Purple Disco Machine asserts his production prowess on his sophomore album Exotica featuring hits like “Fireworks,” “Hypnotized,” and more!

In a history that stretches back some 25 years, Faithless have long occupied a pivotal position in the world of British electronica. Marrying elements of house, trip hop, dub and a songwriting flair into arena filling explosive, euphoric sounds.

DNA was the name taken by English electronic music producers Nick Batt and Neal Slateford, best known for releasing a remix of Suzanne Vega's "Tom's Diner" in 1990…

Crooked Machine is the new remix album from Roisin Murphy, which features alternate takes on songs from last year's Roisin Machine album. The songs were reinterpreted by Crooked Man aka DJ Parrot.

Whenever Beethoven crossed my mind, the first thought always went to his Fifth Symphony. It was therefore the obvious choice for me to include it in my BTHVN album. Combining it with the more funky side of my music, the process was a fluid one, resulting in a track that stands out quiet a bit. Excited to see how it will do out there.

Gaspard Auge releases his Debut Album Escapades. He is best known as one half of Justice, the duo that united rock and rave and whose dancefloor smashes defined a generation. Gaspard made an instrumental album whose sound will be familiar to Justice ’s fanbase, echoing some previous works and inspirations of the cult duet. Escapades sounds like a UFO landing from another galaxy, or time, a baroque masterpiece that reimagines European classical music for this century.

Shall Not Fade regular Felipe Gordon joins forces with Cody Currie on their first collaborative record ‘Atlantic Exchanges Vol. 1’, jazz infused house music at its finest.

Leon Vynehall returns with new album Rare Forever, the follow up to 2018's critically acclaimed debut Nothing Is Still. Rare, Forever will feel familiar for fans of Vynehall’s DJ-Kicks mix or his eclectic excursions on NTS, while simultaneously sounding unlike anything he’s ever done before. As much as there are dancefloor memories and moments, it’s not strictly a dance record — instead, Rare, Forever is the clearest representation of the broad spectrum of music he’s made to date, deftly weaving newer shades of post-punk, ambient, techno and drone.

The White Room (Director’s Cut) is the fourth entry in the Samplecity Thru Trancentral series, released on all major streaming services on 23 April 2021. It is the first chapter not explicitely announced on the original flyposter.

“Do you feel what I feel too?” Brijean Murphy floats the question at the start of Feelings, the full-length Ghostly International debut from Brijean, her collaborative project with Doug Stuart. Guided by a lush mix of charismatic keyboard chords, grooving bass lines, and radiant bongo-driven rhythms, the “Day Dreaming” lyric doubles as an invitation and a statement of intention.

“VIELA” is a twelve track album that starts off with a soft “Awakening” and then continues with the title track. “VIELA” sounds like a dark and technoid underground club hit. It then slowly becomes lighter but the arpeggios will still find their way into your spine. You probably won’t be able to not dance.

5 years after his infamous 100% Galcher mix. Less than a year later after his debut album for White Material. Galcher Lustwerk reinterprets the album format again with a digital-only 20 track sprawl. Funky, psychedelic, stream of consciousness hip-house tracks + included instrumentals for the DJs.

Belfast-born, London-based duo Bicep (Matt McBriar and Andy Ferguson) release their hotly anticipated second album, “Isles”, on 22 January 2021 via Ninja Tune.

Huerta’s debut album for Voyage is a righteous journey along the coast of California; a psychosomatic blend of melodic rhythm, natural sounds and ambient textures.

Bob Moses formed when two high-school acquaintances from Vancouver (one a rock musician, the other making trance and progressive house) happened upon each other in a New York City parking lot. Not bad for an origin story. Recorded in Los Angeles after a few years of road testing, their second album (after 2015’s Days Gone By, which yielded them a Grammy) plays like a more anthemic spin on the style of bands like Chromatics or The xx: sleek, melancholic club pop with a touch of indie rock. “You and I found our faith in the will of a lie,” Tom Howie sings on the Depeche Mode-ish “Back Down,” rising up before vanishing into the dry ice of Jimmy Vallance’s synths.