Santana Defined in no small part by the powerful and passionate guitar playing of their namesake, Carlos Santana, rock band Santana has spent over 50 years creating a specific brand of eclectic, spiritually enlightened, and groove-heavy rock & roll music. In the late '60s, Santana ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring an esoteric, spiritual jazz fusion on his own. Carlos may have wandered away from the band who shared his name, but he always returned to the group, sustaining them through years both productive and fallow.

Born Robert Allen Zimmerman, Bob Dylan was born in Duluth, Minnesota on May 24, 1941 into a middle-class Jewish family. He received the Jewish name Shabtai Zisel ben Avraham. American singer-songwriter, musician, painter and poet, he has been one of the major figures in popular music for five decades.

Eurythmics were one of the most successful duos to emerge in the early '80s. Where most of their British synth pop contemporaries disappeared from the charts as soon as new wave faded in 1984, Eurythmics continued to have hits until the end of the decade, making their technically consummate, soul-styled vocalist Annie Lennox a star in her own right as well as establishing instrumentalist Dave Stewart as a successful, savvy producer and songwriter. Originally, the duo channeled the eerily detached sound of electronic synthesizer music into pop songs driven by robotic beats. By the mid-'80s, singles like "Sweet Dreams (Are Made of This)" and "Here Comes the Rain Again" had made the group into international stars, and Eurythmics had begun to experiment with their sound, delving into soul and R&B. By the late '80s, they were having trouble cracking the Top 40 in America, although they stayed successful in the U.K. By the early '90s, Eurythmics had taken an extended hiatus – both Lennox and Stewart pursued solo careers – but they reunited occasionally for recording or tours, including "I've Got a Life," a previously unreleased single issued in 2005 as part of their Ultimate Collection.

In the late ‘70’s ‘disco’ became a phenomenon. Fueled by the success of the movie ‘Saturday Night Fever’ and the impact of the dance clubs, the music not only ruled the dance-floors but also the charts across the world. ‘The Best Disco Album’…. brings together the essential tracks from the era. Appropriately we kick off with the track ‘I Feel Love’ by Donna Summer, that not only came to represent the finest in disco but also pointed the way forward to the electronic and sequenced future of dance music. As well as ‘I Feel Love’, huge crowd pleasers from Earth Wind & Fire with The Emotions,

Live At The Great American Music Hall, San Francisco, CA" is a live archival release by Paul Kantner and Marty Balin, founders of the legendary rock band Jefferson Airplane.The concert was recorded on May 18, 2000, in San Francisco, and was officially released on two CDs in 2011 by Floating World Records.A comprehensive retrospective survey of fifty years of San Francisco musical history. The musicians perform iconic hits from the era of Jefferson Airplane, Jefferson Starship, and the KBC Band, as well as solo material.In contrast to the original, fast and aggressive psychedelic shows of the 1960s, this performance by these 60-year-old rock veterans is imbued with deep emotion, maturity, and an intimate folk-rock atmosphere. The recording featured longtime collaborator Slick Aguilar (lead guitar) and Diana Mangano (vocals), who at the time was replacing Grace Slick in the current Jefferson Starship lineup. Chris Smith also played keyboards.

Above the album worked the 'The Best 60s Album In The World…Ever!', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

The compilation, issued as a 22 track bonanza on double vinyl, also represents a tangible history of musical resistance to the dark days of the Far-Right authoritarian, fascist and military oppression that blighted Argentina and its people throughout the 1970s and into the early 1980s. Featuring tracks originally self-released on small record labels and emerging from underground studio sessions and composed and recorded against a backdrop of the monitoring of 'subversive' music by the authorities, Danza Secreta is testament to the underground spirit of resistance in a blend of Soul, Funk and Disco with distinctive Argentinian signatures.

Over half of this collector's four-CD box set is previously unissued studio, demo, rehearsal, or live recordings. Nothing is duplicated in this material originally recorded from 1961-1967. The Trashmen are an amazing summary of contradictions when looked at from afar. In pictures, even live ones, they are four clean-cut chaps in suits. Their nationwide 1963 hit "Bird," the 1965 version of which is included here, is a deliriously silly, primitively noisy, and utterly infectious gem. It's like playing a Black Sabbath album and showing pictures of the Bee Gees and trying to get someone to believe they are one and the same. The Trashmen's arrangements are two guitars of clarion twang and garage crunch with harmony with lead vocals often moving from one member to another. While some of their covers are saccharine (for example, Buddy Holly's "Tell Me How"), they offer such glorious trash rock as the cartoonish analysis of Bo Diddley's signature sound in "Bird Diddley Beat." The Trashmen tap straight into a democratic and transforming American spirit that celebrates the Universal Goof, a sort of holy fool spreading pure joy through music. There you have the entertainment recipe of the Trashmen: surf, doo-wop, blues, and rock & roll motifs swirled together for either devastating hilarity or smooth, slow dancing ballads.

The Trashmen Box Set is a comprehensive collection of music by the American surf rock and garage band The Trashmen. They are best known for their legendary 1963 hit single "Surfin' Bird."This complete anthology of the Minneapolis band's work includes all tracks from the original Garrett Records releases (including the albums "Surfin' Bird" and "Bird Dance Beat").

Across 3CDs come 67 groovy hits that make the perfect soundtrack for the ultimate '70s party. From huge sing-along pop hits to disco anthems, rock classics to soul favourites, this collection showcases all the songs that would have made any '70s party complete. Featuring huge hits from Donna Summer, Boney M, Elvis Presley, The Jackson 5, Blondie and many many more, this collection is an absolute must-have for party season. It really is 'The Best '70s Party Album In The World…Ever!'

Above the album worked the '70s Rock Down: The Ultimate Rock Anthems ', and his release took place on 2020. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

The most beautiful jazz lounge songs by Papik and many more on one compilation!

Born: September 23, 1949, Long Branch, New Jersey, USA.Nicknamed "The Boss", Springsteen is an American singer-songwriter and rock musician, widely known for his brand of poetic lyrics, his Jersey Shore roots, his distinctive voice, and his lengthy and energetic stage performances. He released his first album in 1973. The backing group that played for him is called The E-Street Band.Inducted into Rock And Roll Hall of Fame (Performer) and Songwriters Hall of Fame in 1999.

"Live at the Village Vanguard Vol. 3" is a breathtaking display of Modern Post-Bop and Spiritual Jazz. Immanuel Wilkins, one of the most vital saxophonists of his generation, leads his telepathic quartet through a set that is both intellectually rigorous and deeply emotional. Recorded in the intimate, wedge-shaped basement of the Vanguard, the album captures the raw, acoustic energy of a band that has reached a level of collective intuition where the line between composition and improvisation completely disappears.

Steve Elcock – UK-born (in 1957) but long since based in France – was recently hailed by a fellow composer in the American magazine Fanfare as ‘the greatest living symphonist’. All eleven of the symphonies he has composed to date are, in various ways, concerned with the large-scale accumulation and dissipation of tension, rather in the manner of the later Nielsen symphonies – the half-hour span of his Fourth Symphony also reconciling tonality and atonality in its wild and energetic arch. Elcock is fond of bringing popular elements into his music, and a folk-like dance duly animates his Viola Concerto. These major works are book-ended here by two big-hearted orchestral showpieces that could become audience favourites.