Présenté le 17 juillet en clôture de la 74ème édition du Festival de Cannes, le 3ème volet des aventures d’OSS 117, le plus français des agents secrets, arrive en salles le 4 aout ! Toujours interprété par Jean Dujardin mais réalisé par Nicolas Bedos, Alerte rouge en Afrique noire s’annonce comme l’épisode le moins politiquement correct de la série. Comme pour ses précédents films, Nicolas Bedos est accompagné d’Anne-Sophie Versaneyen pour nous proposer une bande originale digne des meilleurs films d’espionnage ! Aux thèmes orchestraux rythmés qui accompagnent les tribulations de notre héros, le duo nous dévoile une chanson originale interprétée par Indy EKA. La chanteuse franco-camerounaise nous propose un hit soul dans la lignée des plus grands thèmes des James Bond. A noter qu’une reprise du mythique Le Freak du groupe Chic par Tessa B ou encore le célèbre Superman des Commodores complètent cette bande originale détonante.

Singing together binds us together. From the Protestant Reformation in Europe during the 1500s to the U.S. Civil Rights Movement, there have been countless moments in history when songs have united nations, cultures and causes. This is still the case in todays world. Finding Harmony is evidence that music has always been our common language. A unique collection of pieces that span the globe including music thats too often forgotten each song is the key to a powerful true story about who we are and how weve got here. Together, Finding Harmony proves how deeply we can be moved by all kinds of stories when songs connect us to them, and to each other.

Minamata features music by internationally renowned composer, musician and environmental activist Ryuichi Sakamoto composed for the 2021 film directed by Andrew Levitas.

Among the collection's 81 remastered tracks, 19 are making their CD and digital debuts, including alternate versions of classic hits, demos, rarities, and live tracks, like her stunning performance of '(You Make Me Feel) Like A Natural Woman' at The 38th Annual Kennedy Center Honors in 2015. To put Franklin's life and career into perspective, the collection is accompanied by liner notes written by Rochelle Riley, author and director of arts and culture for the City of Detroit, and David Nathan, a music journalist and soul historian who interviewed Franklin more times than any other living writer.

Championne des premiers prix de piano, Alice Sara Ott (né à Munich le 1er août 1988) fait ses classes au Mozarteum de Salzbourg, en Autriche, avant de se lancer dans les plus grands festivals européens. Signée en exclusivité par Deutsche Grammophon, elle enregistre les 12 Études d'exécution transcendante de Franz Liszt (parues en 2009) et se produit au Japon à guichets fermés.

Brethren features Rick Marotta who spent several years in the early 1970s as the drummer for his own group, the short-lived Brethren. Tom Cosgrove sang and played lead, Stu Woods played bass (he would later appear on Todd Rundgren’s Something/Anything? album), and Mike Garson played keyboards. They released two albums; the first was the eponymous Brethren, which was mildly successful. The second, released as the band was crumbling, is almost impossible to find. The band had a unique sound, a mixture of rock and country, with traces of jazz and influences from Dr. John (Mac Rebennack), who wrote the album notes and the song “Loop Garoo” for them.

Atlantic Presents Atlantic Records RSD Drops Vol. 1: Music For Everyone album original hits and the original artists genre Pop Rock.

This 2001 DMB performance from Toronto is the band’s first Live Trax release out of Canada. From the very first pulse of the heartbeat intro to Pantala Naga Pampa and Rapunzel and all the way to the last beats of Two Step, this show offers solid renditions of songs off the new album, Everyday, as well as road tested gems like JTR and Say Goodbye. The Lovely Ladies' extra vocal power elevates the performances throughout and specifically on Don't Drink The Water and Stay (Wasting Time).

Aside from Roger Dean's iconic cover illustrations, Greenslade weren't like most prog brands of the 1970s. Keyboardist Dave Greenslade and bassist Tony Reeves formed the quartet in 1972 after leaving jazz-rock outfit Colosseum. Eschewing guitars, they hired Samurai's Dave Lawson as a second keyboardist, and former Manfred Mann drummer Andrew McCulloch (he also played on King Crimson's Lizard) . The band's approach utilized typical knotty, stop-and-start cadences, and key and tempo changes, but those are only a few elements in their complex soundscape. The rest of Greenslade's sound reflected a penchant for catchy melodies derived from pop, jazz, classical, and folk. Keyboardist Lawson spent years backing singers including Bing Crosby and Peggy Lee. Greenslade, Reeves, and McCulloch came up in the British blues and jump R&B bands of the early 1960s. The remastered albums in this box mark their four studio outings: 1973's Greenslade and Bedside Manners Are Extra, 1974's Spyglass Guest, and 1975's Time & Tide.

BulletBoys is an American heavy metal group. The band was formed in Los Angeles, California in 1986. The group's original lineup was composed of former Ratt and Kagny and the Dirty Rats[3] guitarist/King Kobra lead vocalist Marq Torien (vocals), former King Kobra guitarist Mick Sweda, Lonnie Vencent (bass) and Jimmy D'Anda (drums, percussion). The group released two successful albums and had a number of singles featured on MTV between 1988 and 1991. From the 1990s onward, the group went through numerous lineup changes, with the exception of Torien who remained the only consistent member, which featured musicians such as Steven Adler (ex Guns N' Roses, later of Adler's Appetite), Jason Hook (Five Finger Death Punch) and DJ Ashba (ex Beautiful Creatures, Sixx:A.M. and Guns N' Roses). The original band reunited for one show in December 2011 before disbanding again. In December 2019, BulletBoys original lineup reunited again for a show at the Whiskey A Go Go.

There is no place to hide in a DUO, so there is a unique honesty in the connection with each musician and the audience. When setting out to do this recording Anderson (piano) and Foureman (bass) wanted the audience to feel this music as genuinely as possible, no overdubs, no fixes – this is the REAL DEAL!

Four months after the sold-out success of The Seekers’ Golden Jubilee ‘Farewell’ Tour of Australia in late 2013, the group and their team reconvened to do it all again in the United Kingdom in 2014, winding their way through Wales, Scotland and England with a 15-date sold-out tour.

Andrew Haveron and John Wilson deliver a fresh and intensely idiomatic reading of Korngolds Violin Concerto, coupled with the formidable String Sextet. One of the most sought-after violinists of his generation and a laureate of some of the most prestigious international violin competitions, Andrew Haveron studied in London at the Purcell School and the Royal College of Music. As a soloist, he has collaborated with conductors such as Jií Blohlávek, Sir Colin Davis, Sir Roger Norrington, David Robertson, Stanisaw Skrowaczewski, and John Wilson, performing a broad range of well-known and less familiar concertos with many of the finest orchestras in the UK. In 1999 he was appointed first violinist of the internationally acclaimed Brodsky Quartet.

Creation can be a lonely process. The meticulous crafting of art frequently requires isolation for focus, but the process can be aided by the spark of a change of location or meeting new collaborators. Cellist/composer Hank Roberts believes that the acts of creating and sharing music help bring positivity needed to balance the world. In essence, bringing more of a particular life-sustaining energy into the world, namely, love. How better to spread love than through enthusiastic participation with friends in artistic endeavors?

Brainchild of bassist and composer Matt Ridley, The Antidote is a new and exciting quintet, bristling with young talent. Ridley describes his inspiration for the music: "I spent a long time reflecting on musical culture in the UK, and my own identity and relationship with all of the different musics that I have encountered over 15 years of being a professional bassist. When it came down to it, I decided that what the English do really well, is Rock, Folk, and Classical music. I realised that deep down, I've always wanted to Rock Out, to be wild and free, to fly unhindered and answerable to no-one. So I set out creating my own music, that would combine 'thinking man's' Rock music (Radiohead/Beatles…without the posturing and banal dumbing-down which is inevitable in mass-produced pop music), with Jazz improvisation (without falling foul of pretentious self-indulgence), simple, memorable, Folky melodies, and the detail, sensitivity, and emotional depth of Classical music." The result is 'The Antidote', remarkable for its depth, integrity, and refreshing insistence on strong melodic and thematic material.