"Everything's Beautiful" brings Miles Davis' sound into the 21st century, blending a diverse group of master takes and outtakes from across Miles' incredible tenure with Columbia Records (1955-1985) with original reinterpretations. Robert Glasper produced the collaboration. "I didn't want to do just a remix record", Glasper noted when discussing the 11-song set. "My idea was to show how Miles inspired people to make new art". Knowing that "Miles didn't have one audience", Glasper recruited a legion of diverse guest artists to add to the magic of the project including familiar collaborators like R&B musicians Erykah Badu, Ledisi, Bilal and KING. They are joined by British soul singer-songwriter Laura Mvula; hip-hop producer Rashad Smith; Grammy-nominated Australian neo-soul quartet Hiatus Kaiyote, rapper/producer Illa J; jazz guitarist John Scofield, who collaborated with Davis; and the legendary Stevie Wonder.

Double Grammy-winning jazz pianist Robert Glaspar shifts gears on "ArtScience" as he shines a light on each of his talented band members: sax player Casey Benjamin, bassist Derrick Hodge and drummer Mark Colenburg, with all four sharing in songwriting, vocal duties and production. Robert Glasper Experiment's ArtScience is a driving, ambitious album that forges into new territory, capturing the essence of R&B and Jazz while leaning on Glasper's Hip-Hop roots. In addition to the original material, the album includes Herbie Hancock's 1970 song "Tell Me A Bedtime Story" (covered in 1978 by Quincy Jones) and Glasper's unique take on the Human League's number one hit from 1986, "Human".

Acclaimed trombonist Jeff Bradshaw came “home” to The Kimmel Center for a once-in-a-lifetime gathering of great artists from the worlds of R&B, Jazz and Gospel; the resulting concert, presented in all its glory here, delivers electrifying performances by Jeff, Robert Glasper, Marsha Ambrosius, Black Thought of The Roots, Will Downing, Kim Burrell, Bilal, Kenny Lattimore, Tweet, Eric Roberson, Take 6, Najee and Trombone Shorty, all backed by a 20 piece orchestra.

Miles Ahead is an original motion picture soundtrack of the film Miles Ahead. The album features Miles Davis, Robert Glasper, Don Cheadle, Taylor Eigsti, Ewan McGregor and Phil Schaap. Consisting of 24 tracks, the ranges of album's genre include jazz-instrumental, jazz-funk, trumpet jazz, modal music, hard bop & fusion. There are four new compositions written/co-written by Robert Glasper. The album stands as a double portrait of Miles Davis, since there are both contemporary songs of recent artists and the past original songs of Miles Davis.

Today, Glasshaus Presents is proud to announce Grammy-winning artist Bilal on Live at Glasshaus, a mid-career retrospective featuring a supergroup of Questlove, Common, Robert Glasper, and Burniss Travis. The live record presents Bilal within an ensemble of luminaries to reimagine standouts from his classic repertoire. Live at Glasshaus, out June 14 during Black Music Month, sees Bilal at the peak of his powers, pushing the boundaries of a genre-defying catalog including 1st Born Second, his famously unreleased sophomore album, Love For Sale, Airtight’s Revenge, Common’s seminal Like Water for Chocolate, as well as the premiere of Humility.

“My whole career, everybody’s been saying my music is meditative,” Robert Glasper tells Apple Music. “People say they study to my music, they pray to my music, they do yoga to my music, they just zone out. People have wanted me to do this for a long time.” The Grammy Award-winning pianist and composer is talking about the direction of his latest album Let Go, a project he created in partnership with Apple Music with the express intention of helping listeners recalibrate mentally.

Drummer Otis Brown III – an invaluable sideman with the likes of Esperanza Spalding, Joe Lovano, Terence Blanchard, Oliver Lake, Somi, and others – have released his debut album "The Thought of You" via Revive/Blue Note. Brown’s maiden voyage features an impressive roll call of artists including a core band consisting of pianist Robert Glasper, trumpeter Keyon Harrold, saxophonist John Ellis, and bassist Ben Williams, with organist Shedrick Mitchell and guitarist Nir Felder making special appearances. Singers Bilal, Gretchen Parlato, and Nikki Ross contribute standout performances that underscore the sentiments of the album’s co-producer, Derrick Hodge, who says, “Otis has become one of those drummers who once you hear him play, his experience becomes your experience in the moment”.

Grammy-winning keyboardist/composer Robert Glasper has been alluring audiences with his hybrid style, which incorporates jazz, neo-soul, R&B and hip-hop elements. One of his top outings was Black Radio, released 10 years ago on the Blue Note Records, and the timing to celebrate it couldn’t have been better than now, with the third installment of the series. However, despite being thematically strong, this glossily produced music aims for a more commercial path that often doesn’t impress me.

Dr. Lonnie Smith, legendary Hammond B-3 organ master, is set to release his first Blue Note album in 45 years. Special guests incl. Robert Glasper & Joe Lovano. Smith first made a name for himself in the late 1960s as a sideman with saxophonist Lou Donaldson on albums including "Alligator Bogaloo" & soon after as a leader with his own soul-jazz classics including "Think!" & "Turning Point".

Throwing open his studio doors, the pianist aims for a loose, mixtape-like vibe, but the stacked guest list yields a scattershot party that only ends up overstaying its own welcome. In the mini-documentary that accompanies Robert Glasper’s Fuck Yo Feelings, the Grammy-winning pianist and composer explains, “I want this whole thing to be mixtape vibe, so when we put it together it’s like a beat here, might be a song here, then we fuck around talking here.”

Black Radio, the title of the Robert Glasper Experiment's proper Blue Note debut, is a double signifier. There's the dictionary's definition: "the device in an aircraft that records technical data during a flight, used in case of accident to discover its cause." And there's Angelika Beener's in her liner essay. She defines Black Radio as "representative of the veracity of Black music" which has been "…emulated, envied and countlessly re-imagined by the rest of the world…." With jazz as its backbone, Glasper, drummer Chris Dave, bassist Derrick Hodge, and Casey Benjamin on reeds, winds, and vocoder, cued by the inspiration of black music's illustrious cultural past, try to carve out a creative place for its future…

Four months after winning his second Grammy Award in the R&B category for Black Radio 2, pianist Robert Glasper re-assembles the acoustic jazz trio that played on his first two Blue Note recordings…