The 2008 box set Original Album Classics rounds up Jeff Beck's first five albums after the departure of Rod Stewart and Ronnie Wood: Rough & Ready, Blow by Blow, Jeff Beck Group, Wired, Jeff Beck with the Jan Hammer Group Live…

One of the best guitarists does the honors and leads the listener into a virtuoso world of guitar sounds. The quantum leap of his musical development and career will be released on October 08, 2021. It is no longer a secret that Gus G. plays in the top league in the world of guitar virtuosos. Not only that he played the world's biggest stages in his time with Ozzy Osbourne, but also that he was able to gain a firm place and a loyal fan base in recent years with his own band Firewind and his solo project Gus G. ennoble the guitar artist. In his new album "Quantum Leap", Gus G. continues his straight and inspirational path, this time focusing only on his excellent craft. For this reason, the new album is an instrumental album, but so complete in itself that it can make many a person green with envy. Gus G. has again relied on his longtime colleague Dennis Ward for production, but has done the mixing and mastering entirely on his own terms. Hard metal tracks line up with melodic riffs and make this album seem like a complete work. "Quantum Leap" is a tribute to himself, to a great guitarist and instrumental artist.

This all instrumental album features some mind-blowing original material plus killer cover versions of Paul McCarney’s “Maybe I’m Amazed,” Rod Stewarts “Da Ya Think I’m Sexy?” (which was co-written by Appice), and more!

The Shadows' second album is one of the group's better efforts, though not a very hard-rocking one. By this time, the Shadows were moving in a direction similar to that of Cliff Richard, aiming for a wider, more mature audience that was attuned to more than rock & roll…

Dance with The Shadows is a 1964 rock album by British instrumental (and sometimes vocal) group The Shadows. It was their third album. It reached number 2 in the album charts…

Andreas Vollenweider's Grammy-winning effort is dominated by the Swiss musician's electrically modified harp. Its distinctive sound runs throughout the album, supported by the usual tinkering synthesizer effects and light percussion. After an extended introductory interlude, the title track zips into a vaguely Caribbean-styled rhythm. "Water Moon" features a different, more organic harp sound; it's mixed with the windy tones of a flute, suggesting ghostly moonshafts lancing through falling rain. Vollenweider plays the harp strings off of guitar strings on the surprisingly twangy (for new age, anyway) "Drown in Pale Light." The composer weaves the album's instrumentals together with a goody bag of pan-ethnic influences; the album's margins are full of these little touches that nevertheless make a big difference. Down to the Moon will appeal to anyone looking for music that's as interesting as it is soothing.

The Bad Dreamers’ highly anticipated second album delivers everything a fan could hope for: Space and Time continues the artist’s remarkable approach to retro-flavored pop music while introducing a greater variety of writing styles and bringing a more personal touch to the lyrical and emotional content…

1967. The Summer of Love. Sgt. Pepper's and Satanic Majesties, San Francisco, flowers in your hair…and the dear old Shadows, still besuited and a-twanging, a-grooving, and a-moving, and so firmly locked in a bygone age that even grandma thought they were a little square…

In many ways, Karma to Burn is like a psycho ex-girlfriend: you know she's no good for you, but you still love her anyway…

Re-forming after a four year absence, the Shadows broke into the 1970s with an almost brutal lack of restraint – and an instrumental version of the Who's "Pinball Wizard"/"See Me Feel Me," which rearranges the simplistic original with fiendish aplomb. A decade earlier, Hank Marvin was the idol of every would-be guitarist in the U.K.. By 1973, those would-bes were the hottest shots around, but Marvin wasn't even slightly phased…