb feature for Ron Carter, and a suprisingly fresh version of Mozart's "Elvira Madigan, Concerto No. 21 C Major K467".

One of a host of jazz musicians with deep roots in classical music, Roland Hanna graduated from NYC’s prestigious Julliard School of Music and worked with the likes of Charles Mingus, Elvin Jones, Sarah Vaughan and Jim Hall. Although Hanna had originally intended the pieces as a suite for cello and jazz ensemble, trio members American bass maestro Dave Holland, and Swiss drummer Daniel Humair fit in perfectly with the change of plans. Holland had just taken leave from Miles Davis, and Humair was about to go on tour with Oscar Peterson.