A pivotal album not only in John Coltrane's career but also in the evolution of jazz, the adventurous 1966 outing "Ascension" consists of a single, 40-minute long composition split over the two sides of the original vinyl. Coltrane is part of a seven-piece horn section (which includes Freddie Hubbard) with McCoy Tyner on piano, Art Davis and Jimmy Garrison on bass and drummer Elvin Jones. This release includes both takes recorded by Coltrane and his musicians, known as "Edition I" and "Edition II", previously available individually.

One of the last truly outside albums recorded by Archie Shepp in the 70s – a French performance that's very similar to the open-ended, freely-blown recordings he did for the BYG/Actuel label a few years before! The record captures Shepp in territory that's different than some of the more structured recordings and sets of standard material he'd soon be giving the world – and he blows tenor with unbridled energy on long live tracks – working with a very cool group that includes the great Charles Greenlee on trombone, plus Dave Burrell on piano, Cameron Brown on bass, and Beaver Harris on drums!

RSD 2023 release. 1976 Iconic Pioneer of Bebop Jazz. Considered one of the most important drummers in the history of Jazz. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992. He made numerous noted musical statements relating to the civil rights movement.

Another compilation sampler from Venus Records archives. This time, a famous Japanese Jazz audio authority Takashi Yamaguchi selects ten ultimate sounded tracks from the label's extensive library. Artists includes Joe Beck Trio, Nikki Parrott, Bryan Lynch, Enrico Rava, New Your Trio, and more.

The important tenor Archie Shepp and his 1967 group romp through the continuous 43-and-a-half-minute "One for the Trane" before an enthusiastic audience at a German music festival. Although he improvises very freely and with great intensity, Shepp surprised the crowd by suddenly bursting into a spaced-out version of "The Shadow of Your Smile" near the end of this memorable performance. On the whole, this very spirited set represents avant-garde jazz at its peak and Archie Shepp at his finest. This is an exciting album.

Saxophonist Archie Shepp is best known for his passionately Afrocentric music of the late 1960s, His tenor sax solos were searing, harsh, and unrelenting, played with a vivid intensity while he was viewed as perhaps the most articulate and disturbing member of the free generation. On this album he performs with the avant-garde jazz ensemble The New York Contemporary Five, "a group which, despite its short lease on life, has considerable historical significance", laying "the cornerstone of what might be called the mainstream of free jazz".

This historically significant album by the New York Contemporary Five was lead by tenor saxophone player Archi Shepp and included four other equally talented free jazz musicians to create an album that highlights the virtuosic nature of jazz music. Although a short-lived group, this album is quite historic for many contemporary jazz musicians.

Digitally mastered from original BYG tapes by Nick Robbins. Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought.

Of all the African-American jazz musicians who arrived in Paris at the end of the ‘60s Saxophonist Archie Shepp was arguably the most influential. Still resident in the French capital to this day, he became an integral part of the European scene and struck fruitful working relationships with the likes of German pianist Joachim Kuhn. Shepp also recorded important albums for BYG, and Yasmina, A Black Woman is one of the most compelling from both an intellectual and musical point of view.

Archie Shepp (born May 24, 1937, Fort Lauderdale, Florida, USA) is an African-American jazz saxophonist. Shepp is best known for his passionately Afrocentric music of the late 1960s which focused on highlighting the injustices faced by the African people, as well as for his work with The New York Contemporary Five, Horace Parlan, and his collaborations with his "New Thing" contemporaries, most notably Cecil Taylor and John Coltrane.

Among the many facets of Archie Shepp's distinguished career, it is notable that since his solo debut in 1964, he has been gigging and recording at a near-constant pace. For an 83-year-old saxophone player specializing in provocative and boundary-challenging improvisation, this is impressive enough, but that Shepp's creative, intellectual, and political fire has in 50-plus years remained undimmed, well, that is remarkable indeed…