Josh Groban's 'Hidden Gems' is a special collection that brings together ten of his fans' most beloved and rare tracks - many of which have never been available on streaming platforms - along with one brand-new song. Over the years, Josh has released a wide array of deluxe editions, fan exclusives, and special international tracks.

ARTIFACT marks a new chapter in Parov Stelar's creative career. For the album, the Austrian drew inspiration from fragments of memory, parallel worlds, and the fleeting nature of the moment.

David Fray stands out as one of today’s most distinctive French pianists, widely acclaimed for his profound interpretations of Bach. This new album draws its core from L’Enfant oublié (2023), a theatrical project co-created with actress and director Chiara Muti, premiered at the artist’s own festival L’Offrande musicale, dedicated to disability awareness.

'Song for Abbey' is a tribute to the great jazz singer, composer, poet, activist, and actress Abbey Lincoln, who left a unique mark on jazz history with her singular voice, it's not only a celebration of Lincoln's incredible artistry but also a vibrant renewal - honoring a pioneering woman who defied the limits of her time.

Including sessions recorded by Art Pepper for Savoy from 1952-54 Surf Ride was originally released in 1956. Featuring three groups of players, the album collects twelve, mostly Pepper composed, cuts including “Holiday Flight” - with Pepper’s playing throughout on superior form. This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analogue mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket."

On her Northern Spy debut "Another View", trombonist Kalia Vandever leads a quartet with Mary Halvorson (guitar), Kanoa Mendenhall (bass), and Kayvon Gordon (drums) through shifting cycles, grooves, and elegiac melodies. Drawing on dreamlike narratives and themes of grief, intimacy, and resilience, Vandever shapes a multilayered exploration of space, vulnerability, and imagination.

Cheap Trick's sugar-high power-pop influence cannot be overstated (hi, Weezer and Fountains of Wayne and Fall Out Boy and My Chemical Romance). But on the band's 21st album, All Washed Up, they seem to be taking cues from '80s hair metal—which itself was often influenced by glam rock and … Cheap Trick.

Japanese pressing features the high-fidelity SHM-SACD format (single layer). Cardboard sleeve packaging. Produced by Impulse! A&R director Bob Thiele in 1963, this recording is a major showcase of the talented Charles Mingus as a bassist, pianist and writer. In his 1963 original liner notes, critic-at-large Nat Hentoff said that of all the musicians, it is impossible to remain indifferent to Mingus. This recording more than any other testifies to Hentoff's claim. More so today than in 60's, there is truly only one Mingus, Mingus, Mingus, Mingus, Mingus.

Am I the Drama? is the second studio album by American rapper Cardi B. It was released on September 19, 2025, by Atlantic Records. It serves as the follow-up to her debut album, Invasion of Privacy (2018). The album, a hip-hop record, includes features from Summer Walker, Selena Gomez, Kehlani, Dougie F, Lizzo, Cash Cobain, Lourdiz, Janet Jackson, Tyla, and Megan Thee Stallion; Latto and Jeezy feature on bonus editions of the album. The album's production was handled by Ayo the Producer, Keyz, Charlie Heat, FnZ, London on da Track, TM88, and Vinylz, alongside others.

36 (pronounced three-six) has been releasing music for over fifteen years on leading labels such as A Strangely Isolated Place and Past Inside the Present, and also on his own 3six Recordings. He’s grown a huge fanbase and is responsible for some of the most essential albums of recent times. A master of wide-eyed cinematic soundscapes; beautifully crafted worlds that are as harmonically rich as they are polychromatically abstract. A Warm Static Sphere is 36 in ultra-deep mode - vast and immersive synths mesh with opaque noise, creating waves of emotion that are all-encompassing. These give way to more delicate moments and open up to reveal fragments and minutiae buried in the depths.

Tomorrow we release our festival final album of 2025, ‘Lord of the Dance’, by the choir of Norwich Cathedral under the direction Ashley Grote, with organist David Dunnett and Onyx Brass. If you’ve already listened to our advance single from this album, you’ll know that this is something special. Ashley was appointed Master of Music at Norwich Cathedral in September 2012 at the age of 30. Under his direction, Norwich Cathedral Choir has gained a reputation as one of the UK’s leading Cathedral Choirs. Alongside their core work of singing daily choral services, the choir gives regular concerts, many alongside leading period instrument ensemble Norwich Baroque, broadcasts on national radio and has made numerous recordings to critical acclaim.

Over a year since the release of their exhilarating debut Could We Be More, Kokoroko present a new collection of remixes of tracks from their first album. The record brings together a dizzying, globe-spanning array of contemporary music’s most forward-thinking artists, each bringing their own unique identity to the project while maintaining the immersive sound-world of the original. Could We Be More Remixes is due 10th November 2023 via Gilles Peterson’s Brownswood Recordings.

‘Give It Back’ is an album of newly recorded re-worked classic tracks from their impressive catalogue now featuring Gavin Harrison.

Bringing to close an unforgettable 14-date European Winter tour of their 2016 summer hit album Your Wilderness, The Pineapple Thief, led by post-progressive mastermind Bruce Soord and reinforced by Gavin Harrison (King Crimson) on drums with Darran Charles (Godsticks) on guitar, gave the sold-out Islington Assembly Hall in London a truly awe-inspiring gig on 11th February 2017. Where We Stood showcases a powerful performance from both band regulars and guests on new tracks from Your Wilderness, including “In Exile“, “No Man’s Land” and “The Final Thing On My Mind“, and of the classics from previous albums, “Nothing At Best“, “Show A Little Love” and “Simple As That“.

Diverse brass music: 50 years of Thomas Gansch? Of course there are a lot of roses for this! At this round birthday party, not just a cake is cut and "Good luck and a lot of blessings" is sounded, here the trumpets sound until the last valve train is hot!